Reviews

Marta Minujín

MINUCODEs, the Americas Society’s current exhibition of archival materials and a multimedia environment related to participatory works by Marta Minujín in the late 1960s.

By Daniel R. Quiles
Reviews

Marta Minujín | Short Circuit 1966-1968

By Daniel R. Quiles

MINUCODEs, the Americas Society’s current exhibition of archival materials and a multimedia environment related to participatory works by Marta Minujín in the late 1960s.

March 23, 2010
Trauerspiel, 2001. Oil on canvas, 77 x 133 1/4 in. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2003. Courtesy Sperone Westwater, New York. Óleo sobre tela, 195,6 x 338,5 cm. Museo y Jardín de Esculturas Hirshhorn Instituto Smithsoniano, Washington, DC. Fondo para Adquisiciones Joseph H. Hirshhorn, 2003. Cortesía Sperone Westwater, Nueva York

Kuitca’s work leads us to reflect on the power of visual signs and of their evocative influence.

By Milagros Bello
Reviews

Guillermo Kuitca | Noesis of The World

By Milagros Bello

Kuitca’s work leads us to reflect on the power of visual signs and of their evocative influence.

March 23, 2010
Modified Citroën DS, 55 3/16 in x 15’ 9 15/16 in x 45 5/16 in. Fonds national d’art contemporain (Cnap), Ministère de la Culture et de la Communication, Paris, Fnac 94003. Photography: Florian Kleinefenn. ©2009 Gabriel Orozco. Citroën DS, modificado. 140,1 x 482,5 x 115,1 cm. Fondo Nacional para el Arte Contemporáneo (Cnap). Ministerio de Cultura y Comunicación, París. Fnac 94003. Fotografía: Florian Kleinefenn. ©2009 Gabriel Orozco

Gabriel Orozco ́s retrospective at the Museum of Modern Art in New York

By Adriana Herrera Tellez
Reviews

Gabriel Orozco : The Indomitable Gaze at MoMA

By Adriana Herrera Tellez

Gabriel Orozco ́s retrospective at the Museum of Modern Art in New York

March 23, 2010
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