Notes related to Ecología

ART AGAINST COLLAPSE: 193 ARTISTS IMAGINE ALTERNATIVE FUTURES

Into the Time Horizon, at the Nevada Museum of Art, unfolds as one of the most expansive surveys of environmental art in the United States, combining critical diagnosis with concrete proposals in the face of the climate crisis.

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ART AGAINST COLLAPSE: 193 ARTISTS IMAGINE ALTERNATIVE FUTURES

Into the Time Horizon, at the Nevada Museum of Art, unfolds as one of the most expansive surveys of environmental art in the United States, combining critical diagnosis with concrete proposals in the face of the climate crisis.

MASP INAUGURATES AN EXHIBITION BY MINERVA CUEVAS ON SOCIAL ECOLOGY

The multidisciplinary exhibition by the Mexican artist, featuring installation, sculpture, painting, posters, and video, closes the Histories of Ecology cycle and highlights the environmental crisis as a social issue.

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MASP INAUGURATES AN EXHIBITION BY MINERVA CUEVAS ON SOCIAL ECOLOGY

The multidisciplinary exhibition by the Mexican artist, featuring installation, sculpture, painting, posters, and video, closes the Histories of Ecology cycle and highlights the environmental crisis as a social issue.

CÚMULUS: TEN YEARS OF ECOLOGY AND COLLABORATION IN PANAMA

The Panarte gallery at the Museum of Contemporary Art of Panama hosts Cúmulus: 10+ Years of Estudio Nuboso, an exhibition celebrating over a decade of collaborative practices at the crossroads of art, science, and ecology.

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CÚMULUS: TEN YEARS OF ECOLOGY AND COLLABORATION IN PANAMA

The Panarte gallery at the Museum of Contemporary Art of Panama hosts Cúmulus: 10+ Years of Estudio Nuboso, an exhibition celebrating over a decade of collaborative practices at the crossroads of art, science, and ecology.

WATER, CYCLES AND TRANSFORMATION AT THE VENICE BIENNALE

The 2024 Venice Biennale has taken a profound interest on cyclical themes, with water emerging as a dominant motif across exhibitions. In resonance to Pedrosa’s title for this year ‘Stranieri Ovunque’, we see water as a dominant locus for the subjects of travel, shared heritage and fluctuation. On itself, water is seen (as both a vital resource and a destructive force) at the heart of the pavilions representing Greece, France, and in Otero Torres’ Arsenale installation, Aguacero. These exhibitions delve into water’s duality: as a life-giver and a potential destroyer, as a symbol of both division and connection.

By Mercedes Abella
Reviews

WATER, CYCLES AND TRANSFORMATION AT THE VENICE BIENNALE

By Mercedes Abella

The 2024 Venice Biennale has taken a profound interest on cyclical themes, with water emerging as a dominant motif across exhibitions. In resonance to Pedrosa’s title for this year ‘Stranieri Ovunque’, we see water as a dominant locus for the subjects of travel, shared heritage and fluctuation. On itself, water is seen (as both a vital resource and a destructive force) at the heart of the pavilions representing Greece, France, and in Otero Torres’ Arsenale installation, Aguacero. These exhibitions delve into water’s duality: as a life-giver and a potential destroyer, as a symbol of both division and connection.

October 11, 2024