News
![Manuela Vierta-Gallo, Installation view at Behind Closed Doors Y Gallery, 2011 Manuela Vierta-Gallo, Installation view at Behind Closed Doors Y Gallery, 2011](/var/artealdia_com/storage/images/international/contenidos/novedades/ruidos_sordos_de_neon_y_de_guerra/465723-1-esl-AR/Ruidos_Sordos_de_Neon_y_de_Guerra_home_ppal.jpg)
Neon Rumbles of War
On April 1st, Y Gallery opened its new space at the Lower East Side with Signs of the Time, a show by Tom Fruin, curated by gallery director, Cecilia Jurado.
![Matadero Madrid Matadero Madrid](/var/artealdia_com/storage/images/international/contenidos/novedades/convocatoria_de_residencias_y_espacios_de_trabajo_para_artistas/465580-1-esl-AR/Convocatoria_de_Residencias_y_Espacios_de_Trabajo_para_Artistas_grid_horizontal.jpg)
El Ranchito /Matadero Madrid - Calling for Residences and Work Spaces for Artists
Matadero Madrid, through its project El Ranchito, is promoting a new open call aimed at facilitating the creation of collaborative networks and fostering artistic production by providing residencies for artists and making work spaces available.
![Fernanda Gomes, Sem Título (Untitled), 2004, wood, ca. 34×67 x 71”. All Gomes images courtesy of the artist and Galeria Luisa Strina. Fernanda Gomes, Sem Título (Untitled), 2004, wood, ca. 34×67 x 71”. All Gomes images courtesy of the artist and Galeria Luisa Strina.](/var/artealdia_com/storage/images/international/columna_derecha/novedades/la_artista_brasilena_fernanda_gomes_en_opa_guadalajara_mexico/465217-1-esl-AR/La_artista_brasilena_Fernanda_Gomes_en_OPA_Guadalajara_Mexico_grid_horizontal.jpg)
Brazilian artist Fernanda Gomes at OPA
The Brazilian artist Fernanda Gomes will present at OPA an exhibition conceived specifically for this occasion.
![Economia de solidaritad, 2009 Ciutat de Mèxic, Mèxic Economia de solidaritad, 2009 Ciutat de Mèxic, Mèxic](/var/artealdia_com/storage/images/international/contenidos/novedades/tercerunquinto_exhibe_otros_fueros/465159-1-esl-AR/Tercerunquinto_Exhibe_Otros_Fueros_grid_horizontal.jpg)
TERCERUNQUINTO Exhibits Otros Fueros
Tercerunquinto was created in 1998 in Monterrey, Mexico and it is composed of Julio Castro, Gabriel Cazares, and Rolando Flores.
![Gonzalo Lebrija, Entre la vida y la muerte, 2008. C-Print. 169 x 127 cm. Courtesy of Galerie Laurent Godin, Paris. Gonzalo Lebrija, Entre la vida y la muerte, 2008. C-Print. 169 x 127 cm. Courtesy of Galerie Laurent Godin, Paris.](/var/artealdia_com/storage/images/international/columna_derecha/novedades/la_escena_del_arte_contemporaneo_mexicano_en_peeping_tom_s_digest_2_mexico/463664-1-esl-AR/La_Escena_del_Arte_Contemporaneo_Mexicano_en_Peeping_Tom_s_Digest_2_Mexico_grid_horizontal.jpg)
Mexican Contemporary Art Scene in Peeping Tom's Digest #2: Mexico
Dedicated to the Mexican contemporary art scene, this second issue of Peeping Tom's Digest presents 50 artists and art initiatives through articles and interviews conducted by some of the most prominent Mexican art figure.
