News
![Bienal de Artes Visuales del Istmo Centroamericano Bienal de Artes Visuales del Istmo Centroamericano](/var/artealdia_com/storage/images/international/contenidos/novedades/anuncian_septima_bienal_de_artes_visuales_del_istmo_centroamericano/431851-1-esl-AR/Anuncian_Septima_Bienal_de_Artes_Visuales_del_Istmo_Centroamericano_home_ppal.jpg)
Announcing BAVIC, Seventh Visual Arts Biennial of the Central American Isthmus
BAVIC is a platform for artists of Central America who are projecting their works at the international level.
![O. Ascanio Gallery O. Ascanio Gallery](/var/artealdia_com/storage/images/international/columna_derecha/novedades/o._ascanio_gallery_abre_las_puertas_en_miami/431026-1-esl-AR/O._Ascanio_Gallery_Abre_las_Puertas_en_Miami_grid_horizontal.jpg)
O. Ascanio Gallery Opens its Doors in Miami
O. Ascanio Gallery opened its doors in the Wymwood art district in Miami this past September 11th, 2010.
![Liliana Porter, Argentinean, born 1941 Them 1996 Acrylic, black and white print and wood frame on canvas Literal Collection © Liliana Porter Liliana Porter, Argentinean, born 1941 Them 1996 Acrylic, black and white print and wood frame on canvas Literal Collection © Liliana Porter](/var/artealdia_com/storage/images/international/contenidos/novedades/rutas_cosmopolitas_houston_colecciona_arte_latinoamericano/430660-1-esl-AR/Rutas_cosmopolitas_Houston_colecciona_arte_latinoamericano_grid_horizontal.jpg)
Cosmopolitan Routes: Houston Collects Latin American Art
Houston—October 2010— Cosmopolitan Routes: Houston Collects Latin American Art celebrates the ten-year anniversary of the Latin American art department at the Museum of Fine Arts, Houston, and the vital collection of art it has amassed in a short timeframe.
![Juan Raul Hoyos Juan Raul Hoyos](/var/artealdia_com/storage/images/international/columna_derecha/novedades/puntos_de_fuga/429751-1-esl-AR/Puntos_de_Fuga_grid_horizontal.jpg)
Puntos de Fuga . Arquitecturas Possibles
In Alliance with the Fundación Fondo Internacional de las Artes - FIART- (International Art Fund Foundation) , 18 Ibero-American artists are coming together at the Biblioteca EPM/Sala de Ciudad, of the Museo de Arte Moderno de Medellín, MAMM.
![Reopening of the Art Museum of Ponce After Renovation Reopening of the Art Museum of Ponce After Renovation](/var/artealdia_com/storage/images/international/columna_derecha/novedades/reapertura_del_museo_de_arte_de_ponce_tras_renovacion/429220-1-esl-AR/Reapertura_del_Museo_de_Arte_de_Ponce_Tras_Renovacion_grid_horizontal.jpg)
Reopening of the Art Museum of Ponce After Renovation
The new Art Museum of Ponce will open its doors again on November 14th after a multimillion dollar renovation and expansion project.
![Pasado, 2010, Acrylic on canvas, diptych, 72 x 72 inches. Acrílico sobre tela, díptico, 182.8 x 182.8 in. Pasado, 2010, Acrylic on canvas, diptych, 72 x 72 inches. Acrílico sobre tela, díptico, 182.8 x 182.8 in.](/var/artealdia_com/storage/images/international/contenidos/novedades/carmen_herrera/428184-1-esl-AR/Carmen_Herrera_grid_horizontal.jpg)
Carmen Herrera
Carmen Herrera (Havana, 1915) studied architecture at the University of Havana’s School of Architecture, where she discovered what she herself calls “the extraordinary world of straight lines”, which has remained a major interest to date.
