Faena Art Center announces the opening of the exhibition En el Umbral by  Roger Hiorns, winner of the Faena Prize for the Arts 2016. The artist was awarded $ 75,000 dollars for the creation of a new project in Faena Art Center Buenos Aires and on the premises of the Oceana Puerto Madero residential project on dike 2, in front of Faena Hotel Buenos Aires.

On the occasion of the fifty years of the first art Biennial in Medellín, and the celebrations related to the 40th anniversary of the founding of the newspaper EL MUNDO, the newspaper, with the support of the Ángel-Gómez Foundation, called a historical essay contest / critical on the subject: Art biennials and their impact on the art of Medellin and Colombia.

This Thursday, May 17 at 7:00 pm opens In Own Defense, the solo exhibition of the artist Enrique Ježik curated by María Teresa Constantin at the Osde Foundation, Autonomous City of Buenos Aires.

Next Tuesday, May 22, at 7:00 pm, the Hilario III Experience will be presented at the new Arts, Letters & Crafts Auction organized by Don Hilario in the City of Buenos Aires.

More than four hundred works exhibited in the two venues give an account of the wide production of Argentine art in the last century.

La Austral, S.A. de C.V. is a socially engaged offsite project by Pablo Helguera that transforms El Museo de Los Sures into a “storytelling dispensary,” a place where visitors can hear a range of live stories performed by a facilitator.

On Friday, May 18, at 7:30 p.m., the Juan March Foundation continues the Conversations season at the Foundation; the journalist Antonio San José will talk with the Spanish photographer Chema Madoz.

"I'm looking for innovation, a new language" comments Catalina Casas, director of the Colombian gallery Casas Riegner in an interview with Arte Basel to its new project Meet the Gallerists”

Pancha, the Colorful Bird and the Shining is the first solo exhibition by Mexican artist Jorge Satorre (Mexico City, 1979) at REDAC, in the United States.  The commissioned installation by Satorre consists of a series of sculptures and drawings that collectively portray alternative and subjective historic narratives, developed by the artist in contrast to standard, institutional versions of events and hegemonic discourse.

Flora invites to participate in the workshop ‘El lugar de lo intangible en el arte’ by Lucas Ospina and Bernardo Ortiz.

Artists Coco Fusco, Gean Moreno and journalist Arlena Amaro, were deported.

Aceros al Infinito is the international traveling exhibition of the Colombian sculptor Santiago Medina that will be installed in Medellín and Bogotá this month. From April 12, CES University will host the first stop of the international exhibition of monumental stainless steel sculptures which will then travel to New York, Miami, Los Angeles and London.

In the year dedicated to Afro-Atlantic histories  Museu de Arte de de São Paulo  presents the exhibition Daily Life, Painting and Resistance By Maria Auxiliadora (1935–1974).

Signo 36 is a concept of publication that germinates in the dark caused by that lost number of the magazine Signs that edited and directed, between 1969 and 1985, the Cuban poet, artist, publisher and folklorist Samuel Feijóo. Signs 36 is a project by Ernesto Oroza. Volume # 00 was edited by Ernesto Oroza and Clara Astiasarán.

arteBA Foundation announced at the MALBA the launch of the 27th edition of arteBA, with new proposals from curators and sections such as Stage, arteBA Children and Zoom.

Irene Kopelman announces her solo show at Witte de With Center for Contemporary Art in Roterdam, Netherlands. The exhibition brings together pieces from different projects: large scale paintings, drawin, watercolors ans sculptures; created between 1012 and 1016.

In response to the curatorial proposal for the Venice Architecture Biennale 2018, whose theme for this edition is FREESPACE, Brazil’s official participation in Venice has been named Walls of Air.

Juan Cruz Pedroni write about ‘El cuerpo de una Colección’, the new permanent exhibition by Fundacion Klemm, curated by Federico Baeza and Guadalupe Chirotarrab.

Curated by Jane de Almeida, the exhibition showcases artworks of ten artists as a starting point for an investigation process on the subject of organizational systems off the RADAR, understood in a broad sense.

This exhibition, curated by María Inés Rodríguez and co-organised with the CAPC musée d'art contemporain de Bordeaux and the KW Institute for Contemporary Art, Berlin, presents a selection of works which number around 150 and capture the sixty odd years of the artist’s career.

Two years after their iconic Bésame Mucho installation at Coachella, R & R Studios returns to Coachella Music and Arts Festival, Indio, Caflifornia, with  40 feet tall Supernova to continue their artistic journey, creating “imaginary solutions” for a better world.