![Luis Pérez-Oramas Luis Pérez-Oramas](/var/artealdia_com/storage/images/international/contenidos/perfiles/la_fundacio_n_bienal_de_sao_paulo_nombra_a_luis_pe_rez-oramas_curador_de_su_trige_sima_edicio_n/462635-3-esl-AR/La_Fundacio_n_Bienal_de_Sao_Paulo_Nombra_a_Luis_Pe_rez-Oramas_Curador_de_su_Trige_sima_Edicio_n_grid_horizontal.jpg)
Sao Paulo Biennial Foundation Names Luis Pérez-Oramas as Curator for its 30th Edition
Luis Pérez-Oramas, The Estrellita Brodsky Curator of Latin American Art, The Museum of Modern Art, New York has been named as chief curator for the 30th São Paulo International Biennial. He joined the museum in 2003 as adjunct curator of drawings and assumed his current post in 2006.
![Sandu Darie. Multivisión espacial, 1955. Óleo sobre lienzo Colección Museo Nacional de Bellas Artes, La Habana. Sandu Darie. Multivisión espacial, 1955. Óleo sobre lienzo Colección Museo Nacional de Bellas Artes, La Habana.](/var/artealdia_com/storage/images/international/contenidos/fundaciones/fundacion_juan_march/462602-1-esl-AR/FUNDACION_Juan_March_grid_horizontal.png)
FOUNDATION : Juan March
The Juan March Foundation inaugurated in its Madrid headquarters the exhibition “Cold America. Latin American geometric abstraction (1934-1973)”, in order to map, in a fast and systematic way, the complex history of geometric abstraction in Latin America.
![Carlos Cruz-Diez, in the Chromo- Interference environment in the Museum of Fine Arts, Houston. The photo is © Jenny Antill. Carlos Cruz-Diez, in the Chromo- Interference environment in the Museum of Fine Arts, Houston. The photo is © Jenny Antill.](/var/artealdia_com/storage/images/international/contenidos/museos/el_museo_de_fine_arts_de_houston/462569-1-esl-AR/El_Museo_de_Fine_Arts_de_Houston_grid_horizontal.png)
The Museum of Fine Art, Houston
Carlos Cruz-Diez: Color in Space and Time features more than 150 works from the artist’s wide-ranging career, selected from the Cruz-Diez Foundation Collection at the MFAH, and from major private and public collections around the world.
![Taller de Paul Graham en julio en Villa Iris Taller de Paul Graham en julio en Villa Iris](/var/artealdia_com/storage/images/international/contenidos/novedades/arte_fundacion_botin_lanza_convocatorias/459228-1-esl-AR/Arte_Fundacion_Botin_Lanza_Convocatorias_grid_horizontal.jpg)
Fundación Botín Launches a Call
Fundación Botín, a Spanish institution created in 1964, launches a call for a new edition of the Visual Arts Grants and the Art Workshop, to be directed by Paul Graham.
![33- Casino, 2005 Seda roja pongee, cuerda, goma, elementos varios, fibra óptica, tubos fluorescentes, ventiladores, sistema computarizado Instalación 400 x 1600 x 1200 cm Cortesía de la artista y Galerie Marian Goodman, París/New York 33- Casino, 2005 Seda roja pongee, cuerda, goma, elementos varios, fibra óptica, tubos fluorescentes, ventiladores, sistema computarizado Instalación 400 x 1600 x 1200 cm Cortesía de la artista y Galerie Marian Goodman, París/New York](/var/artealdia_com/storage/images/international/columna_derecha/novedades/annette_messager_en_el_antiguo_colegio_de_san_idelfonso/459155-1-esl-AR/Annette_Messager_en_el_Antiguo_Colegio_de_San_Idelfonso_grid_horizontal.jpg)
Annette Messager at the Antiguo Colegio de San Idelfonso
Beginning in May, and until the end of August 2011, the Antiguo Colegio de San Ildefonso is presenting the first great retrospective to be exhibited in Mexico City.
![MOCA, Miami MOCA, Miami](/var/artealdia_com/storage/images/international/columna_derecha/novedades/simposio_en_moca_miami/458042-5-esl-AR/Simposio_en_MOCA_Miami_grid_horizontal.jpg)
Symposium at MOCA, Miami
The Museum of Contemporary Art (MOCA), North Miami is hosting a three-day international symposium titled New Methods / Nuevos Métodos from May 4 - 6, 2011.
