THE POLITICAL AND SOCIAL MEANINGS OF KARLO ANDREI IBARRA AT CAAM
Concrete Wounds/Herida concreta is the exhibition that the Canary Islands' Centro Atlántico de Arte Moderno (CAAM) is dedicating to Karlo Andrei Ibarra (San Juan, Puerto Rico, 1982), one of the most promising and internationally renowned names of the Puerto Rican art scene. His artistic production focuses on the observation and analysis of social and political issues. For the occasion, the Puerto Rican artist has chosen to present these approaches from different techniques, thus delving into the multidisciplinary nature of the execution. Thus, objects, sculptures, installations and photographs are intermingled, translating his concepts into markedly visual languages.
There is also a relevant circumstance in Ibarra's work and it is his observation of semantics and language and his personal experience in an environment of bilingualism and high diglossia. The title of the present exhibition also reflects this concern, and plays with the symbolism of words, specifically that English concrete word that identifies both the specific and the material and its symbolism of closing and shuttering the memory and the past and present, the same that is witness to the dramatic actions of the tourism industry and its interpretation as a new colonialist and capitalist attitude and, therefore, the object of social and economic criticism.
Concrete Wounds/Herida concreta can be seen until October 6 at CAAM- San Antonio Abad, Plaza de San Antonio Abad, s/n, Las Palmas de Gran Canaria, Spain.
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