Autor
María Laura Hernández de Agüero
María Laura Hernández de Agüero

Peruvian journalist with a distinguished career in the media. She began as a photographer for Somos magazine and then worked as a cultural reporter on En Persona with César Hildebrandt. Between 1991 and 1997, she was a reporter for La Revista Dominical on América TV. She also directed the architecture and design program “Abriendo Puertas” on Canal N (2003-2004). She currently contributes cultural reports to magazines such as Cosas Perú and the Quipu supplement of the Ministry of Foreign Affairs.

NEREIDA APAZA MAMANI: A HISTORY OF MIGRATION AND VIOLENCE AT THE ICPNA CULTURAL IN MIRAFLORES

The exhibition Lengua materna (Mother language) is a journey through the intimate and social spaces that have shaped the work of the artist.

By María Laura Hernández de Agüero
News

NEREIDA APAZA MAMANI: A HISTORY OF MIGRATION AND VIOLENCE AT THE ICPNA CULTURAL IN MIRAFLORES

By María Laura Hernández de Agüero

The exhibition Lengua materna (Mother language) is a journey through the intimate and social spaces that have shaped the work of the artist.

CARLOS RUNCIE TANAKA’S CERAMICS IN PINTA LIMA’S SPECIAL PROJECT

"Repeating and mastering form, shaping clay spheres, is like offering a prayer with no beginning or end in time. When I look, I hear distant music" — Carlos Runcie Tanaka (A Zen Parable and Ten Small Stories, 2007)

By María Laura Hernández de Agüero
News

CARLOS RUNCIE TANAKA’S CERAMICS IN PINTA LIMA’S SPECIAL PROJECT

By María Laura Hernández de Agüero

"Repeating and mastering form, shaping clay spheres, is like offering a prayer with no beginning or end in time. When I look, I hear distant music" — Carlos Runcie Tanaka (A Zen Parable and Ten Small Stories, 2007)

ARMANDO ANDRADE: “SARA FLORES PRESENTS A SERIES OF WORKS THAT TAKE KENÉ TO A SCALE NEVER BEFORE EXPLORED”

As curator of the Peruvian pavilion in Venice, Andrade examines how the Shipibo-Konibo artist transforms a visual thinking system into an all-encompassing experience —and why that gesture reshapes the scale of what contemporary art can hold.

By María Laura Hernández de Agüero
Interviews

ARMANDO ANDRADE: “SARA FLORES PRESENTS A SERIES OF WORKS THAT TAKE KENÉ TO A SCALE NEVER BEFORE EXPLORED”

By María Laura Hernández de Agüero

As curator of the Peruvian pavilion in Venice, Andrade examines how the Shipibo-Konibo artist transforms a visual thinking system into an all-encompassing experience —and why that gesture reshapes the scale of what contemporary art can hold.

THREE PERUVIAN GALLERIES AT PINTA LIMA 2026: A DIALOGUE BETWEEN THE LOCAL AND THE GLOBAL

Galería Enlace, Forum, and Livia Benavides participate in the fair with a selection of artists with a presence in the national and international contemporary landscape.

By María Laura Hernández de Agüero
News

THREE PERUVIAN GALLERIES AT PINTA LIMA 2026: A DIALOGUE BETWEEN THE LOCAL AND THE GLOBAL

By María Laura Hernández de Agüero

Galería Enlace, Forum, and Livia Benavides participate in the fair with a selection of artists with a presence in the national and international contemporary landscape.

A PIONEERING EXHIBITION AT THE MAC IN BARRANCO

The show presents six decades of artistic and cultural work by Francesco Mariotti and María Luy, two artists who have intertwined technology, collectivity, nature, and social commitment in their work.

By María Laura Hernández de Agüero
News

A PIONEERING EXHIBITION AT THE MAC IN BARRANCO

By María Laura Hernández de Agüero

The show presents six decades of artistic and cultural work by Francesco Mariotti and María Luy, two artists who have intertwined technology, collectivity, nature, and social commitment in their work.

A JOURNEY THROUGH LATIN AMERICAN PHOTOGRAPHY AND A REFLECTION ON THE ROLE OF COLLECTING

The Jan Mulder Collection showcases the intersections between Latin American tradition and global developments in the field. 

By María Laura Hernández de Agüero
News

A JOURNEY THROUGH LATIN AMERICAN PHOTOGRAPHY AND A REFLECTION ON THE ROLE OF COLLECTING

By María Laura Hernández de Agüero

The Jan Mulder Collection showcases the intersections between Latin American tradition and global developments in the field. 

MAYA WATANABE IN A GROUP EXHIBITION AT THE HOSPEDALETTO COMPLEX IN VENICE

The exhibition evokes a present marked by oppression, where bodies, sensibilities, and politics are deeply intertwined.

By María Laura Hernández de Agüero
News

MAYA WATANABE IN A GROUP EXHIBITION AT THE HOSPEDALETTO COMPLEX IN VENICE

By María Laura Hernández de Agüero

The exhibition evokes a present marked by oppression, where bodies, sensibilities, and politics are deeply intertwined.

THE RELIGIOUS AND EVERYDAY INTERSECTIONS OF MELEN AT PROYECTOAMIL

Melen (Lima, 2001), one of the most outstanding young artists of his generation, is participating in the current Making Context group exhibition, curated by Martin Gustavson and Rodrigo Gomez Olivos.

Galleries

THE RELIGIOUS AND EVERYDAY INTERSECTIONS OF MELEN AT PROYECTOAMIL

Until 05/09/2026
Lima, Perú
SOI NIWE: THE SHIPIBO-KONIBO CULTURAL COLLECTIVE AT CASA FUGAZ

This exhibition brings together prominent artists from various Shipibo-Konibo communities, who now reside in the Cantagallo community, in Perú. Through their works, the collective shares artistic practices that are part of a living culture.

By María Laura Hernández de Agüero
News

SOI NIWE: THE SHIPIBO-KONIBO CULTURAL COLLECTIVE AT CASA FUGAZ

By María Laura Hernández de Agüero

This exhibition brings together prominent artists from various Shipibo-Konibo communities, who now reside in the Cantagallo community, in Perú. Through their works, the collective shares artistic practices that are part of a living culture.