Reviews

Compartement, 2009. Installation view at the MMK Zollamt Vista de la instalación en el MMK Zollamt

Dolores Zinny (Rosario, Argentina, 1968) and Juan Maidagán (Rosario, Argentina, 1957) have been invited to explore Zollamt.

By Álvaro de Benito Fernández
Reviews

Zinny/Maidagán

By Álvaro de Benito Fernández

Dolores Zinny (Rosario, Argentina, 1968) and Juan Maidagán (Rosario, Argentina, 1957) have been invited to explore Zollamt.

March 30, 2010
Architecture des ombres, 2009. Serie “Le délire des sanges" Lambda print, 54 x 49.2 in./Impresión lambda, 137 x 125 cm. Courtesy/Cortesía Galerie Bendana Pinel

How difficult it is not to feel impressed by the work of Norton Maza-Lautaro (Chile, 1971 -). An oeuvre reflecting a personal life of exile and travels.

By Patricia Avena Navarro
Reviews

Norton Maza

By Patricia Avena Navarro

How difficult it is not to feel impressed by the work of Norton Maza-Lautaro (Chile, 1971 -). An oeuvre reflecting a personal life of exile and travels.

March 30, 2010
Osiris y Seth. Hermanos enemigos, 2009. Digital print, 17.7 x 35.4 x 47.2 in. Impresión digital, 45 x 90 / 60 x 120 cm. Courtesy/Cortesía Atelier Morales

The Steps Gallery presented the first solo show in London of Atelier Morales.

By Patricia Avena Navarro
Reviews

Atelier Morales

By Patricia Avena Navarro

The Steps Gallery presented the first solo show in London of Atelier Morales.

March 29, 2010
Andy Warhol y Marta Minujin

Marta Minujin interview by Philip Larratt-Smith

By  por Philip Larratt-Smith, Curador. (New York)
Reviews

Interview - Marta Minujin

By  por Philip Larratt-Smith, Curador. (New York)

Marta Minujin interview by Philip Larratt-Smith

March 25, 2010
Marta Minujín

MINUCODEs, the Americas Society’s current exhibition of archival materials and a multimedia environment related to participatory works by Marta Minujín in the late 1960s.

By Daniel R. Quiles
Reviews

Marta Minujín | Short Circuit 1966-1968

By Daniel R. Quiles

MINUCODEs, the Americas Society’s current exhibition of archival materials and a multimedia environment related to participatory works by Marta Minujín in the late 1960s.

March 23, 2010
Trauerspiel, 2001. Oil on canvas, 77 x 133 1/4 in. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2003. Courtesy Sperone Westwater, New York. Óleo sobre tela, 195,6 x 338,5 cm. Museo y Jardín de Esculturas Hirshhorn Instituto Smithsoniano, Washington, DC. Fondo para Adquisiciones Joseph H. Hirshhorn, 2003. Cortesía Sperone Westwater, Nueva York

Kuitca’s work leads us to reflect on the power of visual signs and of their evocative influence.

By Milagros Bello
Reviews

Guillermo Kuitca | Noesis of The World

By Milagros Bello

Kuitca’s work leads us to reflect on the power of visual signs and of their evocative influence.

March 23, 2010
Modified Citroën DS, 55 3/16 in x 15’ 9 15/16 in x 45 5/16 in. Fonds national d’art contemporain (Cnap), Ministère de la Culture et de la Communication, Paris, Fnac 94003. Photography: Florian Kleinefenn. ©2009 Gabriel Orozco. Citroën DS, modificado. 140,1 x 482,5 x 115,1 cm. Fondo Nacional para el Arte Contemporáneo (Cnap). Ministerio de Cultura y Comunicación, París. Fnac 94003. Fotografía: Florian Kleinefenn. ©2009 Gabriel Orozco

Gabriel Orozco ́s retrospective at the Museum of Modern Art in New York

By Adriana Herrera Tellez
Reviews

Gabriel Orozco : The Indomitable Gaze at MoMA

By Adriana Herrera Tellez

Gabriel Orozco ́s retrospective at the Museum of Modern Art in New York

March 23, 2010
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