![Pablo Helguera, Quiosco/Kiosk Pablo Helguera, Quiosco/Kiosk](/var/artealdia_com/storage/images/international/contenidos/novedades/pablo_helguera_gana_la_primera_edicion_del_international_award_for_participatory_art/457640-1-esl-AR/Pablo_Helguera_Gana_la_Primera_Edicion_del_International_Award_for_Participatory_Art_grid_horizontal.jpg)
Pablo Helguera Won the First Edition of the International Award for Participatory Art
Pablo Helguera (Mexico City, 1971) has won the first edition of the International Award for Participatory Art.
![SOMA SOMA](/var/artealdia_com/storage/images/international/contenidos/museos/soma/456574-1-esl-AR/SOMA_grid_horizontal.jpg)
SOMA
SOMA made its appearance as “ a school of experimental art” during that last January of the 2000s decade, when Mexican art became international.
![Silvia Martinez Silvia Martinez](/var/artealdia_com/storage/images/international/columna_derecha/novedades/ccemiami_presenta_al_grupo_de_artistas_que_participaran_en_arteamericas_2011/455524-1-esl-AR/CCEMiami_Presenta_al_Grupo_de_Artistas_que_Participaran_en_Arteamericas_2011_grid_horizontal.jpg)
CCEMiami Presents its Lineup for Arteamericas 2011
A carefully selected roster of artists from Spain and Latin America with mediums that range from a custom made glass installation to photography and sculpture.
![COSTA VECE Revolución / Patriotismo, 2005 - mixed media various dimensions Courtesy Franco Noero Gallery COSTA VECE Revolución / Patriotismo, 2005 - mixed media various dimensions Courtesy Franco Noero Gallery](/var/artealdia_com/storage/images/international/columna_derecha/novedades/motion_of_a_nation_movimiento_de_una_nacion/455159-1-esl-AR/Motion_of_a_Nation_Movimiento_de_una_Nacion_grid_horizontal.jpg)
Motion of a Nation
Gallery V.M.21 Arte Contemporanea is glad to host the works of thirty international and Italian artists, carefully selected by Antonio Arévalo.
![Mario Garcia Torres Je ne sais si c’en est la cause 2009 Mario Garcia Torres Je ne sais si c’en est la cause 2009](/var/artealdia_com/storage/images/international/columna_derecha/novedades/el_bueno_el_malo_y_el_neon/454615-1-esl-AR/El_Bueno_el_Malo_y_el_Neon_grid_horizontal.jpg)
The Good, the Bad and the Neon
In a cab home after a marathon day of art fairs, seminars, cocktails, dinner, and more cocktails, a good friend of mine shared a saying of her grandfather.
!["Entre Siempre y Jamas" Pabellón América Latina en la 54 Biennale di Venezia. Organiza el Instituto Italo-Latino Americano "Entre Siempre y Jamas" Pabellón América Latina en la 54 Biennale di Venezia. Organiza el Instituto Italo-Latino Americano](/var/artealdia_com/storage/images/international/contenidos/novedades/entre_siempre_y_jamas_la_exhibicion_del_pabellon_latinoamericano/454370-1-esl-AR/Entre_Siempre_y_Jamas_la_Exhibicion_del_Pabellon_Latinoamericano_grid_horizontal.jpg)
Entre Siempre y Jamás (Between Always and Never), the Exhibition of the Latin American Pavilion
Entre siempre y jamás (Between Always and Never) will be the title of the exhibition at The Latin American Pavilion organized by the Italo-Latin American Institute, IILA, for the 54th International Biennale di Venezia.
