Notes related to Drawing

THE CENTRO BOTÍN REVISITS MARISOL BEYOND THE SCULPTURAL

The Santander-based institution proposes a curatorial reading of Marisol through a major retrospective of her drawing practice, understood as a fundamental axis of her work and as a means of articulating the knowledge acquired through her vital displacements.

By Álvaro De Benito
Reviews

THE CENTRO BOTÍN REVISITS MARISOL BEYOND THE SCULPTURAL

By Álvaro De Benito

The Santander-based institution proposes a curatorial reading of Marisol through a major retrospective of her drawing practice, understood as a fundamental axis of her work and as a means of articulating the knowledge acquired through her vital displacements.

May 26, 2026
"MONITOR YIN YANG": ARGENTINA ARRIVES AT THE VENICE BIENNALE WITH AN OPEN CARTOGRAPHY

Matías Duville's installation proposes a traversable landscape where light and shadow, permanence and transformation coexist without resolution.

By Violeta Méndez
News

"MONITOR YIN YANG": ARGENTINA ARRIVES AT THE VENICE BIENNALE WITH AN OPEN CARTOGRAPHY

By Violeta Méndez

Matías Duville's installation proposes a traversable landscape where light and shadow, permanence and transformation coexist without resolution.

FABELO'S LITERARY ICONOGRAPHY TAKES OVER THE CERVANTES INSTITUTE

The Cervantes Institute in Madrid presents Roberto Fabelo. Grafomanía, an exhibition featuring 50 works by Roberto Fabelo (Guáimaro, Cuba, 1951), most of them related to literary worlds and dialogues with other artists. The exhibition includes references to Gabriel García Márquez, Miguel de Cervantes, Goya, and Hieronymus Bosch—figures of great influence on the Cuban artist’s work.

By Álvaro De Benito
News

FABELO'S LITERARY ICONOGRAPHY TAKES OVER THE CERVANTES INSTITUTE

By Álvaro De Benito

The Cervantes Institute in Madrid presents Roberto Fabelo. Grafomanía, an exhibition featuring 50 works by Roberto Fabelo (Guáimaro, Cuba, 1951), most of them related to literary worlds and dialogues with other artists. The exhibition includes references to Gabriel García Márquez, Miguel de Cervantes, Goya, and Hieronymus Bosch—figures of great influence on the Cuban artist’s work.