Reviews

Machu Picchu. Cuzco, Perú 2005-2007. Digital print with charcoal ink on cotton paper. 25 x 20 in. Ampliación digital en papel de algodón con impresión de tinta de carbón. 64 x 51.5 cm. Courtesy/Cortesía: Galería Patricia Ready

Based on the most traditional photography techniques and devoid of any kind of theatrical trick, the images portrayed by photographer Javier Silva-Meinel (Peru, 1949) manage to convey a powerful emotional and aesthetic energy.

By Catalina Mena (Santiago)
Reviews

Javier Silva-Meinel

By Catalina Mena (Santiago)
March 31, 2010
Museo de Arte Contemporáneo de la Prefectura de Niterói-RJ-Brasil. Photo/Foto Michel Moch.

The exhibition presented at Fundación Telefónica in Madrid, in conjunction with the Fundación Cultural Hispano-Brasileña, is the well-deserved tribute to one of the most influential architects in the international context.

By Álvaro de Benito Fernández
Reviews

Oscar Niemeyer

By Álvaro de Benito Fernández
March 30, 2010
Acorazado. 210,000 bullet shells, car body, 47.2 x 72.8 x 141.7 in. 210.000 casquillos de bala, carrocería de vehículo, 120 x 185 x 360 cm.

The always interesting proposal of Limber Vilorio (Santo Domingo, Dominican Republic, 1972)

By Álvaro de Benito Fernández
Reviews

Limber Vilorio

By Álvaro de Benito Fernández
March 30, 2010
Compartement, 2009. Installation view at the MMK Zollamt Vista de la instalación en el MMK Zollamt

Dolores Zinny (Rosario, Argentina, 1968) and Juan Maidagán (Rosario, Argentina, 1957) have been invited to explore Zollamt.

By Álvaro de Benito Fernández
Reviews

Zinny/Maidagán

By Álvaro de Benito Fernández
March 30, 2010
Architecture des ombres, 2009. Serie “Le délire des sanges" Lambda print, 54 x 49.2 in./Impresión lambda, 137 x 125 cm. Courtesy/Cortesía Galerie Bendana Pinel

How difficult it is not to feel impressed by the work of Norton Maza-Lautaro (Chile, 1971 -). An oeuvre reflecting a personal life of exile and travels.

By Patricia Avena Navarro
Reviews

Norton Maza

By Patricia Avena Navarro
March 30, 2010
Osiris y Seth. Hermanos enemigos, 2009. Digital print, 17.7 x 35.4 x 47.2 in. Impresión digital, 45 x 90 / 60 x 120 cm. Courtesy/Cortesía Atelier Morales

The Steps Gallery presented the first solo show in London of Atelier Morales.

By Patricia Avena Navarro
Reviews

Atelier Morales

By Patricia Avena Navarro
March 29, 2010
Andy Warhol y Marta Minujin

Marta Minujin interview by Philip Larratt-Smith

By  por Philip Larratt-Smith, Curador. (New York)
Reviews

Interview - Marta Minujin

By  por Philip Larratt-Smith, Curador. (New York)
March 25, 2010
Marta Minujín

MINUCODEs, the Americas Society’s current exhibition of archival materials and a multimedia environment related to participatory works by Marta Minujín in the late 1960s.

By Daniel R. Quiles
Reviews

Marta Minujín | Short Circuit 1966-1968

By Daniel R. Quiles
March 23, 2010
Trauerspiel, 2001. Oil on canvas, 77 x 133 1/4 in. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2003. Courtesy Sperone Westwater, New York. Óleo sobre tela, 195,6 x 338,5 cm. Museo y Jardín de Esculturas Hirshhorn Instituto Smithsoniano, Washington, DC. Fondo para Adquisiciones Joseph H. Hirshhorn, 2003. Cortesía Sperone Westwater, Nueva York

Kuitca’s work leads us to reflect on the power of visual signs and of their evocative influence.

By Milagros Bello
Reviews

Guillermo Kuitca | Noesis of The World

By Milagros Bello
March 23, 2010
Modified Citroën DS, 55 3/16 in x 15’ 9 15/16 in x 45 5/16 in. Fonds national d’art contemporain (Cnap), Ministère de la Culture et de la Communication, Paris, Fnac 94003. Photography: Florian Kleinefenn. ©2009 Gabriel Orozco. Citroën DS, modificado. 140,1 x 482,5 x 115,1 cm. Fondo Nacional para el Arte Contemporáneo (Cnap). Ministerio de Cultura y Comunicación, París. Fnac 94003. Fotografía: Florian Kleinefenn. ©2009 Gabriel Orozco

Gabriel Orozco ́s retrospective at the Museum of Modern Art in New York

By Adriana Herrera Tellez
Reviews

Gabriel Orozco : The Indomitable Gaze at MoMA

By Adriana Herrera Tellez
March 23, 2010
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