Notas relacionadas con: Female Artist

MoMA’S COLLECTION GALLERY EXHIBITS MARTA MINUJÍN’S “MINUCODE”

The exhibition includes this piece by Argentine artist Minujín which exposes a meta-narrative of the art world and other spheres, their different agents and interrelations.

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MoMA’S COLLECTION GALLERY EXHIBITS MARTA MINUJÍN’S “MINUCODE”

TREMOR: SANDRA RENGIFO EXPLORES THE NOTIONS OF BODY, MATERIALITY AND LABOR AT CASA HOFFMANN

TREMOR collects and revisits the reflections on painting, cinematographic noema and experimental video that Sandra Rengifo started in 2016 with the work Los Lirios del Campo y las Aves del Cielo. It is a kind of "synthetic Neo-romanticism" that gathers the premises of existentialism, the process of the everyday, the revisiting of the past and thinking about the present: carrying bodies, diseased bodies, caring bodies, bodies suffering from inclement weather.

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TREMOR: SANDRA RENGIFO EXPLORES THE NOTIONS OF BODY, MATERIALITY AND LABOR AT CASA HOFFMANN

NSU ART MUSEUM FORT LAUDERDALE EXHIBITS WORKS BY MARGARITA CANO

Celebrating the occasion of her 90th birthday, the exhibition will be on display until February 13, 2022. The aim is to celebrate the life and work of Cuban-born, Miami-based artist Margarita Cano.

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NSU ART MUSEUM FORT LAUDERDALE EXHIBITS WORKS BY MARGARITA CANO

TREMOR: SANDRA RENGIFO EXPLORES THE NOTIONS OF BODY, MATERIALITY AND LABOR AT CASA HOFFMANN

TREMOR collects and revisits the reflections on painting, cinematographic noema and experimental video that Sandra Rengifo started in 2016 with the work Los Lirios del Campo y las Aves del Cielo. It is a kind of "synthetic Neo-romanticism" that gathers the premises of existentialism, the process of the everyday, the revisiting of the past and thinking about the present: carrying bodies, diseased bodies, caring bodies, bodies suffering from inclement weather.

Galleries

TREMOR: SANDRA RENGIFO EXPLORES THE NOTIONS OF BODY, MATERIALITY AND LABOR AT CASA HOFFMANN

MONTENEGRO ART PROJECTS (MAP) OPENS A NEW SPACE IN BOGOTÁ WITH “SILENT THREADS”

The thread is the element that stars in this exhibition, increasingly relevant in contemporary art. It is silent because of its "designation" as a material for women, reflected in techniques such as weaving, embroidery and sewing. The exhibition highlights these traditional activities and shows how artists from Nigeria, Argentina, Cuba, the United States and Colombia coincide in the use of thread and collage in their works. The exhibition is curated by Los Angeles-based design specialist Liliana Becerra and the MAP team (Ana Lucía Arbeláez, art historian, and Sandra Montenegro, director).

Galleries

MONTENEGRO ART PROJECTS (MAP) OPENS A NEW SPACE IN BOGOTÁ WITH “SILENT THREADS”

ART, SCIENCE AND TECHNOLOGY - VIBRATIONAL STATES BY ALBA TRIANA AT MAMBO

The Museum of Modern Art of Bogota- MAMBO presents Vibrational States by artist Alba Triana. An exhibition that uses technology through multisensory experiences. The public will find pieces exploring energy and vibration; a line of inquiry that stems from a deep urge to listen to an invisible world.

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ART, SCIENCE AND TECHNOLOGY - VIBRATIONAL STATES BY ALBA TRIANA AT MAMBO

THE SELF-PORTRAIT THAT BROKE RECORDS FOR FRIDA KAHLO AND EDUARDO COSTANTINI

At a Sotheby’s auction, the Argentine businessman and collector acquired Diego y yo (1949) for $ 34.8 million. Thus, the oil painting became the most expensive work in the history of Frida Kahlo, in the history of Latin American art, Mexican art and by a woman artist from the region.

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THE SELF-PORTRAIT THAT BROKE RECORDS FOR FRIDA KAHLO AND EDUARDO COSTANTINI

A FIRE OFFERING BY DESIRÉE DE RIDDER, ARTIST IN RESIDENCE AT COLLECTIVE62

Designed as an immersive dining experiment in Miami, A Fire Offering is curated by Sofia Bastidas. This installation and performative object art is part of the Collective62’s interest in creating a collective space that foments creative reflection among its residents.