Faena Art is pleased to announce Tamar Guimarães and Kasper Akhøj (Guimarães b. 1967, Belo Horizonte, Brazil; and Akhøj b. 1976, Copenhagen, Denmark) as the winners of the 2018 Faena Prize for the Arts. Special mention awards were given to Vivian Caccuri (Brazil) and Ishmael Randall Weeks (Peru).

How to Biennale! invites participation from anyone engaged in organising art events to join an open forum of ideas at Tate Exchange (Tate Modern). On May 9, 2018, 12pm

The 2018 Y.ES Grant for Art Writers is officially open. This year, Y.ES Contemporary and Arte Al Día partner to promote critical writing about contemporary art from and in El Salvador and invite all interested writers from around the globe to apply.

Jesús Fuenmayor, the curator of the XIV edition of the Biennial of Cuenca, selected thirteen national artists whose workshops he visited in Cuenca, Guayaquil and Quito, which add to the forty international artists invited directly by the curator.

Artistic director Cecilia Alemani shares highlights of ‘Hopscotch’, her citywide exhibition, part of the 2018 Art Basel Cities Week in Buenos Aires

Alexander and Bonin announces the opening of a solo exhibition of Eugenio Dittborn’s eight most recent Airmail Paintings on Saturday, May 5, 2018.

Van Riel gallery presents 'Smoke on Vanguards' the next solo exhibition by the Argentine artist Pablo Lapadula, a set of paintings and drawings made by capturing on paper smoke from a domesticated candle.

On Saturday, May 5, the first Gallery Day of the year arrives, with the support of the City Government. The circuit that begins the cycle 2018 includes the neighborhoods of Palermo and Villa Crespo and will have the participation of 21 galleries, workshops and art spaces will open their doors from 3 pm to 7 pm so you can visit them and live a different afternoon.

The Institute of Contemporary Art, Miami hosts a presentation of paintings by Francis Alÿs based on three important multipanel works in the museum’s permanent collection.

The Memorial Art Gallery of the University of Rochester (MAG) is pleased to announce NOSFERATU (The Undead), a film installation by New York-based artist Javier Téllez that focuses on cinema and mental illness.

Distant relatives of Frida Kahlo have won a temporary injunction that stops sales of a Barbie doll depicting the late Mexican artist.

Museum of Art, Architecture & Technology (MAAT) presents Eco-Visionaries: Art and Architecture after the Anthropocene, a project centred on current practices that propose critical and creative visions vis-à-vis the environmental transformations that are disturbing our planet.

Miami Dade College’s (MDC) Cuban Legacy Gallery at the Freedom Tower will present Cuban Streams: 1855 – 1965, a multi-media installation by the Miami artist César Trasobares. The installation features captivating and immersive video projections that highlight historical photographs of the island nation from the collection of Ramiro A. Fernández. Cuban Streams will inaugurate the newly renovated Cuban Legacy Gallery at the Freedom Tower from May 19, 2018 to May 19, 2019.

SOMA opens the call for its Educational Program 2018-2020 aimed at young artists interested in interacting with their peers to discuss and reflect horizontally on different aspects of art production.

It is a simple gesture to locate Ensayos de apertura, the exhibition by Luciana Lamothe (1975) in the coordinates of a return to order that critics have even come to celebrate. 

The curator and former artistic director of Daros Latinamerican Collection launches personal blog devoted to reflection on contemporary Latin American art.

ArtCenter/South Florida announced that it has created The Ellies, a new $500,000 grant program that will celebrate contributions to contemporary art and strive to elevate the careers of Miami-based artists.

Prior to its opening in the MMAP, William Cordoba with Leslie Hewitt, and curator Maria Elena Ortiz will sit down and chat about the various intersecting narratives cordova’s work is informed by from architecture, to cinema, literature, and music. 

The retrospective exhibition of an artist who traversed historical conceptualism sometimes leaves the image of a collection of muted sites, a repertoire of vacant places. 

The exhibition Radical Women: Latin American Art, 1960-1985 curated by Cecilia Fajardo Hill and Andrea Guinta with Marcela Guerrero, former curatorial fellow, Hammer Museum, will open tomorrow, April 13th, at Brooklyn Museum, NY.

IlluminArts and de la Cruz Collection presents “A Female Force,” a program inspired by the work of celebrated Cuban-American artist Ana Mendieta at the de la Cruz Collection on Thursday, April 26, 2018.