![Ana Tiscornia: For the time being, 2010. Painted wood, 18.5 x 15 x 13 in. Por el momento, 2010. Masera pintada, 47x38x33cm. Ana Tiscornia: For the time being, 2010. Painted wood, 18.5 x 15 x 13 in. Por el momento, 2010. Masera pintada, 47x38x33cm.](/var/artealdia_com/storage/images/international/contenidos/novedades/radical_optimism/428151-1-esl-AR/Radical_Optimism_grid_horizontal.jpg)
Radical Optimism
The spirit of “Optimismo Radical” (Radical Optimism) was already present in some of the streets around the New York gallery Josée Bienvenu.
![Modern Negative, exhibition view (s). Courtesy Henrique Faria Fine Art. Negativa Moderna, vista(s) de la exposición. Cortesía Henrique Faria Fine Art Modern Negative, exhibition view (s). Courtesy Henrique Faria Fine Art. Negativa Moderna, vista(s) de la exposición. Cortesía Henrique Faria Fine Art](/var/artealdia_com/storage/images/international/contenidos/novedades/modern_negative/428118-1-esl-AR/Modern_Negative_grid_horizontal.jpg)
Modern Negative
“Negativa Moderna” faces the viewer with a careful selection of works by fourteen Venezuelan artists, in a posthumous reflection on the legacy of the modernist project in Latin America (which Venezuela headed in the 1950s due to the wealth it derived from oil production).
![Painted Portraits, Courtesy Yossi Milo Gallery. Retratos Pintados, Cortesía Yossi Milo Gallery Painted Portraits, Courtesy Yossi Milo Gallery. Retratos Pintados, Cortesía Yossi Milo Gallery](/var/artealdia_com/storage/images/international/contenidos/novedades/retratos_pintados/428085-1-esl-AR/Retratos_Pintados_grid_horizontal.jpg)
Retratos Pintados
There was a time when photography was not deemed susceptible of conveying the liveliness and the intensity that every good portrait required.
![Gerardo Muñoz. NUNO CERA "A room with a view #6, (Arts, Barcelona)", 2007. Courtesy Pedro Cera Gallery, Lisbon. Cortesía Galeria Pedro Cera, Lisboa. Gerardo Muñoz. NUNO CERA "A room with a view #6, (Arts, Barcelona)", 2007. Courtesy Pedro Cera Gallery, Lisbon. Cortesía Galeria Pedro Cera, Lisboa.](/var/artealdia_com/storage/images/international/contenidos/novedades/atopi_a_art_and_city_in_the_twentieth_century/428038-1-esl-AR/Atopi_a_Art_and_City_in_the_Twentieth_Century_grid_horizontal.jpg)
Atopía: Art and City in the Twentieth Century
Rooted in different intellectual fields contemporary philosophy, computer science, or cultural studies the exhibition “Atopia: Art and City in the Twentieth Century” is a response to a series of anguishing symptoms of the city in the culture of world globalization.
![Untitled (patio). Ca. 1953, Pencil and colored pencil on fragments of glued paper, 40.4 x 37 in. Anthony Petillo Collection, Milwaukee. Wi, USA. Sin título (patio) Ca. 1953. Lápiz y lápiz de color sobre frag- mentos de papel encolados. 102,8 x 91,4 cm. Colección Anthony Petullo, Milwaukee. Wi, EUA. Untitled (patio). Ca. 1953, Pencil and colored pencil on fragments of glued paper, 40.4 x 37 in. Anthony Petillo Collection, Milwaukee. Wi, USA. Sin título (patio) Ca. 1953. Lápiz y lápiz de color sobre frag- mentos de papel encolados. 102,8 x 91,4 cm. Colección Anthony Petullo, Milwaukee. Wi, EUA.](/var/artealdia_com/storage/images/international/contenidos/novedades/marti_n_rami_rez/428005-1-esl-AR/Marti_n_Rami_rez_grid_horizontal.jpg)
Martín Ramírez
Martín Ramírez (Rincón de Velásquez, México, 1895) is one of those great mysteries that contemporary art presents from time to time. An emigrant to prosperous California in 1925, the 1929 collapse left him jobless and immersed in a deep depression that robed him of the power of speech.
