Curators Alejandra Aguado and Solana Molina Viamonte opened with Móvil a modality of management which to date was not known in Argentina. The project was launched with the exhibition Termo by Irina Kirchuk at CheLA, an industrial building of Parque Patricios.
Airmail Paintings in exile scattered throughout the world; a mural in the form of a big puzzle made of tourist brochures and magazines; visual cacophony generated by a terrifying urban development; violence transmuted into song.
Playfulness –in its most genuine and lighter expression, yet one that is capable of shaking our world imaginaries – is, like the shadow of Pablo León de la Barra, the new Guggenheim UBS MAP Global Art Initiative Curator of Latin American Art, inseparable from his figure. An invaluable advantage for the contemporary art of the region, which he will bring to the iconic New York museum during his two-year residency.
Cabildo Histórico, Córdoba
There was a time when the relatively small city of Córdoba was a great capital of American art and culture. The 1960s shook the planet, and in the central region of Argentina, this could be perceived in the streets.
Beyond the vernacular-artistic manifestations that strive to understand what is produced in and from the Caribbean as an eclectic amalgamation of ancestral and cultural links, the work of artist Zilia Sánchez (1926) has developed amidst notions of rupture, which have a long tradition in the modern and contemporary art production of Latin America.
Enrique Martínez Celaya’s summer 2013 exhibition at SITE Santa Fe follows a 2011-12 installation of Schneebett (2004) at the Miami Art Museum, and provides an opportunity to survey his career.
For many of the people who are part of the field of art, the first artistic project that Nicolás Paris publicly inscribed in the world was the book Doblefaz, published in 2008.