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A FIRE OFFERING BY DESIRÉE DE RIDDER, ARTIST IN RESIDENCE AT COLLECTIVE62

ARTISTIC CORRESPONDENCE BETWEEN BRAZIL AND PORTUGAL

Curated by Isabella Lenzi, and running until November 20th, Só é possível se formos 2 [It is only possible if there are 2 of us] is exhibited in the Sala Fernando Pessoa of the Consulate General of Portugal in São Paulo. The exhibition proposes a dialogue between the Brazilian Anna Costa e Silva and the Portuguese Fernanda Fragateiro, two artists from different generations, practices and trajectories, who converge in their desires to think beyond the limits of the individual.

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ARTISTIC CORRESPONDENCE BETWEEN BRAZIL AND PORTUGAL

DE PONT MUSEUM ACQUIRES WORKS BY COLOMBIAN ARTIST BEATRIZ GONZÁLEZ

The De Pont Museum in the Netherlands has acquired an assemble of works by González, seminal figure in Latin American art. The works address the themes of migration, disappearance and collective grief.

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DE PONT MUSEUM ACQUIRES WORKS BY COLOMBIAN ARTIST BEATRIZ GONZÁLEZ

THE MEANING OF TRIBUTE IN LIFE: LUCRECIA PLAT AT BAphoto 2021

In the interest of paying tribute to one of the photographers who contributed in building Argentina's visual identity, Francisco Medail dedicated the Artista Homenaje section in BAphoto to Lucrecia Plat. Working with an extensive archive of portraits, conceptual photographs and the collaboration of Clara Nerone, Medail highlights the important role of archives in the conception and appreciation of contemporary art.

By Mercedes Abella
Reviews

THE MEANING OF TRIBUTE IN LIFE: LUCRECIA PLAT AT BAphoto 2021

By Mercedes Abella
October 27, 2021
TRANSMODERNISMOS, CONCEPTUALITIES OF THE HABITAT AND THE BODY

Fabiana Barreda's work, exhibited at BAphoto 2021 at the OdA Arte stand, amalgamates different cases and concepts within the idea of ​​space and the politics of feminism. With references to the great architectures, and to the female body as habitable and inhabiting, subjectivities are called into question and once again photography plays a catalytic role of simultaneous approach and estrangement.

By Mercedes Abella
Architecture

TRANSMODERNISMOS, CONCEPTUALITIES OF THE HABITAT AND THE BODY

By Mercedes Abella
FTALO GALLERY EXHIBITS "TANTO TIEMPO" BY PAZ BARDI

The exhibition is the reflection of a series of paintings by Paz Bardi under a theme that is, at the same time, method. Taking time as a place, as a tool, and as a subject, the exhibition and its curatorship (by felisa) display a type of creation that can be summarized as: 1. Complicity 2. Fantastic architecture 3. Filtering and editing 4. Mediation

Galleries

FTALO GALLERY EXHIBITS "TANTO TIEMPO" BY PAZ BARDI

BAphoto CELEBRATES A TRIBUTE IN LIFE TO LUCRECIA PLAT AND HOSTS A FANTASTIC ENCOUNTER

In this long-awaited edition, the outstanding photographer in Artista Homenaje is Lucrecia Plat from Argentina. Curated by Francisco Medail, the exhibition covers a large part of Plat's production in her forty years of work, among which the series of intimate portraits of Alejandra Pizarnik and the nocturnal records of the Buenos Aires elite stand out.

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BAphoto CELEBRATES A TRIBUTE IN LIFE TO LUCRECIA PLAT AND HOSTS A FANTASTIC ENCOUNTER

THE SUM OF ITS PARTS: AMALIA CAPUTO’S ‘EVERY BEING IS AN ISLAND’

In her first solo exhibition at the Deering Estate, Amalia Caputo considers how we construct nature and explore a site around systems of visual classification. Every Being is an Island is an immersive exhibition that serves as an extensive portrait of the native subtropical environment of South Florida.

By Melissa Diaz & Sofia Guerra
Reviews

THE SUM OF ITS PARTS: AMALIA CAPUTO’S ‘EVERY BEING IS AN ISLAND’

By Melissa Diaz & Sofia Guerra
October 07, 2021
FROM TRAGIC ARCHIVES, CONTEMPORARY ART

Es Baluard Museu d'Art Contemporani de Palma exhibits “The Archive of Dust: An Ongoing Project”, an exhaustive overview of the fundamental lines that characterize Elena del Rivero’s (Valencia, 1949) work gravitating around the attacks of the World Trade Center on September 11th, 2001, in New York. The project deals with loss, the collective memory and pain, as well as with the construction of the existential pillars that make up the beliefs and values ​​of society to rethink the future.