![Pardo's original design for the bookstore of the Dia Center for the Arts in New York. Credit: Jorge Pardo. Pardo's original design for the bookstore of the Dia Center for the Arts in New York. Credit: Jorge Pardo.](/var/artealdia_com/storage/images/international/contenidos/novedades/jorge_pardo_gana_el_premio_macarthur_2010/427458-1-esl-AR/Jorge_Pardo_gana_el_premio_MacArthur_2010_grid_horizontal.jpg)
Jorge Pardo Received the 2010 MacArthur Award
The Cuban American artist Jorge Pardo (Havana, 1963), who had a solo show at Gagosian Gallery Beverly Hills last summer, was chosen among the recipients of the prestigious fellowship MacArthur award.
![Tony Capellán Tony Capellán](/var/artealdia_com/storage/images/international/contenidos/novedades/tony_capellan_en_la_trienal_de_santo_domingo/427415-1-esl-AR/Tony_Capellan_en_la_Trienal_de_Santo_Domingo_grid_horizontal.jpg)
Tony Capellan at the Trienal of Santo Domingo
While I roamed the halls of the Museo de Arte Moderno of Santo Domingo, I remembered an installation exposition of Tony Capellan in this museum in the late 90s.
![El Ojo Salvaje: Retratos Paraguayos El Ojo Salvaje: Retratos Paraguayos](/var/artealdia_com/storage/images/international/columna_derecha/novedades/retratos_paraguayos_en_dos_tiempos/426996-1-esl-AR/Paraguayan_Portraits_in_Two_Eras_grid_horizontal.jpg)
Paraguayan Portraits in Two Eras
The exhibition Retratos Paraguayos en Dos Tiempos, at the CAV/Museo del Barro, presents chronologically different works that converge in a revealing manner even though their creators were never in contact.
![Allora & Calzadilla,, Scale of Justice Carried by Shore Foam, 2010 Allora & Calzadilla,, Scale of Justice Carried by Shore Foam, 2010](/var/artealdia_com/storage/images/international/columna_derecha/novedades/allora_calzadilla_en_la_galeria_parisiense_chantal_crousel/426605-1-esl-AR/Allora_Calzadilla_en_la_Galeria_Parisiense_Chantal_Crousel_grid_horizontal.jpg)
Allora & Calzadilla at Parisien Gallery Chantal Crousel
Allora & Calzadilla, the collective created for Jeniffer Allora (born 1974, USA) and Guillermo Calzadilla (born 1971, Cuba), is having its third individual show at Gallery Chantal Crousel in Paris.
![IAC, INSTITUTION INSTITUCION IAC, INSTITUTION INSTITUCION](/var/artealdia_com/storage/images/international/contenidos/fundaciones/iac/425633-1-esl-AR/IAC_grid_horizontal.jpg)
IAC
In the Brazilian scene, where there is still an evident absence of cultural centers with a minimally coherent program the Instituto de Arte Contemporáneo (Contemporary Art Institute) (IAC), inaugurated in Sao Paulo in 2006, constitutes a healthy exception.
![Anita Teder. Gust. Arcilla negra y porcelana, 18.5 x 18 x 6.5 cm Anita Teder. Gust. Arcilla negra y porcelana, 18.5 x 18 x 6.5 cm](/var/artealdia_com/storage/images/international/contenidos/bienales_trienales/revelaciones_arti_sticas_en_latrienal_de_cera_mica/425509-1-esl-AR/Revelaciones_Arti_sticas_en_laTrienal_de_Cera_mica_grid_horizontal.jpg)
Artistic Revelations in the Ceramic TileTriennial
Elit/Tile 2010, the Fourth International Ceramic Tile Triennial, held in collaboration with the Igneri Foundation/Art and Archaeology at the Centro León in Santiago de los Caballeros, Dominican Republic.
