México Inside Out: Themes in Art Since 1990 at the Modern Art Museum of Fort Worth ranks as the largest exhibition of contemporary Mexican art in the U.S. in over a decade.

As an introduction to the work of Marina Abramovic (Belgrade, Yugoslavia, 1946) Sarah Lyall wrote in The New York Times dated October 19, 2013: “In the name of art, she has hung naked on a wall and carved into her own stomach with a razor..."

There are artists who have had such a colossal impact at a given stage in the history of their countries’ art and such a marked influence on the successive generations that no tributes will ever suffice.

Fernando Carabajal is one of those cultural producers who masters different expressive platforms with equal ease.

This exhibition displays works that have the power of revealing many layers of the ever-changing experience of immigration.

Beyond the vernacular-artistic manifestations that strive to understand what is produced in and from the Caribbean as an eclectic amalgamation of ancestral and cultural links, the work of artist Zilia Sánchez (1926) has developed amidst notions of rupture, which have a long tradition in the modern and contemporary art production of Latin America.

Enrique Martínez Celaya’s summer 2013 exhibition at SITE Santa Fe follows a 2011-12 installation of Schneebett (2004) at the Miami Art Museum, and provides an opportunity to survey his career.

For many of the people who are part of the field of art, the first artistic project that Nicolás Paris publicly inscribed in the world was the book Doblefaz, published in 2008.