![Grimanesa Amoros-Times Square Alliance Sculpture Project Grimanesa Amoros-Times Square Alliance Sculpture Project](/var/artealdia_com/storage/images/international/columna_derecha/novedades/escultura_lluminada_de_grimanesa_amoros/454317-3-esl-AR/Escultura_lluminada_de_Grimanesa_Amoros_grid_horizontal.jpg)
Lighting Sculpture Installation by Grimanesa Amorós
Uros House, a site-specific, lighting sculpture installation by artist Grimanesa Amorós, was part of the Times Square Alliance’s Public Art Program/Armory Show exhibition.
![Carlos Motta (Colombia, b. 1978) When, if ever, does one draw a line under the horrors of history in the interest of truth and reconciliation?, 2009 Serigrafía (portafolio de 10) Colección permanente del MOLAA Carlos Motta (Colombia, b. 1978) When, if ever, does one draw a line under the horrors of history in the interest of truth and reconciliation?, 2009 Serigrafía (portafolio de 10) Colección permanente del MOLAA](/var/artealdia_com/storage/images/international/columna_derecha/novedades/el_getty_center_y_el_molaa_organizan_simposio_internacional_sobre_arte_latinoamericano_en_el_siglo_xx/453746-1-esl-AR/El_Getty_Center_y_el_MOLAA_Organizan_Simposio_Internacional_Sobre_Arte_Latinoamericano_en_el_Siglo_XX_grid_horizontal.jpg)
The Getty Center and MOLAA Organize an International Symposium About Latin American Art in the 21st Century
An international group of scholars, curators, museum directors and artists will discuss new approaches to the study and presentation of Latin American art in the 21st century
!["End of History… and the Return of History Painting" "End of History… and the Return of History Painting"](/var/artealdia_com/storage/images/international/columna_derecha/novedades/el_fin_de_la_historia_y_el_retorno_de_la_pintura_historica_en_el_mmka_de_holanda/452943-1-esl-AR/The_End_of_History_and_The_Return_of_History_Painting_at_the_MMKA_in_the_Netherlands_grid_horizontal.jpg)
The End of History…and The Return of History Painting at the MMKA in the Netherlands
The curator Paco Barragan presents the exhibition End of History… and the Return of History Painting at the Museum voor Moderne Kunst Arnhem (MMKA) in Arnhem, The Netherlands.
![Nicola y su doble - Frente al televisor - 2010 - Inkjet print - 111 x 178 cm - Daros Latinamerica Collection, Zürich Nicola y su doble - Frente al televisor - 2010 - Inkjet print - 111 x 178 cm - Daros Latinamerica Collection, Zürich](/var/artealdia_com/storage/images/international/columna_derecha/novedades/la_coleccion_daros_latinamerica_presenta_nicola_costantino/452885-1-esl-AR/La_Coleccion_Daros_Latinamerica_Presenta_Nicola_Costantino_grid_horizontal.jpg)
Daros Latinamerica Collection Presents Nicola Costantino
Nicola Costantino is one of Argentina's most intriguing and exciting artists.
![Sandu Darie Multivisión espacial, 1955. Óleo sobre lienzo Colección Museo Nacional de Bellas Artes, La Habana Sandu Darie Multivisión espacial, 1955. Óleo sobre lienzo Colección Museo Nacional de Bellas Artes, La Habana](/var/artealdia_com/storage/images/international/contenidos/novedades/america_fria_abstraccion_geometrica_latinoamericana_en_la_fundacion_juan_march/452000-1-esl-AR/America_Fria_Abstraccion_Geometrica_Latinoamericana_En_La_Fundacion_Juan_March_grid_horizontal.jpg)
“Cold America”, Latin American Geometric Abstraction at the Juan March Foundation
The Juan March Foundation inaugurated in its Madrid head quarters the exposition Cold America.
![Luis Pérez-Oramas © 2011 The Art Institute of Chicago Luis Pérez-Oramas © 2011 The Art Institute of Chicago](/var/artealdia_com/storage/images/international/contenidos/novedades/la_fundacion_bienal_de_sao_paulo_nombra_a_luis_perez-oramas_curador_de_su_trigesima_edicion/451795-1-esl-AR/La_Fundacion_Bienal_de_Sao_Paulo_Nombra_a_Luis_Perez-Oramas_Curador_de_su_Trigesima_Edicion_grid_horizontal.jpg)
Sao Paulo Biennial Foundation Names Luis Pérez-Oramas as Curator for its XXX Edition
Luis Pérez-Oramas, The Estrellita Brodsky Curator of Latin American Art, The Museum of Modern Art, New York has been named as chief curator for the 30th São Paulo International Bienal.
