On October 6^th at Galería Leme, in São Paulo (Brazil), inaugurated "⌾" -symbol that refers to the sun- a collective exhibition commissioned by Catarina Duncan (Rio de Janeiro 1993), constituted through the work of seventeen artists who use symbology as a language. The work will remain in the gallery until November 3^rd.

The exhibition aims to build, through all it artworks, an imaginary where the symbology is overlapped with the traditional language to explain and criticize political issues. Also, establish relationships between the human and empirical and the hidden and unknown.

The symbol that bears the name of the exhibition - "⌾" - explained curator Catarina Duncan, is an appropriation of an icon used by a diversity of cultures to represent the sun and the manifestation of the divine. "Brazil is going through a very delicate moment and I like to see this show as a way of resistance, although it was not the intention of the curator," said Tatiana Gonçales in conversation with Arte Al Día and added: "Catarina opted for a more transversal research on multidisciplinary artists: Mahku - Artists Movement Huni Kuin (Brazilian indigenous ethnicity), Abdias Nascimento (revolutionary, politician, poet, etc), Camila Mota (Teatro Oficina’s actress), etc. "

Catarina Duncan plays with the contradictions that manifest the interpretation of the same symbol, in this case the Sun. On the one hand, for some this is an immense source of light that brings life and allows the perception of things. On the other hand, the same symbol can be interpreted as a circle or a point: synonyms of perfection (a third level of meaning that emerges from one of the many interpretations). In this sense, it was  Cabelo’s artwork Ovo Bomba (2018) which gave rise to the name and central axis of the entire exhibition.

Regarding the symbols, Carl G. Jung wrote: "What we call a symbol is a term, a name

or image that may be familiar to us in daily life, though it has special connotations beyond its obvious and

conventional meaning. It implies something vague, unknown or hidden to us."

Artists: Abdias Nascimento, Aline Motta, Antonio Pichillá, Cabelo, Camila Mota, Christian Lenhardt, Dan Coopey, Frederico Filippi, Ismael David, MAHKU - Movimento dos Artistas Huni Kuin, Mariana de Matos, Moisés Patrício, Mônica Ventura, Raphael Escobar, Rodrigo Well, Vania Medeiros, Vivian Caccuri.

Today at 6:30 p.m. at Plaza Independencia (San Miguel de Tucumán) inaugurates the Eighth Argentine Biennial of Documentary Photography. With a complete program -exhibitions, debates, workshops, and review of portfolios- and first-class guests, the biennial will be held in the capital of Tucumán until Monday, October 22.

The Cuban-Venezuelan researcher and independent curator of culture and visual arts José Antonio Navarrete, former curator of photography at the National Museum of Fine Arts in Havana and head of the Division of Curatorship, Research, Education and Library of the Museum of Contemporary Art of Caracas Sofia Imber, among other things, publishes her new work: Escribiendo sobre fotografía en América Latina. Antología de Textos, 1925- 1970 (Writing about  Latinamerican photography. Texts Anthology, 1925-1970).

On October 26, at SKETCH gallery new space in Bogotá inaugurates huésped (guest), by Matías Armendaris. Through an immersive installation, the Ecuadorian artist transforms the space into an organic body.

Until January 14^th, at the Amparo Museum in Mexico, a retrospective of the great Polish artist Marcos Kurtycz (1934-1996) is exhibited. In 1968, he traveled to the Central American country, where he spent the rest of his career. Under the curatorship of Francisco Reyes Palma, Contra el estado de guerra, un arte de acción total (Against the state of war, a total action art) explores the artworks of one of the action art pioneers.

Yesterday at the Museum of Modern Art of Medellín (MAMM) inaugurated Estamos más unidos a lo invisible que a lo visible (We are more united to the invisible than to the visible), an individual exhibition of the Chilean artist Felipe Mujica. The artworks exhibited in the Foundations Hall of the museum focuses on the production of curtains that Mujica has been developing for more than a decade with Johanna Unzueta and local embroiderers of the places where these have been produced.

Tomorrow afternoon at Casa Hoffman (Bogotá, Colombia) inaugurates TRANSMUTAR exhibition. Curated by the director of the curatorship department of the Contemporary Art Museum of Bogotá Juan David Quintero, the show is part of the winning exhibition cycle of the Plastic Arts Programming Scholarship in Bogotá Red Santa Fe Gallery of the District Institute of the Arts (IDARTES).

Espacio El Dorado opens its call to participate in the first edition of Macizo, a design and independent publications fair that aims to gather ideas, initiatives and brands from the creative sector.

