Notes related to Bolivia
FLORENCIA BLANCO ON THE ARCHITECTURE OF FREDDY MAMANI SILVESTRI
Ch'ixifuturismo is the exhibition at Fundación Larivière that presents photographs by Florencia Blanco on Freddy Mamani Silvestri's architecture, in dialogue with works by Narda Alvarado, Tin Ayala, Iván Cáceres, Cristina Collazos, Miguel Hilari and Claudia Joskowicz, and curated by Santiago García Navarro. The exhibition includes 40 photos, a series of drawings, three videos and a film.
FOREIGNERS EVERYWHERE: LATIN AMERICA TAKES OVER THE VENICE BIENNALE
The exhibition of the 60th edition of the Venice Biennale - Stranieri Ovunque (Foregneirs Everywhere) - curated by Brazilian Adriano Pedrosa, presents 331 artists, significantly more than the usual number. More than a third of those artists come from Latin America.
RUSSIA’S VENICE BIENNALE PAVILION WILL HOST BOLIVIA’S PROPOSAL
The Russian Venice Biennale pavilion is hosting a group exhibition of artists from South America organized by Bolivia’s Ministry of Cultures, Decolonization and Depatriarchalizing.
LIGIA D'ANDREA: VISUAL POETRY THAT ESCAPES FROM TWO-DIMENSIONALITY (part 2)
LIGIA D'ANDREA: VISUAL POETRY THAT ESCAPES FROM TWO-DIMENSIONALITY (part 1)
THE “BIENNIAL WITHOUT PUBLIC” (2020) IN SANTA CRUZ AND AN OUTLINED PATH (PART 2)
If the São Paulo Biennial in Brazil once had what was called the “Biennial of the Void” (2008), it could be said, bridging the gap, that Santa Cruz de la Sierra involuntarily experienced the “Biennial without public” (2020).
THE “BIENNIAL WITHOUT PUBLIC” (2020) IN SANTA CRUZ AND AN OUTLINED PATH (PART 1)
If the São Paulo Biennial in Brazil once had what was called the “Biennial of the void” (2008), it could be said, bridging the gap, that Santa Cruz de la Sierra involuntarily experienced the “Biennial without an audience” (2020).