![Tatlin’s Whisper #6 (Havana Version), 2009. Stage, podium, microphone, loudspeakers, curtain, 2 people in military fatigues, dove, audience, and 200 disposable cameras, Wilfredo Lam Center, Havana. Courtesy of Berezdivin Collection, San Juan, Puerto Rico. El susurro de Tatlin #6 (version para La Habana), 2009. Plataforma, podio, micrófonos, baffles, telón, dos personas con vestimenta militar de faena, paloma, público y 200 cámaras desechables. Centro Wifredo Lam, La Habana. Cortesía Colección Berezdivin, San Juan, Puerto Rico. Tatlin’s Whisper #6 (Havana Version), 2009. Stage, podium, microphone, loudspeakers, curtain, 2 people in military fatigues, dove, audience, and 200 disposable cameras, Wilfredo Lam Center, Havana. Courtesy of Berezdivin Collection, San Juan, Puerto Rico. El susurro de Tatlin #6 (version para La Habana), 2009. Plataforma, podio, micrófonos, baffles, telón, dos personas con vestimenta militar de faena, paloma, público y 200 cámaras desechables. Centro Wifredo Lam, La Habana. Cortesía Colección Berezdivin, San Juan, Puerto Rico.](/var/artealdia_com/storage/images/international/columna_derecha/novedades/huelga_general_de_tania_bruguera_en_domino_canibal._pac_muria_2010/423855-1-esl-AR/General_Protest_By_Tania_Bruguera_in_Domino_Canibal._PAC_Murcia_2010_grid_horizontal.jpg)
"General Protest" By Tania Bruguera in Dominõ Canibal. PAC Murcia 2010
DOMINÓ CANÍBAL is an initiative by the Culture and Tourism Council of the region of Murcia encompassed by the PAC (Proyecto de Arte Contemporáneo de Murcia 2010)
![Sergio Camargo, Relief No. 161-4, 1964, Painted wood relief, 48 x 26 x 5.5 inches (121.9 x 66 x 14 cm) LOT 173 Sergio Camargo, Relief No. 161-4, 1964, Painted wood relief, 48 x 26 x 5.5 inches (121.9 x 66 x 14 cm) LOT 173](/var/artealdia_com/storage/images/international/columna_derecha/novedades/subasta_annual_de_arte_latinoamericano_de_phillips_de_pury_company_en_nueva_york/423669-1-esl-AR/Subasta_Annual_de_Arte_Latinoamericano_de_Phillips_de_Pury_Company_en_Nueva_York_grid_horizontal.jpg)
Annual Auction of Latin American Art by Phillips de Pury & Company in New York
Phillips de Pury & Company’s annual auction of Latin American art will feature contemporary art, photographs, design, and editions including highlights by Fernando Botero, Sergio Camargo, Wifredo Lam
![EL ARTE ULTIMO DEL SIGLO XX DEL POSMINIMALISMO A LO MULTICULTURAL de GUASCH, ANNA MARIA EL ARTE ULTIMO DEL SIGLO XX DEL POSMINIMALISMO A LO MULTICULTURAL de GUASCH, ANNA MARIA](/var/artealdia_com/storage/images/international/contenidos/novedades/anna_maria_guasch_aborda_la_encrucijada_del_arte_latinoamericano_en_el_muac/423389-1-esl-AR/Anna_Maria_Guasch_Aborda_la_Encrucijada_del_Arte_Latinoamericano_en_el_MUAC_grid_horizontal.jpg)
Anna María Guasch and her Vision of the Crossroad of Latin American Art at the MUAC
Anna Maria Guasch, accredited Art History professor at the Universidad de Barcelona and art critic, made a lecture about her essay: “From the new internationalism to local speeches: the crossroad of Latin American art on the way to post-modernity in a global age”, at the Museo Universitario Arte Contemporáneo, MUAC, Mexico City.
![Frases, Carlos Garaicoa Frases, Carlos Garaicoa](/var/artealdia_com/storage/images/international/contenidos/novedades/carlos_garaicoa_en_matadero_madrid/423245-1-esl-AR/Carlos_Garaicoa_en_Matadero_Madrid_grid_horizontal.png)
Carlos Garaicoa at Matadero, Madrid
Seven carpets rest on the floor of the oldest cooling camera in Matadero Madrid.
