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The Reina Sofía National Museum Center of Arts in Madrid presents for the first time the artwork of Swedish artist Charlotte Johannesson. Combining textile art and digital design, Johannesson's work is a key precedent for contemporary digital art and feminist artistic production.

After one year in lockdown, literally "at home," Garagem Sul announces At Home, a pre-pandemic exhibition which demonstrates that architects have been long debating and experimenting with how and where we live. Curated by Margherita Guccione, Pippo Ciorra, André Tavares and Sérgio Catumba

The festival, which takes part at various of the city's exceptional heritage sites, has been a major influence in disseminating the best of world photography. This year, Rolf Art exhibits “Rethink Everything: the power of art in times of isolation” with curatorship by Andrea Giunta and the collaboration of Julieta Tarraubella and Florencia Rugiero.

Within the framework of the MadBlue festival and quoting the Pixies' song, the artist from Madrid intervenes in the Casa Encendida with thirteen paintings that reproduce the phrase Where is my mind? in nautical alphabet.

Two years after the announcement of her appointment, the Museum of Latin American Art of Buenos Aires reports that Gabriela Rangel will leave her position as Artistic Director of the museum as of June, in the framework of an unprecedented international crisis marked by the pandemic.

Olafur Eliasson presents site-specific installation Life at the Beyeler Foundation. Conceived to reflect on the relationship between culture and nature, the artwork is one of the artist's most daring pieces.

The Pinta Group, directed by Diego Costa Peuser, and their respective fairs, both Pinta Miami and BAphoto, introduced a series of videos in which the artists presented their works. This time, the Madrid-based artista represented by the Ponce+Robles gallery talks about his painting and artistic endeavor.

As part of the centenary birth of Baron Hans Heinrich Thyssen-Bornemisza, the museum of the same name in Madrid is inaugurating a series of exhibitions in his honour. Free admission until 18 April.

The Reina Sofía Center of Art National Museum presents a collective exhibition dedicated to contemporary Moroccan artistic production. In recognition of the influence that the countries of the southern shores of the Mediterranean have on Western culture, Moroccan Trilogy. 1950-2020 is the first project in the museum's decolonial research programme.

For centuries, noon has been considered a most forbidding hour, the time when shadows shorten and specters emerge. Regarding this theme, the exhibition features seven large-scale works by internationally acclaimed artists Jennifer Allora and Guillermo Calzadilla, conceived during a four-year collaboration with the museum.

The twenty-eighth edition of the contemporary art fair Estampa opened yesterday and is the centre of attention of the Spanish cultural scene and market: new chapter post-pandemic?

In celebration of Riveros’ (Colombian) contributions to geometric abstraction in Latin America, the Foundation exhibits drawings, paintings, and sculptures in “Abstracción Eterna” (Eternal Abstraction), along with a never-before-done mural. Until August 28, the show features one of the most important living abstract geometric artists in Colombia.

The Galería Elvira González presents a solo exhibition by the Spanish artist Chema Madoz: games to understand objects, visual aphorisms to interpret the world of things.

The Colombian artist (Bogota, 1978), of international renown, participates in the group exhibition “Off the Record” held at the Solomon R. Guggenheim Museum in Manhattan.

Es Baluard Museu d'Art Contemporani de Palma inaugurated a group exhibition that reflects on the notions of frontier and defence. The work of artists such as Tommaso Realfonso and Master of the Conquest of Mallorca dialogue with the work of contemporary artists such as Antoni Muntadas (Barcelona 1942), Mounir Fatmi (Tangier, 1970), the duo Mª Jesús González Fernández (Valencia, 1978) and Patricia Gómez Villaescusa (Valencia, 1978), and Petrit Halilaj (Kosovo, 1986).

The Programme (ACT), founded by Francesca Bellini-Joseph, is an online platform that offers programmes focused on artistic careers. As part of its expansion, and in support of the Latin American artistic ecosystem, Pinta Art awarded three artists a grant to participate in the "Communicating Your Artistic Practice" program.

