ANA NAVAS' GLASS CHARMS
Crisis Galería presents the solo exhibition Amuleto by artist Ana Navas. This marks her second solo show at the gallery. For the Peruvian artist, each "glass organism" emerges from the metabolization of her fascination with the connection between the pioneers of modern abstraction and spirituality.

In this exhibition, Ana delves into the possibilities of glass, using it both as a medium and as a material for artistic exploration. The technique employed, vitrofusión (glass fusing), involves a risky double high-temperature kiln process, where the final result is revealed only once the pieces cool. This collaboration with fire grants each work a unique identity, merging Navas' creative vision with the hybrid and sensual beauty born from the controlled melting of glass.
The works fuse "flashes" of artists such as Hilma af Klint, Georgia O’Keeffe, and Wassily Kandinsky, along with the diverse sources that inspired them, including symbolism, ethnography, and theosophy.
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Ana Navas, Columna, vidrio fundido, 70 x 37 cm, 2024. Créditos de fotografía: Juan Pablo Murrugarra. Cortesía de Galería Crisis
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Ana Navas, Columna, vidrio fundido, 70 x 37 cm, 2024. Créditos de fotografía: Juan Pablo Murrugarra. Cortesía de Galería Crisis
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Ana Navas, Cueva, vidrio fundido, 63 x 42.5 cm, 2025. Créditos de fotografía: Juan Pablo Murrugarra. Cortesía de Galería Crisis
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Ana Navas, Torre, vidrio fundido, 72 x 27 cm, 2025. Créditos de fotografía: Juan Pablo Murrugarra. Cortesía de Galería Crisis
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Ana Navas, Destello, vidrio fundido, 56 x 49 cm, 2025. Créditos de fotografía: Juan Pablo Murrugarra. Cortesía de Galería Crisis
Ana Navas (Quito, 1984) is a visual artist whose work explores the intersection of abstraction, art history, and everyday culture. Through sculpture, video, painting, and performance, her practice engages with processes such as translation, assimilation, and appropriation. Ana considers her work as a pursuit of an object's genealogical traces. By experimenting with diverse materials and techniques, she creates pieces that invite reflection and constant reinterpretation.
Founded in 2017, Crisis Galería is a space dedicated to promoting contemporary art in Lima, with a strong commitment to showcasing artistic practices that engage with the region’s social, political, and cultural issues. The gallery works closely with artists whose works explore decolonial narratives, Indigenous perspectives, historical memory, and the limits of visual representation. Its exhibition program aims to foster a dynamic exchange between the local context and the international art circuit, encouraging new readings of artistic production in Latin America.
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Vista de Amuleto, Ana Navas. Créditos de fotografía: Juan Pablo Murrugarra. Cortesía de Crisis Galería
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Vista de Amuleto, Ana Navas. Créditos de fotografía: Juan Pablo Murrugarra. Cortesía de Crisis Galería
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Vista de Amuleto, Ana Navas. Créditos de fotografía: Juan Pablo Murrugarra. Cortesía de Crisis Galería
Amuleto will be on view until May 9 at Crisis Galería, located at Jr. Alfonso Ugarte 101# 260, Barranco, Lima (Peru).
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The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
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The Frye Art Museum announced the appointment of Rafael Soldi and Stephanie DeVaan to the Board of Trustees; their official term began February 10, 2025. Their addition expands the board to eleven members. DeVaan brings extensive nonprofit board experience as well as connections to both the tech and film communities, and Soldi is the first working artist to join the museum's board.
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The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.
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The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.

Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
PERU ADVANCES STEADILY ON THE CONTEMPORARY ART MAP
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At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
BETWEEN COSMOS AND ALGORITHM: YERKO ZLATAR'S VISION AT MALI
At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.

The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
A SHIPIBO-KONIBO ARTIST IN A PERUVIAN MUSEUM: ECOFEMINISM AND DEEP ECOLOGY
The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.

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"DAYTIME NIGHTTIME" AT GALERÍA GATO: THE BOUNDARIES BETWEEN THE REAL AND THE IMAGINED

Pinta Lima is the most important contemporary art fair in Peru, presenting in its 12th edition a solid program that celebrates the diversity of the Latin American artistic and cultural scene. Located at Casa Prado in Miraflores, Lima, the fair is an essential event where a network of artists, galleries, curators, and collectors from the region connect with the international scene.
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A REVISIT TO THE WORK OF RAPHAEL HASTINGS AT ICPNA
The exhibition El incondicionado desocultamiento: las experimentaciones audiovisuales de Rafael Hastings (The Unconditioned Unveiling: Rafael Hastings’ Audiovisual Experimentations) has opened at the ICPNA San Miguel space, offering a revisit of the Peruvian visual artist’s filmic work.

The renowned artist Moico Yaker returns to the exhibition halls with a solo show after six years to present Conversaciones en el zoológico (Conversations at the Zoo), while Rafael Pascuale explores the relationship between the body and fragility in Espejos de una humanidad perdida (Mirrors of a Lost Humanity).
MAC LIMA LAUNCHES ITS CYCLE OF TEMPORARY EXHIBITIONS
The renowned artist Moico Yaker returns to the exhibition halls with a solo show after six years to present Conversaciones en el zoológico (Conversations at the Zoo), while Rafael Pascuale explores the relationship between the body and fragility in Espejos de una humanidad perdida (Mirrors of a Lost Humanity).

Copperfield presents Rebeca Romero's first solo show with the gallery. The exhibition is accompanied by a text written by Gisselle Girón Casas, curator at the ESCALA Collection.