![Ergo, materia. Arte povera Presentación del libro Participan: Cuauhtémoc Medina Guillermo Santamarina Luis Felipe Ortega Ergo, materia. Arte povera Presentación del libro Participan: Cuauhtémoc Medina Guillermo Santamarina Luis Felipe Ortega](/var/artealdia_com/storage/images/international/contenidos/novedades/muac_lanza_catalogo_de_la_exposicion_ergo_materia._arte_povera/422023-1-esl-AR/MUAC_lanza_catalogo_de_la_exposicion_Ergo_materia._Arte_povera_grid_horizontal.jpg)
The MUAC Launched Catalog of the Ergo, materia. Arte povera Exposition
The Museo Universitario Arte Contemporáneo (MUAC) launched the catalog for the Ergo, materia. Arte povera exposition, during an event with the participation of the curators Cuauhtémoc Medina, and Guillermo Santamarina, and the artist Luis Felipe Ortega.
![Gean Moreno/Ernesto Oroza Studio Scrap Stool 2 2010 Scrap wood, screws, rope Gean Moreno/Ernesto Oroza Studio Scrap Stool 2 2010 Scrap wood, screws, rope](/var/artealdia_com/storage/images/international/columna_derecha/novedades/una_discusion_sobre_el_crecimiento_de_la_comunidad_del_arte_en_miami/420783-1-esl-AR/Una_Discusion_sobre_el_Crecimiento_de_la_Comunidad_del_Arte_en_Miami_grid_horizontal.jpg)
A Discussion About the Growth of Miami’s Art Community
The growth of Miami's art community raises questions about its development and direction
![Arturo Herrera, Padre 2009 Pintura acrílica sobre pared 6,08 x 4,57 m Foto: Del Re/Stein Arturo Herrera, Padre 2009 Pintura acrílica sobre pared 6,08 x 4,57 m Foto: Del Re/Stein](/var/artealdia_com/storage/images/international/contenidos/novedades/la_bienal_mercosul_anuncia_equipo_curatorial_de_su_octava_edicion/419916-1-esl-AR/La_Bienal_Mercosul_Anuncia_Equipo_Curatorial_de_su_Octava_Edicion_grid_horizontal.jpg)
Mercosul Biennial announces curatorial team for the 8th edition
The chief curator of the 8th Mercosul Biennial José Roca, has announced the team of curators to work on the curatorial plans for this edition, which is due to take place from September to November 2011, in Porto Alegre, Brazil.
![Reação Em Cadeia Com Efeito Variável, Carla Zaccagnini. 2010 Reação Em Cadeia Com Efeito Variável, Carla Zaccagnini. 2010](/var/artealdia_com/storage/images/international/contenidos/novedades/carla_zaccagnini_una_instalacion_en_torno_a_la_comunidad_y_el_sentido_del_trabajo_colectivo_en_el_musac/419197-1-esl-AR/Carla_Zaccagnini_Una_Instalacion_en_Torno_a_la_Comunidad_y_el_Sentido_del_Trabajo_Colectivo_en_el_MUSAC_grid_horizontal.jpg)
Carla Zaccagnini: An Installation Around the Sense of Community and Collective Work at MUSAC
On September 18th there will be presented, as an integrating part of the exposition To be constructed by Laboratory 987, Reação em cadeia com efeito variável installation by the Argentine artist resident of São Paulo Carla Zaccagnini.
