Notes related to Instalación

Life(s) of Webs, arachnophobias, arachnophilias, and other stories is a permanent installation at Chiesa della Madonna del Carmine, Palazzo Lanfranchi by Tomás Saraceno, arrived in Matera, Italy with a project of the Matera Basilicata 2019 Foundation in collaboration with the National Museum of Matera.

Extravagances is Portuguese artist Joava Vasconcelos’ largest solo show at Brazil in the Oscar Niemeyer Museum (MON). Curated by Marc Pottier, the exhibition invites the audience to an immersion into the magical world of the artist.

MIAMI

Amazonia is a Pinta Miami project curated by Félix Suazo that proposes a visual expedition through the Amazon, crossing countries, cultures and ecological identities. As a Special Project, Amazonia emphasizes Pinta's commitment as an international platform for Latin American art.

US Pavilion selected queer and indigenous artist Jeffrey Gibson for the Venice Biennale 2024. Presented by Portland Art Museum and SITE Santa Fe. 

The 35th São Paulo Biennale, Choreographies of the Impossible, gathered more than 1100 works by 121 participants focused on exploring new perspectives of the world.

The exhibition Marta Minujín: Vive at the Pinacoteca de São Paulo is the first panoramic exhibition in Brazil of one of the most important Latin American artists of her generation.

Within the framework of Pinta Sud ASU 2023 in Asunción, Paraguay, Casa M becomes for a few days the perfect setting for the site-specific intervention by artist Joaquín Sánchez, entitled The architecture of the body. Poetics of space and other fictions.

For the exhibition Reassembling Split Light at Sarasota Art Museum, Carlos Bunga will create a temporary cardboard structure in the 30-foot-high Koski Gallery located on the Museum’s third floor. Beginning and ending as a dialogue with the existing architecture, this installation will transform the gallery’s spatial configuration for the duration of the exhibition. By deploying light as his primary conceptual basis, just as James Turrell has done before him, Bunga explains that he will sculpt light, which cannot be touched, but only felt viscerally.

Tomás Saraceno launched in Serpentine South Gallery a living collaborative and multi-species exhibition that delves into how different life forms, technologies and energy systems are connected in the climate emergency.

Deeply influenced by the socio-natural context of Brazil, the work of Daniel Steegmann Mangrané (Barcelona, 1977; lives and works in Rio de Janeiro) looks into ecology as a tool to analyse the relationships of mutual transformation.

Caliban. Roberto Ochoa at the Medellín Modern Art Museum. 

The project Retorno Solar (Solar Return) by Luis Enrique Zela-Koort, winner of the MAC Lima Art and Innovation Award 2022, proposes to return to the Sun as the representation of all that exists and has existed, witness and creative agent of the facts of the history of the Earth and of the fragment that, in this case, represents the history of humanity.

The Museo de Arte Contemporáneo de Monterrey (MARCO) presents the exhibition Helen Escobedo: Ambientes totales (Total Environments), which offers a contemporary look at one of the pioneers of installation art in Mexico.

The Museum of Modern Art of Buenos Aires presents the first solo exhibition of the young Argentine artist Florencia Sadir.

In a large-scale installation, the Foundation Beyeler presents Palimpsest by internationally acclaimed Colombian artist Doris Salcedo. The exhibition is dedicated to the refugees and migrants who over the past twenty years have died attempting dangerous journeys across the Mediterranean or the Atlantic in search of a better life in Europe.

Currently on view at La Casa Encendida, In the depth heat leaks is Prouvost's first solo show in Spain and traces the path of a 12-year period in which she has produced five audiovisual installations.

Colombian Artist Carlos Motta is presenting his largest exhibition in the US to date. Your Monsters, Our Idols celebrates commitment to radical difference and the debut of his Wex-commissioned project.

ArtYard inaugurated the new exhibition by Cuban artist Alexandre Arrechea. LANDSCAPE AND HIERARCHIES explores the relationship between the individual and the collective, and the domino effect that human actions may have on society and nature.

From June 26 to September 5, Leandro Erlich presents “Seeing is Not Believing” at the Museum of Fine Arts in Houston, an exhibition that challenges our perception of reality and distorts everyday situations under incredibly real visual effects.

Sicardi | Ayers | Bacino is pleased to announce Antológica, a retrospective exhibition for gallery artist Graciela Hasper (b. 1966, Argentina) at the Museo Provincial de Bellas Artes Franklin Rawson in San Juan, Argentina. 

The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.

Presented by Superblue and BMW i, this art installation uses new technology to create an immersive chorus of 6,000 heartbeats. "Pulse Topology" will be presented in the foyer of Design Miami/ Basel from June 14 to 19.

Organized by Fundación Proa with the collaboration of the Estate of Christo V. Javacheff and Museo de Arte Contemporáneo Atchugarry; curated by Lorenza Giovanelli. The retrospective exhibition Christo and Jeanne-Claude presents an exhaustive fundamental territory of concepts and images to appreciate the art of the second half of the twentieth century. The appropriation of public property, wrapping monuments and transforming the natural space with their interventions brings us closer to one of the most relevant trends in artistic practice.

Review about the exhibition Into the Great Dying: (The Steps We Take), on view until June 2022

Exhibited at the Spcrates Sculpture Park, in collaboration with Projeto Hélio Oiticica and Americas Society. Titled Subterranean Tropicália Projects: PN15 1971/2022, this immersive environment is the first realization of a never-before-executed idea by the late Brazilian artist.

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.

The exhibition Tierra Blanca Joven at the Brooklyn Museum, draws from the artist’s own experiences as an undocumented immigrant and cancer survivor to weave together themes of displacement, illness, recovery, and healing in new and existing works; objects from the Museum’s Maya art collection; and a Healing Room.

The National Pavilion UAE exhibitis Mohamed Ahmed Ibrahim: Between Sunrise and Sunset at the Biennale Arte 2022 (Venice Biennale). Curated by Maya Allison, Executive Director of The New York University Abu Dhabi Art Gallery, the exhibition presents an installation of human-sized, abstract and organic sculptural forms.