Notes related to Greece

ATHENS PHOTO FESTIVAL LAUNCHES INTERNATIONAL OPEN CALL FOR 2026

Over 80 artists will be selected to exhibit at Benaki Museum / Pireos 138. Deadline: 9 March.

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Open Calls

ATHENS PHOTO FESTIVAL LAUNCHES INTERNATIONAL OPEN CALL FOR 2026

Over 80 artists will be selected to exhibit at Benaki Museum / Pireos 138. Deadline: 9 March.

ONASSIS AIR ANNOUNCES 30 RESIDENCY OPPORTUNITIES IN ATHENS

The international program offers 10-week residencies with financial support, mentoring, and access to the Onassis cultural ecosystem. Deadline: March 3, 2026.

Closed
Open Calls

ONASSIS AIR ANNOUNCES 30 RESIDENCY OPPORTUNITIES IN ATHENS

The international program offers 10-week residencies with financial support, mentoring, and access to the Onassis cultural ecosystem. Deadline: March 3, 2026.

ONASSIS AIR: OPEN CALL FOR THE 2025/26 SEASON

Onassis AiR has officially launched its Open Call for the 2025/26 season, inviting artists and creative practitioners from diverse disciplines and backgrounds to participate in a dynamic and immersive research-based residency in Athens, Greece.

Closed
Open Calls

ONASSIS AIR: OPEN CALL FOR THE 2025/26 SEASON

Onassis AiR has officially launched its Open Call for the 2025/26 season, inviting artists and creative practitioners from diverse disciplines and backgrounds to participate in a dynamic and immersive research-based residency in Athens, Greece.

WATER, CYCLES AND TRANSFORMATION AT THE VENICE BIENNALE

The 2024 Venice Biennale has taken a profound interest on cyclical themes, with water emerging as a dominant motif across exhibitions. In resonance to Pedrosa’s title for this year ‘Stranieri Ovunque’, we see water as a dominant locus for the subjects of travel, shared heritage and fluctuation. On itself, water is seen (as both a vital resource and a destructive force) at the heart of the pavilions representing Greece, France, and in Otero Torres’ Arsenale installation, Aguacero. These exhibitions delve into water’s duality: as a life-giver and a potential destroyer, as a symbol of both division and connection.

By Abella, Mercedes
Reviews

WATER, CYCLES AND TRANSFORMATION AT THE VENICE BIENNALE

By Abella, Mercedes

The 2024 Venice Biennale has taken a profound interest on cyclical themes, with water emerging as a dominant motif across exhibitions. In resonance to Pedrosa’s title for this year ‘Stranieri Ovunque’, we see water as a dominant locus for the subjects of travel, shared heritage and fluctuation. On itself, water is seen (as both a vital resource and a destructive force) at the heart of the pavilions representing Greece, France, and in Otero Torres’ Arsenale installation, Aguacero. These exhibitions delve into water’s duality: as a life-giver and a potential destroyer, as a symbol of both division and connection.

October 11, 2024
WATER AS A PRISM: GREEK PAVILION AT THE VENICE BIENNALE

Xirómero / Dryland is an interdisciplinary collective work conceived by Thanasis Deligiannis and Yannis Michalopoulos, created along with the artists Elia Kalogianni, Yorgos Kyvernitis, Kostas Chaikalis and Fotis Sagonas for the Greek Pavilion at the 60th Venice Biennale. The project is curated by Panos Giannikopoulos.

News

WATER AS A PRISM: GREEK PAVILION AT THE VENICE BIENNALE

Xirómero / Dryland is an interdisciplinary collective work conceived by Thanasis Deligiannis and Yannis Michalopoulos, created along with the artists Elia Kalogianni, Yorgos Kyvernitis, Kostas Chaikalis and Fotis Sagonas for the Greek Pavilion at the 60th Venice Biennale. The project is curated by Panos Giannikopoulos.