![César Trasobares (Cuba, 1949) RINGHEAD (Exorcism from Style), 1983–present 5 cabinets with rings mixed media, variable dimensions Courtesy of the artist César Trasobares (Cuba, 1949) RINGHEAD (Exorcism from Style), 1983–present 5 cabinets with rings mixed media, variable dimensions Courtesy of the artist](/var/artealdia_com/storage/images/international/contenidos/novedades/cesar_trasobares_una_charla_sobre_su_instalacion_ringhead_en_el_bass_museum/418201-1-esl-AR/Cesar_Trasobares_Una_Charla_Sobre_Su_Instalacion_Ringhead_en_el_Bass_Museum_grid_horizontal.jpg)
César Trasobares: A Lecture About His Installation of Rings in Human Rites at Bass Museum
In 1983, Cesar Trasobares began the construction of RINGHEAD (Exorcism from Style)
![CRISTIAN SEGURA Valijita de ex director de museo (Briefcase of a former museum director), 2003 Cardboard, paint, and metal 12.2 x 17.3 x 3.1 inches Fundación OSDE, Espacio Imago, Buenos Aires CRISTIAN SEGURA Valijita de ex director de museo (Briefcase of a former museum director), 2003 Cardboard, paint, and metal 12.2 x 17.3 x 3.1 inches Fundación OSDE, Espacio Imago, Buenos Aires](/var/artealdia_com/storage/images/international/columna_derecha/novedades/argentina_en_foco_cristian_segura_sergio_vega_en_el_museo_de_art_museum_of_the_americas/416790-1-esl-AR/Argentina_in_Focus_Cristian_Segura_Sergio_Vega_at_the_Art_Museum_of_The_Americas_grid_horizontal.jpg)
Argentina in Focus: Cristian Segura / Sergio Vega at the Art Museum of The Americas
With a parrot speaking into a microphone in its galleries, and its facade in flames, the Art Museum of the Americas of the Organization of American States announces Argentina in Focus: Visualizing the Concept—Cristian Segura/Sergio Vega.
![Sara Modiano, Photography/Fotografia Sara Modiano, Photography/Fotografia](/var/artealdia_com/storage/images/international/contenidos/novedades/sara_modiano._en_memoria/416127-1-esl-AR/Sara_Modiano._En_Memoria_grid_horizontal.png)
Sara Modiano, In Memoriam
Artists always die too soon. There are pieces left halfway done, unfinished series, and in cases like the plastic artist Sara Modiano’s, we are left with a feeling that time had not yet given her the acknowledgement that her work deserved.
![Tatiana Blass, Metade de Fala No Chão- Bateria (Half of the Speech on the Ground- Drums), 2010 Tatiana Blass, Metade de Fala No Chão- Bateria (Half of the Speech on the Ground- Drums), 2010](/var/artealdia_com/storage/images/international/columna_derecha/novedades/anuncian_inauguracion_de_in_transition_exhibicion_de_las_becas_y_comisiones_cifo_2010/415354-1-esl-AR/Announcing_Inaguration_of_In_Transition_2010_CIFO_Grants_and_Commissions_Exhibition_grid_horizontal.jpg)
Announcing Inaguration of In Transition: 2010 CIFO Grants and Commissions Exhibition
CIFO announces the inauguration of In Transition, its 2010 Grants and Commissions Programs exhibition on view from September 3rd through November 7th at the CIFO Art Space.
![El Informe Toledo: arte, vida y contexto político en la visión de Francisco Toledo El Informe Toledo: arte, vida y contexto político en la visión de Francisco Toledo](/var/artealdia_com/storage/images/international/contenidos/novedades/el_informe_toledo_arte_vida_y_contexto_politico_en_la_vision_de_francisco_toledo/414648-1-esl-AR/El_Informe_Toledo_Arte_Vida_y_Contexto_Politico_en_la_Vision_de_Francisco_Toledo_grid_horizontal.jpg)
The Toledo´s Inform: Arte, Life and Political Context in the Vision of Francisco Toledo
The series of fifteen prints Francisco Toledo made on account of Franz Kafka's Report For an Academy
![Ergo, Materia. Arte povera. MUAC 2010 Ergo, Materia. Arte povera. MUAC 2010](/var/artealdia_com/storage/images/international/contenidos/novedades/dialogo_entre_arte_y_pedagogia_en_dos_exhibiciones_paralelas_en_el_muac_beuys_and_mario_rangel_faz/414210-1-esl-AR/Dialogo_Entre_Arte_y_Pedagogia_en_Dos_Exhibiciones_Paralelas_en_el_MUAC_Beuys_and_Mario_Rangel_Faz_grid_horizontal.png)
Dialogue Among Art and Pedagogy in Two Parallel Exhibitions at the MUAC: Beuys and Mario Rangel Faz
The University Museum of Contemporary Art (MUAC) in association with Deutsche Bank presents an exhibition on teachers and their students.