Notes related to Fashion

PARIS, CAPITAL OF ART AND FASHION: MIU MIU AND HELEN MARTEN’S 30 BLIZZARDS AT ART BASEL

By María Sancho-Arroyo

In a city where art and fashion have long shared the same stage, one of the most talked-about encounters during Art Basel Paris week was 30 Blizzards, a performative project by British artist Helen Marten, presented by Miu Miu at the Palais d’Iéna. The preview gathered an international mix of collectors, curators, and fashion figures, confirming how naturally these worlds now intersect.

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PARIS, CAPITAL OF ART AND FASHION: MIU MIU AND HELEN MARTEN’S 30 BLIZZARDS AT ART BASEL

By María Sancho-Arroyo

In a city where art and fashion have long shared the same stage, one of the most talked-about encounters during Art Basel Paris week was 30 Blizzards, a performative project by British artist Helen Marten, presented by Miu Miu at the Palais d’Iéna. The preview gathered an international mix of collectors, curators, and fashion figures, confirming how naturally these worlds now intersect.

RELIGION, FASHION, AND RESISTANCE ACCORDING TO BÁRBARA SÁNCHEZ-KANE, AT COLLEGIUM

Multidisciplinary artist Bárbara Sánchez-Kane (Mérida, Mexico, 1987) presents ¿Cuántos ángeles caben en la punta de un alfiler? (How Many Angels Fit on the Tip of a Pin?), her first solo show at Collegium—a center for the creation, research, and display of contemporary art, known for its residencies. With Sánchez-Kane’s project, Collegium inaugurates its new role as a museum. All the pieces, curated by José Esparza Chong Cuy, were created on site, and their placement within the Church of San Martín fosters a dialogue with the building’s symbolic and historical character.

By Álvaro de Benito
News

RELIGION, FASHION, AND RESISTANCE ACCORDING TO BÁRBARA SÁNCHEZ-KANE, AT COLLEGIUM

By Álvaro de Benito

Multidisciplinary artist Bárbara Sánchez-Kane (Mérida, Mexico, 1987) presents ¿Cuántos ángeles caben en la punta de un alfiler? (How Many Angels Fit on the Tip of a Pin?), her first solo show at Collegium—a center for the creation, research, and display of contemporary art, known for its residencies. With Sánchez-Kane’s project, Collegium inaugurates its new role as a museum. All the pieces, curated by José Esparza Chong Cuy, were created on site, and their placement within the Church of San Martín fosters a dialogue with the building’s symbolic and historical character.