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FROM TRAGIC ARCHIVES, CONTEMPORARY ART

SYNDEMIA - VOLUSPA JARPA’S PROJECT ON VIOLENCE AND RESISTANCE

Voluspa Jarpa’s Syndemic is the winner of the inaugural edition of the Julius Baer Art Prize for Latin American Female Artists, a new biennial award initiated by Julius Baer and The Museum of Modern Art of Bogotá – MAMBO. It is the first of its kind to be held in Latin America, and its mission is to honor the research of outstanding Latin American female artists. Syndemic is a site-specific multimedia project that involves photos, archival documents, videos, maps, sculptures, objects, installation, wallpapers, and lasers that project beyond the Museum’s physical space into the surrounding environment. The term “Syndemic”, from the medical field, is Voluspa Jarpa’s metaphor to analyze the violent social riots that occurred from October 2019 to March 2020 in Chile.

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SYNDEMIA - VOLUSPA JARPA’S PROJECT ON VIOLENCE AND RESISTANCE

LYDIA RUBIO: THE ARTIST IN ARCADIA

Lydia Rubio was born in Havana, Cuba, with art in her bones. She comes from three generations of women painters, to be precise. "My grandmother painted every day, whenever she could," Lydia recalls. "She worked at an office but painted in the living room. The whole family lived together, so I used to see her painting there and was trained visually. My cousin, everybody was drawing and painting, but I was the only one that took it to another level of development and commitment."

By Kristin Knox
Reviews

LYDIA RUBIO: THE ARTIST IN ARCADIA

By Kristin Knox
September 30, 2021
RAQUEL RABINOVICH EXHIBITS “PORTALS” IN NEW YORK

Presented by Hutchinson Modern & Contemporary, the exhibition features a selection of the artist’s work from the 1960s to the present. Over the course of a seventy-year-long career, New York-based Argentinian-American artist Raquel Rabinovich (b. 1929, Buenos Aires) has been concerned with the paradox of making the invisible visible. Her interest in mythology, existence, poetry, nature, and transcendence is reflected in her monochromatic paintings and drawings, as well as in her sculptural practice that encompasses large-scale glass environments and site-specific stone installations along the shores of the Hudson River.

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RAQUEL RABINOVICH EXHIBITS “PORTALS” IN NEW YORK

CECILIA VICUÑA RAISES AWARENESS ABOUT BIODIVERSITY IN NEW YORK’S HIGH LINE

High Line Art presents Insectageddon, a free day-long festival conceived by artist and poet Cecilia Vicuña. As a celebration of insects and call to action to address global insect die-off, Insectageddon will consist of interdisciplinary and interactive performances, poetry readings, workshops, and more throughout the High Line. Taking place on September 25, 2021.

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CECILIA VICUÑA RAISES AWARENESS ABOUT BIODIVERSITY IN NEW YORK’S HIGH LINE

KIMSOOJA AND BIENALSUR: THE NOMAD EXPERIENCE OF THREE EXHIBITIONS

The acclaimed Korean artist Kimsooja will inaugurate on Wednesday September 22nd the last part of her trilogy of simultaneous exhibitions through which she landed in Buenos Aires. Chapter 3: Kimsooja. An inner experience arrives at the Korean Cultural Center in the Argentine capital as a part of Bienalsur 2021, the biennial that emerged at the Universidad Nacional de Tres de Febrero and that now takes place simultaneously in more than 124 venues, 23 countries and 50 cities around the world, with the participation of about 400 artists.

BIENALSUR

KIMSOOJA AND BIENALSUR: THE NOMAD EXPERIENCE OF THREE EXHIBITIONS

THE MUSEU DE ARTE DE SÃO PAULO EXHIBITS GETRUDES ALTSCHUL: FILIGREE

Gertrudes Altschul (1904–1962) was a pioneering figure in Brazilian modernist photography. Despite being acknowledged in the field in Brazil, her work is known only in specialized circles, having been scantly published and exhibited—something that this exhibition, the first in a museum, and its publication intend to rectify.

