Arte Al Día / International



  • Thom Collins heading to Philadelphia’s Barnes Foundation after guiding PAMM’s successful move to new venue.

    Pérez Art Museum Miami (PAMM) is launching an international search for a director to replace Thom Collins, who will step down in March after guiding the museum’s successful move to a spectacular new waterfront venue, PAMM Board Chair Aaron Podhurst announced.

  • Curated by Matthieu Poirier

    Galerie Perrotin presents “Chronochrome,” a double exhibition dedicated to Jesús Rafael Soto (1923-2005), held simultaneously in its Paris and New York spaces.

  • Museo Tamayo, D. F. Mexico, Mexico

    The Colombian-Canadian curator Juan Andrés Gaitán was appointed director of the Museo Tamayo Arte Contemporaneo in Mexico City, following the resignation of Carmen Cuenca.

  • Three generations of Cuban Artists

    Kir Royal Gallery Valencia in collaboration with Polytechnic University of Valencia is pleased to announce the exhibition "The Third Shore" curated by Guibert Rosales and Eleonora Battiston (Kir Royal Gallery) and by Ricardo Forriols (UPV).

Museum Exhibitions

The Blanton Museum of Art at the University of Texas at Austin has been gifted approximately 120 modern and contemporary Latin American artworks from UT alumni Judy and Charles Tate of Houston.

Interview

A Gaze Turned Towards Latin America

The Museum of Modern and Contemporary Art of Palma, Majorca, Es Baluard, is beginning a promising stage under the direction of Nekane Aramburu.

Featured video

Video: Turn Me On: European and Latin American Kinetic Art 1948-1979

Reviews

  • Ruth Benzacar, Buenos Aires

    Flavia Da Rin’s (Buenos Aires, 1978) alluring images usually distil fantasy, humor, and a dissimulated melancholy; they are structured around the artist’s appearance in constant and infinite transformation.

  • Galería Paralelo, Sao Paulo

    For some time, we had been hoping to see in Sao Paulo one of its great artists, who has been living in Berlin for over 20 years.

Artists

Intricate simplicity

At the core of Ricardo Rendón's artistic process is the notion that there are endless possibilities of creation starting from an already given set of elements.

Beyond the vernacular-artistic manifestations that strive to understand what is produced in and from the Caribbean as an eclectic amalgamation of ancestral and cultural links, the work of artist Zilia Sánchez (1926) has developed amidst notions of rupture, which have a long tradition in the modern and contemporary art production of Latin America.

Enrique Martínez Celaya’s summer 2013 exhibition at SITE Santa Fe follows a 2011-12 installation of Schneebett (2004) at the Miami Art Museum, and provides an opportunity to survey his career.


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