![Res, Argentinean, born 1957 Chica azul Blue Lady from the Conatus series in collaboration with Constanza Piaggio 2006 Chromogenic print Collection of Gail and Louis Adler © res Res, Argentinean, born 1957 Chica azul Blue Lady from the Conatus series in collaboration with Constanza Piaggio 2006 Chromogenic print Collection of Gail and Louis Adler © res](/var/artealdia_com/storage/images/international/columna_derecha/novedades/cosmopolitan_routes_houston_collects_latin_american_art2/451757-1-esl-AR/Cosmopolitan_Routes_Houston_Collects_Latin_American_Art_grid_horizontal.jpg)
Cosmopolitan Routes: Houston Collects Latin American Art
Cosmopolitan Routes: Houston Collects Latin American Art, the remarkable exhibition that celebrates the ten-year anniversary of the Latin American art department at the Museum of Fine Arts, Houston.
![Carlos Cruz-Diez, Chromosaturation, 1965/2004. © 2010 Carlos Cruz-Diez / Artists Rights Society Carlos Cruz-Diez, Chromosaturation, 1965/2004. © 2010 Carlos Cruz-Diez / Artists Rights Society](/var/artealdia_com/storage/images/international/columna_derecha/novedades/el_museum_of_fine_arts_de_houston_presenta_primera_gran_retrospectiva_de_carlos_cruz-diez/451122-1-esl-AR/El_Museum_of_Fine_Arts_de_Houston_Presenta_Primera_Gran_Retrospectiva_de_Carlos_Cruz-Diez_grid_horizontal.jpg)
The Museum of Fine Art, Houston, Presents First Large-Scale Retrospective of Carlos Cruz-Diez
Carlos Cruz-Diez: Color in Space and Time features more than 150 works from the artist’s wide-ranging career, culled from the Cruz-Diez Foundation collection at the MFAH, and major private and public collections around the world.
![CIFO cisneros fontanals art foundation CIFO cisneros fontanals art foundation](/var/artealdia_com/storage/images/international/columna_derecha/novedades/cifo_anuncia_ganadores_del_programa_de_becas_y_comisiones_del_cifo_2011/450208-1-esl-AR/CIFO_Anuncia_Ganadores_del_Programa_de_Becas_y_Comisiones_del_CIFO_2011_grid_horizontal.jpg)
CIFO Announces the Recipents of the 2011 CIFO Grants and Commissions Program
Commemorating The Cisneros Fontanals Art Foundation’s eighth cycle supporting emerging and mid-career artists from Latin America, CIFO announces the recipients of the 2011 CIFO Grants and Commissions Program:
![Christian Viveros-Fauné y Jota Castro Christian Viveros-Fauné y Jota Castro](/var/artealdia_com/storage/images/international/contenidos/novedades/christian_viveros-faune_y_jota_castro_una_nueva_direccion_curatorial_para_dublin_contemporary_2011/450008-3-esl-AR/Christian_Viveros-Faune_y_Jota_Castro_Una_Nueva_Direccion_Curatorial_para_Dublin_Contemporary_2011_grid_horizontal.jpg)
Christian Viveros-Fauné and Jota Castro: A New Curatorial Direction for Dublin Contemporary 2011
New York-based curator and writer, the Chilean Christian Viveros-Fauné, and Franco-Peruvian artist and curator, Jota Castro, have been appointed joint Lead Curators of Dublin Contemporary 2011.