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THE MUSEU DE ARTE DE SÃO PAULO EXHIBITS GETRUDES ALTSCHUL: FILIGREE

“OLGA DE AMARAL: TO WEAVE A ROCK” AT THE HOUSTON MUSEUM

Olga de Amaral has pioneered her own visual language within the fiber arts movement. Her radical experimentation with color, form, material, composition, and space transforms weaving from a flat design element into an architectural component that defies the confines of any genre or medium.

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“OLGA DE AMARAL: TO WEAVE A ROCK” AT THE HOUSTON MUSEUM

VIVIANA ZARGÓN FIRST PHOTOGRAPHY PRIZE AT THE NATIONAL SALON OF VISUAL ARTS

In the framework of the 109th edition of the National Visual Arts Salon 2020-2021 Argentina, Viviana Zargón won the first non-acquisition prize for the best work in the Photography category with her artwork Objetos memorables, exhibited in one of the two venues that house the set of 266 selected works during the event, and that will remain open to the public until October 31.

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VIVIANA ZARGÓN FIRST PHOTOGRAPHY PRIZE AT THE NATIONAL SALON OF VISUAL ARTS

ART AND ECOLOGY: BIENALSUR IN CUENCA, ECUADOR

BIENALSUR 2021, the third edition of the International Biennial of Contemporary Art of the South, opens in Cuenca, Ecuador, the exhibition Juliana Vidal. The Silence of Forms in the Municipal Museum of Modern Art. Vidal (Cuenca, Ecuador, 1993) has been developing a subtle poetics of the imprint - intimately linked to time and memory - using alginate, a chemical substance sensitive to the impression of physical signals. The renowned writer and curator Cristóbal Zapata, who directed the Cuenca Art Biennial, joins BIENALSUR to curate this necessary and intelligent exhibition.

BIENALSUR

ART AND ECOLOGY: BIENALSUR IN CUENCA, ECUADOR

PRODUCTION / REPRODUCTION - SANDRA GAMARRA’S INDIVIDUAL EXHIBITION AT MALI

The Museum of Art of Lima - MALI presents this exhibition of the outstanding Peruvian artist curated by the historian and art critic Luis Eduardo Wuffarden. Based on the so-called mixed race paintings commissioned by Viceroy Manuel de Amat y Junyent and sent to the King of Spain Carlos III in 1770, Sandra Gamarra commissioned their reproduction to a copyists' workshop in China. On these she added quotes from different contemporary feminist thinkers. In response to the absence of original works in Peru, this series, made up of twenty paintings, has been donated by LiMac to the MALI collection of contemporary art.

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PRODUCTION / REPRODUCTION - SANDRA GAMARRA’S INDIVIDUAL EXHIBITION AT MALI

ANSWERS TO A TIME: MARÍA TERESA HINCAPIÉ 1987- 2006

Carried out by Casas Riegner in collaboration with the 1Mira Madrid gallery, and curated by Paula Bossa, Respuestas a una época: María Teresa Hincapié 1987- 2006 (Answers to a time) is the first posthumous exhibition held in Colombia that is dedicated to the artistic practice of one of the pioneers of performance in Latin America.

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ANSWERS TO A TIME: MARÍA TERESA HINCAPIÉ 1987- 2006

CONTEMPORANEITY OR FICTION? BIENALSUR INAUGURATES “LITERATURE OF THE SELF”

It’ll be the third time that BIENALSUR comes to the Brazilian embassy in Buenos Aires, in the imposing Pereda Palace. Starting September 8th, Paula Parisot, the Rio-born artist, will be presenting her exhibition Literatura del yo (“Literature of the self”), curated by Argentinian María José Herrera.

BIENALSUR

CONTEMPORANEITY OR FICTION? BIENALSUR INAUGURATES “LITERATURE OF THE SELF”

MAGDALENA FERNÁNDEZ WINS INTERNATIONAL CODAawards

When artists, designers, industry resources, and clients work together, common places are transformed into spectacular spaces. CODAworx, the hub of the commissioned art economy, has announced the winners of the ninth annual international CODAawards: Collaboration of Design + Art. The CODAawards recognize collaborations that result in outstanding projects which successfully integrate commissioned art into interior, architectural, or public spaces.

Architecture

MAGDALENA FERNÁNDEZ WINS INTERNATIONAL CODAawards

GLENDA LEÓN IN THE NEW OPENFILE BY PINTA

OpenFile - video cycle where artists describe their works and elaborate on their artistic processes. In this edition, the Cuban artist describes her work with art, nature, and metaphors.

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GLENDA LEÓN IN THE NEW OPENFILE BY PINTA