After six years of management, BAphoto announces that Francisco Medail is leaving his position as artistic director to continue his work as curatorial staff professional in the public cultural administration.

Drawn from MoMA’s collection and augmented with key loans from the Calder Foundation, the exhibition on view in the Sculpture Garden celebrates one of the most beloved artists of the 20th century and presents rarely seen works.

Artist, editor and prominent designer, Vicente Rojo died in Mexico City at the age of 89.

Ponce + Robles gallery launches a project dedicated to celebrate the 50 years of Raquel Ponce and José Robles as gallerists in the contemporary art scene. The project consists of four exhibitions commissioned by David Barro (Spain, 1974), Pili Estrada Lecano (Ecuador, 1981), Susanna Tempkin (USA, 1985), Tiago de Abreu (Brazil, 1984) and will occupy the gallery's entire programme in 2021.

The fifth edition of ARCOlisboa announces new dates in September and the move to a new venue on the Tagus River. The Portuguese capital is eagerly awaiting the reunion at the most important event on the country's cultural scene.

The Argentine Chamber of Art Galleries shares 21 exhibitions in Argentine galleries.

From March 27, the Museum exhibits a thematic survey of contemporary art in Mexico over the past 20 years, a period during which Mexico has become a nexus of the global art scene. Drawing from the Colección Jumex and including invited artists and organizations, Normal Exceptions considers undercurrents in artistic practices that connect with life and its material traces. The exhibition will fill the entire museum with more than 60 works by artists based in Mexico, including those of international origin, and Mexican artists living and working abroad.

Digital artwork by humanoid robot Sophia was sold at auction on Thursday for $688,888 in the form of a non-fungible token (NFT). The work, a self-portrait titled “Sophia Instantiation”, was made in collaboration with a ‘real life’ artist.

The Contemporary Art Museum of Barcelona (MABA) inaugurated the exhibition Félix González-Torres. Politics of Relationship. Curated by Tanya Barson, the retrospective dedicated to the Cuban artist brings together more than forty artworks, including a series of installations and works located in different public spaces in the Spanish city.

The Museum of Modern Art Bogotá presents this exhibition which focuses on the effects of colonial rule on indigenous civilizations in the Colombian Amazon and their present consequences. Heavily affected by armed conflict, drug trafficking, political insensibility, displacement, and environmental exploitation.   

Within the framework of CentroCentro’s (Madrid, Spain) new programme, the metropolitan cultural centre that aims to take the pulse of the Spanish cultural scene, presents the exhibition project Panorama Madrid. With the aim of making contemporary artistic production visible and promoting it, the project functions as an indicator of the most relevant exhibitions throughout the year in the Spanish capital.

GOOD TO KNOW.FYI presents A Subtropical Affair III curated by Omar López-Chahoud, opening as the final segment of the three-part exhibition series A Subtropical Affair, which opened during Miami Art Week 2020. This final iteration explores our social and personal connection to nature and the strained relationship between man and man’s habitat.

The Centro de Arte Dos de Mayo (CA2M) is preparing two solo exhibitions dedicated to two fundamental Spanish artists of the second half of the 20th century: Javier Utra. An anamorphic portrait and Nacho Criado. Not the Voice Crying in the Desert. Both exhibitions are part of the reconfiguration of the history of contemporary art in Spain, its precedents and the continuation of the cultural scene based on the figure of fundamental artists of the time.

Curated by Gabriela Rangel, Verónica Rossi and Santiago Villanueva, the show takes as its starting point the influence of psychoanalysis on Argentine art and its establishment as a vector of modernity in the country. The selection of works is based on the weight that this field of knowledge and therapeutic practice exerted and still does, which became idiosyncratic of the national, to exhibit modern and contemporary Argentine artists who dialogue with different aspects, themes and problems of psychoanalysis.