Esther María Arjona has a degree in Social Communication Sciences, an executive master's degree in Journalism, and a diploma in Cultural Management. With more than 25 years of experience, she has worked in Panama's leading print media as a specialist in cultural issues, gastronomy, and lifestyle. She has contributed to national and international magazines, as well as creating content for cultural mobile applications.
TROPICAL HYPERSTITION, A SPACE OF MEMORY AND RESISTANCE AT THE BIENNALE DI VENEZIA 2026
With the large-scale installation and performative work of Antonio José Guzmán and Iva Jankovic, Panama participates for the second time as a National Pavilion in the Biennale di Venezia 2026.
“TERRITORIES IN CONNECTION”, LATIN AMERICAN ART IN CIUDAD DE LAS ARTES, PANAMA
Video, textiles and the body make up a network of relationships in constant construction in the exhibition curated by Irene Gelfman with the participation of artists from Latin America.
MARÍA LUCÍA ALEMÁN: "CULTURAL EXPRESSIONS ARE UNITING THE REGION MORE"
The executive director of MAC Panama, who will participate in the discussion Building Institutional Stories, part of the Pinta Panamá FORO initiative, envisions great opportunities for Central America with the strengthening of its institutions and joint work.
LIGHT WATER, THE ACT OF CREATION ACCORDING TO KOJIRO TAKAKUWA
ECOFEMINIST PERSPECTIVES AT THE PANAMANIAN CULTURAL CENTER OF SPAIN
The exhibition The Dimension of the Invisible: Ecofeminist Traces of Panamanian Art brings together 10 women artists who question the boundaries between nature, body and community at El Centro Cultural de España – Casa del Soldado. The exhibition is curated by Gladys Turner Bosso.
AUTONOMY FROM THE ENCOUNTER: ART FROM LATIN AMERICA AT THE HABITANTE GALLERY, PANAMA CITY
A PORTAL BETWEEN SOUL AND REALITY: THE FEMININE IMAGINARY IN AN ARTECONSULT COLLECTIVE EXHIBITION
THE VALUE OF SOVEREIGNTY IN MR. BROWN'S GARDEN, EXHIBITION AT THE INTEROCEANIC CANAL MUSEUM
The photographic exhibition of the American Tova Katzman leads the viewer to question the limits that mark the territory we inhabit.
LIGHT AND THE INVISIBLE, KNEUBÜHLER AND MUSSIOL AT THE ALLIANCE FRANÇAISE
The exhibition of the Swiss-Canadian photographers at the Alliance Française in Panama City invites the public to look beyond what we can usually see.
THE BIOMUSEO, SCIENCE AND ARCHITECTURE OF THE FIRST LEVEL
On the Amador Causeway, right at the entrance to the Panama Canal of the Pacific Ocean, the Museum of Biodiversity takes place, with a structure that does not go unnoticed both for its shapes and for its color. It is an avant-garde building that coexists with the natural environment.
"DAYS ARE NOT THE SAME": ZANELE MUHOLI AT CASA SANTA ANA
Amalanga Awafani, an exhibition by the South African visual artist in Panama City, leads us to think about the passage of time and how identity and dignity cease to be a constant.
