LILIANA PORTER'S DISLOCATED TIME
Liliana Porter: The Task is the artist’s exhibition at Dia Bridgehampton. The exhibition comprises a new commission alongside a selection of works from the 1970s and video documentation of a recent play by Porter and collaborator Ana Tiscornia.
A prominent figure in the early Conceptual and feminist art movements, Porter contests the spaces between reality and fiction across a variety of media. Central to her long-standing research is the subject of time—which she perceives as nonlinear and dislocated and is manifested in the artist’s early prints and photographic works, later images and installations incorporating found objects and collected figurines, and, most recently, her films and plays.
For Dia Bridgehampton, Porter presents a new iteration of the series she refers to as Forced Labor in which she creates “situations” using figurines and assorted objects, employing differences in scale to stage absurd scenes against blank backgrounds. Commissioned by Dia, The Task (2024) is a sprawling landscape of “situations” set across three wood plinths, converging characters from various realities and time periods. Porter also incorporates into her installation decommissioned Dan Flavin–lightbulbs and a thread of tulle the color of one of his signature fluorescent-light works in a nod to his permanent installation on Dia Bridgehampton’s second floor.
Accompanying the new commission are photographic and print works, a selection from the black-and-white series featuring geometric shapes, which Porter started in the 1970s and explore nonlinear ideas of time and the conflicting notions of reality and representation. Screened in a room adjoining the gallery space, Porter’s theatrical work THEM (2018), which debuted at the Kitchen in New York, includes 15 short vignettes and extends the artist’s long-term interest in disjointed narratives and open-ended meaning. Furthermore, by exhibiting art in a nonchronological fashion, the artist blurs the boundaries between her new and later works.
Liliana Porter: The Task is curated by Humberto Moro, deputy director of program, with Liv Cuniberti, curatorial assistant.
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Liliana Porter, The Task (detail), 2024. © Liliana Porter. Photo: Don Stahl
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Liliana Porter, The Task (detail), 2024. © Liliana Porter. Photo: Bill Jacobson Studio, New York
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Liliana Porter, The Task (detail), 2024. Installation view, Dia Bridgehampton, New York, 2024–25. © Liliana Porter. Photo: Bill Jacobson Studio, New York
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Liliana Porter, Untitled (geometric group), 1973. Installation view, Dia Bridgehampton, New York, 2024–25. © Liliana Porter. Photo: Bill Jacobson Studio, New York
Liliana Porter was born in Buenos Aires in 1941. She studied at the Escuela Nacional de Bellas Artes in Buenos Aires and Universidad Iberoamericana in Mexico City. Originally trained in printmaking, Porter has evolved a practice that spans painting, drawing, photography, video, installation, and, more recently, theater, the latter often developed in collaboration with artist Ana Tiscornia. In 1964, Porter moved to New York where she co-founded the New York Graphic Workshop with artists Luis Camnitzer and José Guillermo Castillo. In the city, her work was first shown in institutions such as the Jewish Museum in 1964; Pratt Graphic Art Center in 1967; and the Museum of Modern Art in 1973. Between 1991 and 2007, Porter was a professor at Queens College, City University of New York. In 2008, Dia commissioned Porter’s first web-based work, Rehearsal, for the Artist Web Projects initiative. In 2017, her work was included in the 57th Venice Biennale: Viva Arte Viva and Radical Women: Latin American Art, 1960–1985 at the Hammer Museum, Los Angeles, which traveled in 2018 to the Brooklyn Museum, New York, and the Pinacoteca, São Paulo. Recent surveys of her work have been presented at Artium Museoa, Museo de Arte Contemporáneo del País Vasco, Vitoria-Gasteiz, Spain (2017); SCAD Museum of Art, Savannah (2017–18), and travelled to El Museo del Barrio, New York (2018–19); and Les Abattoirs, Toulouse, France (2023). Porter lives in Rhinebeck, New York.
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