The Frye Art Museum announced the appointment of Rafael Soldi and Stephanie DeVaan to the Board of Trustees; their official term began February 10, 2025. Their addition expands the board to eleven members. DeVaan brings extensive nonprofit board experience as well as connections to both the tech and film communities, and Soldi is the first working artist to join the museum's board.
FRYE ART MUSEUM WELCOMES TWO NEW BOARD MEMBERS
The Frye Art Museum announced the appointment of Rafael Soldi and Stephanie DeVaan to the Board of Trustees; their official term began February 10, 2025. Their addition expands the board to eleven members. DeVaan brings extensive nonprofit board experience as well as connections to both the tech and film communities, and Soldi is the first working artist to join the museum's board.

The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.
FAMILY STORIES: THE GASTAÑETA CARRILLO DE ALBORNOZ COLLECTION AT MALI
The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.

Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
PERU ADVANCES STEADILY ON THE CONTEMPORARY ART MAP
Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.

At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
BETWEEN COSMOS AND ALGORITHM: YERKO ZLATAR'S VISION AT MALI
At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.

The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
A SHIPIBO-KONIBO ARTIST IN A PERUVIAN MUSEUM: ECOFEMINISM AND DEEP ECOLOGY
The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.

The art gallery located in downtown Lima presents its second exhibition, featuring renowned artists from Peru, Kyrgyzstan, and China. This new showcase transforms the space into a meeting point between the material and the transient, inviting viewers to immerse themselves in an experience that evolves with every new glance.
"DAYTIME NIGHTTIME" AT GALERÍA GATO: THE BOUNDARIES BETWEEN THE REAL AND THE IMAGINED

Pinta Lima is the most important contemporary art fair in Peru, presenting in its 12th edition a solid program that celebrates the diversity of the Latin American artistic and cultural scene. Located at Casa Prado in Miraflores, Lima, the fair is an essential event where a network of artists, galleries, curators, and collectors from the region connect with the international scene.
PINTA LIMA 2025: A GREAT MEETING OF CONTEMPORARY LATIN AMERICAN ART
Pinta Lima is the most important contemporary art fair in Peru, presenting in its 12th edition a solid program that celebrates the diversity of the Latin American artistic and cultural scene. Located at Casa Prado in Miraflores, Lima, the fair is an essential event where a network of artists, galleries, curators, and collectors from the region connect with the international scene.

The exhibition El incondicionado desocultamiento: las experimentaciones audiovisuales de Rafael Hastings (The Unconditioned Unveiling: Rafael Hastings’ Audiovisual Experimentations) has opened at the ICPNA San Miguel space, offering a revisit of the Peruvian visual artist’s filmic work.
A REVISIT TO THE WORK OF RAPHAEL HASTINGS AT ICPNA
The exhibition El incondicionado desocultamiento: las experimentaciones audiovisuales de Rafael Hastings (The Unconditioned Unveiling: Rafael Hastings’ Audiovisual Experimentations) has opened at the ICPNA San Miguel space, offering a revisit of the Peruvian visual artist’s filmic work.

The renowned artist Moico Yaker returns to the exhibition halls with a solo show after six years to present Conversaciones en el zoológico (Conversations at the Zoo), while Rafael Pascuale explores the relationship between the body and fragility in Espejos de una humanidad perdida (Mirrors of a Lost Humanity).
MAC LIMA LAUNCHES ITS CYCLE OF TEMPORARY EXHIBITIONS
The renowned artist Moico Yaker returns to the exhibition halls with a solo show after six years to present Conversaciones en el zoológico (Conversations at the Zoo), while Rafael Pascuale explores the relationship between the body and fragility in Espejos de una humanidad perdida (Mirrors of a Lost Humanity).

Copperfield presents Rebeca Romero's first solo show with the gallery. The exhibition is accompanied by a text written by Gisselle Girón Casas, curator at the ESCALA Collection.

The Frye Art Museum announced the appointment of Rafael Soldi and Stephanie DeVaan to the Board of Trustees; their official term began February 10, 2025. Their addition expands the board to eleven members. DeVaan brings extensive nonprofit board experience as well as connections to both the tech and film communities, and Soldi is the first working artist to join the museum's board.
FRYE ART MUSEUM WELCOMES TWO NEW BOARD MEMBERS
The Frye Art Museum announced the appointment of Rafael Soldi and Stephanie DeVaan to the Board of Trustees; their official term began February 10, 2025. Their addition expands the board to eleven members. DeVaan brings extensive nonprofit board experience as well as connections to both the tech and film communities, and Soldi is the first working artist to join the museum's board.

The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.
FAMILY STORIES: THE GASTAÑETA CARRILLO DE ALBORNOZ COLLECTION AT MALI
The exhibition, which opened on November 28, 2024, presents for the first time a family collection of great significance to Peruvian history, consisting of portraits, religious paintings, and various objects. These pieces allow for an exploration of different aspects of life in the viceregal court of Lima during the 18th century.

Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.
PERU ADVANCES STEADILY ON THE CONTEMPORARY ART MAP
Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.

At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.
BETWEEN COSMOS AND ALGORITHM: YERKO ZLATAR'S VISION AT MALI
At the Lima Art Museum – MALI, the exhibition Yerko Zlatar. Ancestral Technology is currently on view. This show invites reflection on the contrast between the deep, harmonious connection that ancient Andean civilizations had with the cosmos and their environment, and the way we now live, governed by a technology driven by consumerism and individualism.

The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.
A SHIPIBO-KONIBO ARTIST IN A PERUVIAN MUSEUM: ECOFEMINISM AND DEEP ECOLOGY
The Museo de Arte de Lima (MALI), in collaboration with the Shipibo Conibo Center in New York and with the support of proyectoamil in Lima and White Cube gallery in London, presented the exhibition Sara Flores. Non Nete, the first solo show of the renowned Shipibo-Konibo artist in a Peruvian museum.