JOËL DÍAZ APPOINTED DIRECTOR OF WALTER O. EVANS CENTER FOR AFRICAN AMERICAN STUDIES

Established in 2011 in Savannah College of Art and Design (SCAD), the center’s mission is to promote wide public knowledge and appreciation of African American culture. Díaz is an experienced leader and community builder within education and the arts.

October 29, 2020
JOËL DÍAZ APPOINTED DIRECTOR OF WALTER O. EVANS CENTER FOR AFRICAN AMERICAN STUDIES

As director of the Walter O. Evans Center for African American Studies, Díaz will work closely with students, faculty, and staff to develop programming that enhances public knowledge, understanding, and appreciation of Black art and culture. His essential guidance will enrich SCAD’s long history of engagement with renowned Black artists and cultural leaders and bring new horizons to the university’s preeminent educational experience.

 

Since its founding a decade ago, the SCAD Walter O. Evans Center has shined a brilliant, prismatic light on the story of contemporary Black culture,” states SCAD President and Founder Paula Wallace. “The hiring of Joël Díaz, a gifted storyteller and educator, ensures that SCAD reaches and engages more students and SCAD Museum of Art visitors than ever before. The future of the Evans Center is bright!”

 

In 2011, SCAD established the Walter O. Evans Center for African American Studies within the historic SCAD Museum of Art. Through the generous gift of Ruskin Society member Dr. Walter Evans and his wife Linda, the SCAD Museum of Art is home to more than 60 important works of art by renowned African American artists such as Romare Bearden, Elizabeth Catlett, Robert S. Duncanson, Richard Hunt, and Jacob Lawrence. The collection forms the foundation of a multidisciplinary center for the study, understanding and appreciation of African American art and culture.

 

Art reveals to us the possibilities of life lived and life imagined, I am grateful to continue the work that SCAD, Dr. Evans, and Linda Evans began many years ago by celebrating, interrogating, interpreting and expanding our understanding of what has been deemed possible for Black life through the lens of African American Art and Culture,” stated Joël Díaz on his new role.

 

Prior to joining SCAD, Díaz has worked with many leading arts and advocacy organizations and institutions.  At the Schomburg Center for Research in Black Culture, he helped innovate curriculum in hip-hop history, created a youth programming for creative expression, and directed a vital conversation series with leading Black artists and activists. At the nonprofit New York cultural center Pioneer Works, Díaz led a diverse team of artist-educators in facilitating workshops, school visits, and exhibition-related programs, in addition to designing and implementing a youth STEAM program. More recently, Díaz led a museum education immersion program for nontraditional students and created curriculum for historical research and interpreting material culture at the Museum of the City of New York.

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