CAMILO GODOY AT DOT FIFTYONE: CHOREOGRAPHY AND PERFORMANCE
Neither one nor the other, but a wound is the exhibition by New York-based Colombian artist Camilo Godoy at Dot Fiftyone Gallery. Curated by Angelica Arbelaez, this exhibition showcases a bold exploration of historical and contemporary social divides.
Neither one nor the other, but a wound features new work and recent photographs by New York-based artist Camilo Godoy. For his first solo exhibition in Miami, Godoy furthers his research into forms of collective movement and choreography through performance, photography, and sculpture.
The centerpiece of the exhibition is a video titled Renacemos a cada instante (We are reborn at every moment), which documents a recent performance by Godoy with performers Reginald Thomas Brown, Iliana Penichet-Ramírez, Gabriel Reyes, and Sasha Ono at the New Museum in New York. The work depicts an ensemble of dancers moving through a dense fog in an evocatively lit space. Led by the sound of a cello, the dancers perform choreographies based on improvisation and inspired by mourning practices that celebrate the cycles of life and death. Their bodies move with ease, making gentle gestures that ebb, sink, and fall away. For the presentation at Dot Fiftyone Gallery, exhibition space will be similarly engulfed in a yellow-orange-hued-light, inviting visitors to feel immersed in the work.
The exhibition will also include three photographs from Godoy’s series, What did they actually see?. The haunting images depict a lone figure making dramatic poses in near complete darkness. The series reckons with the historical impact of prejudices advanced by Christian missionaries against Black and Indigenous peoples of the Americas during the 17th and 18th centuries. Godoy studied written accounts and anthropological records that described ritual dances performed by native communities near present-day Colombia in a pejorative way. With this series, he photographed himself attempting to imagine what colonizers may have witnessed based on their written descriptions. Godoy’s photographic interpretations of these ritualistic acts offer a corrective and regards them with unequivocal reverence.
Residency at the New Museum
Godoy’s residency at the New Museum has provided crucial resources to deepen his engagement with historical texts and to develop performative reconstructions. This environment nurtures a connection between contemporary art and historical education, allowing for critical discussions that challenge viewers to reconsider narratives and their implications for modern identity.
Born in Bogotá, Colombia, and currently residing in New York, Camilo Godoy is a multidisciplinary artist whose work investigates politics, history, and collective. memory. He has participated in residencies at the International Studio & Curatorial. Program (ISCP), SOLARIS, Movement Research, coleção moraes-barbosa, New Dance Alliance, and Recess. His work has been exhibited in prominent institutions, including the Brooklyn Museum, Leslie-Lohman Museum, CUE Art Foundation, OCD Chinatown, PROXYCO Gallery, Museo de Arte Moderno in Bogotá, Moody Center in Houston, UNSW Galleries in Sydney, and Centro de Arte Contemporáneo in Quito. Godoy has. also performed at esteemed venues such as the Danspace Project, Movement Research at the Judson Church, and Künstlerhaus Mousonturm.
Neither one nor the other, but a wound. Exhibition by Camilo Godoy.
Until January 31, 2025.
Dot Fiftyone Gallery. 7275 NE 4th Ave, Miami, United States.
Related Topics
May interest you
THREE EXHIBITIONS AT NSU ART MUSEUM
NSU Art Museum at Miami presents three exhibitions: Rose B. Simpson and Vanessa German: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS; the first solo museum exhibition of artist Cici McMonigle Creatures for the divine; and Vicious Circles, the first exhibition in the United States dedicated to artist Jacqueline de Jong.
PINTA MIAMI 2024 – THE LATIN AMERICAN GENE
Pinta Miami –the international art fair focused on modern and contemporary Iberian and Latin American art– celebrates its eighteenth edition from December 5-8, 2024. Through curated sections and a dynamic and contemporary interdisciplinary program, the fair reinforces its commitment to showcasing a plurality of art.
JOSÉ PARLA’S PAINTINGS AT PAMM
Pérez Art Museum presents the exhibition José Parla: Homecoming. Featuring new works and a site-specific mural exhibition, it marks the artist’s return to painting and Miami.
NEW NARRATIVES IN THE FOTO COLECTANIA COLLECTION IN MIAMI
The exhibition Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona, at The Marguiles Collection at the Warehouse in Miami, presents 150 works by 36 artists from the Foto Colectania Collection, that currently comprises more than 3,000 photographs by Catalan, Spanish, and Portuguese authors, making it undoubtedly one of the most comprehensive private photography collections in the Iberian Peninsula.
AVAF IN MIAMI – AN INSTALLATION AT THE BASS
The Bass is presenting the exhibition asume vivid astro focus – XI, an enveloping installation of patterned wallpaper and decal graphics that spans floor to ceiling in a setting created for works by more than thirty artists. On view from November 13, 2024.
HURVIN ANDERSON’S LANDSCAPES AT PAMM
Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.
CRAIG ROBINS COLLECTION: THE SLEEP OF REASON
The 2024-2025 rehang of Craig Robins Collection is titled The Sleep of Reason, based on Francisco de Goya’s El sueño de la razón produce monstruos, part of his major print series, Caprichos.
OOLITE ARTS NAMED JOHN ABODEELY AS PRESIDENT AND CEO
The Oolite Arts Board of Directors announced that they have selected national arts leader John Abodeely as the organization’s next president and CEO. He will take on his new role in January 2025.
REFLECTIONS ABOUT THE PHYSICAL AND EMOTIONAL BODY AT EL ESPACIO 23
Mirror of the Mind: Figuration in the Jorge M. Pérez Collection, the exhibition at El Espacio 23 explores the entangled, inseparable relationship between the physical and emotional aspects of the body.
ANGELICA ARBELAEZ: PINTA MIAMI AND THE LATIN AMERICAN ARTISTIC NARRATIVE
In the upcoming edition of Pinta Miami –from December 5 to 8, 2024– Angelica Arbelaez will be in charge of the RADAR section. In a dialogue with Arte al Día, she reflects on the role of Latin American art in international artistic discourses and how artists from the region contribute to the construction of a new global artistic narrative for a richer and more inclusive world.
THE BROOKLYN MUSEUM PRESENTS BREAKING THE MOLD: BROOKLYN MUSEUM AT 200
On view February 28, 2025, through February 22, 2026, the sweeping exhibition, presented in three parts, marks the Museum’s anniversary year by exploring the collection’s rich history and evolution.
PINTA: A SUCCESS STORY IN LATIN AMERICAN ART
Since its foundation in 2007 in New York, Pinta has established itself as a key event in promoting Latin American, Spanish, and Portuguese art. What began as a boutique fair in the Big Apple has evolved into a global concept connecting artists, galleries, and collectors worldwide.
NOVEMBER AUCTION HIGHLIGHTS: HOW A BANANA STOLE THE SPOTLIGHT
The November auctions of Modern and Contemporary Art in New York, long considered barometers of the art market’s health, showcased striking contrasts last week, revealing both the enduring power of exceptional art and the market’s appetite for spectacle.
