Notes related to Amazon

ARMANDO ANDRADE: “SARA FLORES PRESENTS A SERIES OF WORKS THAT TAKE KENÉ TO A SCALE NEVER BEFORE EXPLORED”

As curator of the Peruvian pavilion in Venice, Andrade examines how the Shipibo-Konibo artist transforms a visual thinking system into an all-encompassing experience —and why that gesture reshapes the scale of what contemporary art can hold.

By María Laura Hernández de Agüero
Interviews

ARMANDO ANDRADE: “SARA FLORES PRESENTS A SERIES OF WORKS THAT TAKE KENÉ TO A SCALE NEVER BEFORE EXPLORED”

By María Laura Hernández de Agüero

As curator of the Peruvian pavilion in Venice, Andrade examines how the Shipibo-Konibo artist transforms a visual thinking system into an all-encompassing experience —and why that gesture reshapes the scale of what contemporary art can hold.

MYTH AND RESISTANCE IN NEREYDA LÓPEZ AND SANTIAGO YAHUARCANI, AT THE CBA

The Círculo de Bellas Artes in Madrid presents Somos raíces (We Are Roots), an exploration of the creative worlds of Santiago Yahuarcani (Pucaurquillo, Peru, 1960) and Nereyda López (Pebas, Peru, 1965), two of the most prominent figures in contemporary indigenous art. Both artists draw from the oral traditions and cosmologies of their respective peoples—the Uitoto in Yahuarcani’s case, and the Tikuna and Cocama in López’s—to give voice to languages of resistance.

By Álvaro De Benito
News

MYTH AND RESISTANCE IN NEREYDA LÓPEZ AND SANTIAGO YAHUARCANI, AT THE CBA

By Álvaro De Benito

The Círculo de Bellas Artes in Madrid presents Somos raíces (We Are Roots), an exploration of the creative worlds of Santiago Yahuarcani (Pucaurquillo, Peru, 1960) and Nereyda López (Pebas, Peru, 1965), two of the most prominent figures in contemporary indigenous art. Both artists draw from the oral traditions and cosmologies of their respective peoples—the Uitoto in Yahuarcani’s case, and the Tikuna and Cocama in López’s—to give voice to languages of resistance.

MARIA WILLS AND DENILSON BANIWA ON AMAZOFUTURISM

Maria Wills (Bogota, Colombia 1979) and Denilson Baniwa (Barcelos, Brazil, 1984) are the responsible for Wametisé: ideas for an amazofuturism, one of the special programs curated for ARCO 2025 and that navigates the Amazon and its growing impact on contemporary art. This proposal proposes a scenario of representation and dialogue through a selection of galleries and guest artists who will raise, through their works and their realities, the different conceptions of the Amazonian world and the possibilities of a collective future.

By Álvaro De Benito
Interviews

MARIA WILLS AND DENILSON BANIWA ON AMAZOFUTURISM

By Álvaro De Benito

Maria Wills (Bogota, Colombia 1979) and Denilson Baniwa (Barcelos, Brazil, 1984) are the responsible for Wametisé: ideas for an amazofuturism, one of the special programs curated for ARCO 2025 and that navigates the Amazon and its growing impact on contemporary art. This proposal proposes a scenario of representation and dialogue through a selection of galleries and guest artists who will raise, through their works and their realities, the different conceptions of the Amazonian world and the possibilities of a collective future.