FEMINISM AND PSYCHEDELICS – DIANA POLICARPO EXHIBITS AT THE GALERIA MUNICIPAL OF PORTO

The ergot parasite infecting rye plants is known to be the cause of the St. Anthony’s fire disease. In small doses, ergot has traditionally been used by women healers for abortions. However, their knowledge rooted in experience of the land and plants has been eradicated by the progress of patriarchal capitalism, replacing it with obstetrics. Historians today still speculate whether ergotism may have played a role in accusations of witchcraft against women in the Salem crisis in 1692, as well as against Sámi shamans in the Finnmark trials in 1621, and other instances.

Diana Policarpo’s newly commissioned video works, animation, textiles and soundscape create parallels between the fungus cycle, reproductive justice and the expertise of midwives, healers and peasants in precarity and resistance. Homing in on feminist perspectives on psychedelics and working with the transfeminist biohacker Paula Pin, Policarpo's Nets of Hyphae draws speculative parallels between ergotism, the suppression of ancestral knowledge and health justice.

Diana Policarpo is a visual artist and composer with an MFA from Goldsmiths College, University of London. Recent exhibitions and performances include: Museu de Arte, Arquitetura e Tecnologia (MAAT), Lisbon (2020); Centro de Artes Visuais (CAV), Coimbra (2020); Galeria Lehmann + Silva, Porto (2020); Museu de Arte Contemporânea de Elvas (2020); Whitechapel Gallery, London (2019); Galeria Francisco Fino, Lisbon (2018); Kunsthall Oslo (2018); LUX Moving Image, London (2017); and Kunstverein Leipzig (2017). In 2019, Policarpo was awarded the EDP Foundation New Artists Award.