![Leo Matiz, Abstracto, Caracas, Venezuela, ca. 1961 Leo Matiz, Abstracto, Caracas, Venezuela, ca. 1961](/var/artealdia_com/storage/images/international/columna_derecha/novedades/la_fundacion_juan_march_incluye_a_leo_matiz_en_america_fria_la_abstraccion_geometrica_en_latinoamerica/449965-1-esl-AR/La_Fundacion_Juan_March_Incluye_a_Leo_Matiz_en_America_Fria_la_Abstraccion_Geometrica_en_Latinoamerica_grid_horizontal.jpg)
The Juan March Foundation includes Leo Matiz in “América fría, la abstracción geométrica en Latinoamérica”
A group of abstract images, some of them never before reproduced, by the Colombian photographer Leo Matiz (1917-1998) are being exhibited starting February 11, 2011 at the Juan March Foundation in Madrid, Spain, in the exposition América Fría, La Abstracción Geométrica en Latinoamérica.
![SITAC IX en Ciudad de México: Teoría y práctica de la catástrofe SITAC IX en Ciudad de México: Teoría y práctica de la catástrofe](/var/artealdia_com/storage/images/international/contenidos/novedades/el_eje_de_sitac_ix_en_ciudad_de_mexico_teoria_y_practica_de_la_catastrofe/449252-1-esl-AR/El_Eje_de_SITAC_IX_en_Ciudad_de_Mexico_Teoria_y_Practica_de_la_Catastrofe_grid_horizontal.jpg)
The Axis of SITAC IX: Theory and Practice of the Catastrophe
The notion of a catastrophe implies change, crisis or a definitive disaster, after which something will never be the same again: an event of the greatest transcendence for life or the system to which it refers, since it means its inevitable and irreversible transformation.
![Tomás Maldonado in Conversation with María Amalia García, Author: María Amalia García Language: English and Spanish Year: January, 2011 ISBN: 978-0982354438 Tomás Maldonado in Conversation with María Amalia García, Author: María Amalia García Language: English and Spanish Year: January, 2011 ISBN: 978-0982354438](/var/artealdia_com/storage/images/international/contenidos/novedades/cppc_lanza_libro_tomas_maldonado_in_conversation_with_maria_amalia_garcia/449214-1-esl-AR/CPPC_lanza_libro_Tomas_Maldonado_in_Conversation_with_Maria_Amalia_Garcia_grid_horizontal.jpg)
CPPC Launches its book Tomás Maldonado in Conversation with María Amalia García
New York, January 26, 2011. The Fundación Cisneros/Colección Patricia Phelps de Cisneros announced the release of Tomás Maldonado in Conversation with María Amalia García, the second book in the Conversaciones/Conversations series.
![Say it Loud by Satch Hoyt. (2009) Instalación- 2da Trienal Poli/Gráfica de San Juan, 2009. Exhibición: Formas Literarias, curado por Jens Hoffmann para la 2da Trienal Poli/Gráfica de San Juan: América Latina y el Caribe, 2009. (Director Artístico: Adriano Pedrosa) Say it Loud by Satch Hoyt. (2009) Instalación- 2da Trienal Poli/Gráfica de San Juan, 2009. Exhibición: Formas Literarias, curado por Jens Hoffmann para la 2da Trienal Poli/Gráfica de San Juan: América Latina y el Caribe, 2009. (Director Artístico: Adriano Pedrosa)](/var/artealdia_com/storage/images/international/columna_derecha/novedades/deborah_cullen_nombrada_curadora_para_la_trienal_poli_grafica_de_san_juan_del_2012/449101-1-esl-AR/Deborah_Cullen_nombrada_curadora_para_la_Trienal_Poli_Grafica_de_San_Juan_del_2012_grid_horizontal.jpg)
Deborah Cullen nominated Chief Curator for the Trienal Poli/Gráfica de San Juan of 2012
Director of Curatorial Programs at El Museo del Barrio, has been appointed Chief Curator of the 3rd edition of the Trienal Poli/Gráfica de San Juan: América Latina y el Caribe, scheduled to take place in Puerto Rico in April 2012.