The Swedish company specialized in large and medium format cameras, handed out the Hasselblad Award 2018 yesterday - a prize awarded every year to a photographer or prominent artist. The company announced Colombian artist Oscar Muñoz as 2018 winner. 

Convened by COINCIDENCIA- Pro Helvetia program, the Colombian artist Alba Fernanda Triana begins a two-year creative project. With a first journey to the CERN institute - the world's most important particles research center - and the University of Zurich for the Arts (ZHdK) during October, the artist embarks on an extensive research project.

At the Serralves Foundation Museum of Contemporary Art in Porto (Portugal), a controversial North American photographer Robert Mapplethorpe`s (1946-1989) exhibitiom is held since September 20. However, artists, gallery owners and collectors announced their rejection to a series of censorship measures taken by the institution causing the resignation of the Artistic Director of the Serralves Museum and curator of the exhibition, Joao Ribas.

In the framework of the exhibition Lina Bo Bardi: Tupí or not tupí. Brazil, 1946-1992 inaugurating tomorrow, on October 8^th at Juan March Foundation (Madrid, Spain) The exhibition explained will be held. In conversation with Mara Sánchez Llorens -curator- and Juan Manuel Bonet -an artistic critic specialized in Brazilian art of the 20th century-, the initiative will be moderated by the architect Santiago de Molina.

Until September 30^th, the city of Barcelona has been taken over by twenty-eight galleries. Bringing the local production of the Catalan province to the international scene, since September 26, Barcelona Gallery Weekend  five-day program with guided tours and meetings is held.

To judge an artistic expression is not an easy thing. It is about judging the subjectivity of another within one's sensitivity. Therefore, the text is nothing more than an opinion of another opinion. And reading this is only the multiplication of that process. This is how this review should be read, because that is what the solo exhibition Sinapsis, that takes place in OdA Espacio de Arte (Buenos Aires, Argentina), is all about.
 

At the Skissernas Museum (The Museum of Sketches for Public Art) of Sweden opens today, October 4, a collective exhibition dedicated to memory. Based on the works of a diversity of artists, including Uruguayan Luis Camnitzer, Memory Matters emphasizes the importance of collective memory in societies.

Until November 4^th at the ICPNA of Miraflores it hosts the second central exhibition of the Fine Arts Museum centennial anniversary: Una trayectoria de imágenes: 1918-2018 (Images trajectory: 1918-2018). The show is curated by Max Hernández and Augusto del Valle in order to make an illustration of the artistic genres developed in that institution during its history.

Within the framework of the exhibition Historia de dos mundos (Tale of two worlds), held at the Museum of Modern Art of Buenos Aires (MAMBA) on the occasion of its recent reopening, the institution presents Los elegidos de Greco. Leo García interpreta las canciones de Besos brujos. This will be held on October 11th in honor to the great Argentine artist Alberto Greco.

After his residency at ARTSail, in South Florida, Mark Lee Koven presents One Drop at a Time, an immersive installation where viewers participate in it. Concurring education, technology and art, this experience aims to raise awareness among the public regarding over their environmental environments.

From October 3^rd to January 14^th, at Frank Gehry's building, the Louis Vuitton Foundation will exhibit a hundred works by the renowned artist and painter Jean-Michel Basquiat. The exhibition aims to make a journey throughout the American artist career that goes from 1980 to 1988, because of his early death.

From October 17^th to January 13^th, the Palays de Tokyo (Paris) is transformed into an exclusive museum Tomás Saraceno artwork. As part of the Carte Blanche program -started in 2013 with Phillipe Parreno intervention-, the Parisian exhibition center invited the Argentine artist to occupy it's 13,000 m² with his most recent and extensive work: On Air, project that aims to establish an alternative relationship with the planet.

Plastic artist and photographer, with 84 years and an ongoing exhibition at Helga de Alvear Art Gallery (Spain), Helena Almeida died this morning at her home in Sintra, Portugal. With an important number of works, the Portuguese artist was one of the most outstanding figures in European contemporary art.

On Thursday 27^th at Leandro Alem Avenue 928 (Buenos Aires, Argentina), the plastic artist Juan Becú transforms Bruchou Law Firm into an art gallery. After a first edition with works by Vicente Grondona, the Bruchou Art Department bets again on national art.

The Coral Gables Museum of Florida inaugurates on October 5^th Kindred Spirits: Ten Artists by The Hudson, a collective exhibition of Cuban artists curated by Anelys Alvarez. It will take place at the Fewell Gallery until December 9^th.

Convocada por FLORA ars+natura –como parte del programa Escuela Abierta-, el espacio de Bogotá especializado en arte y naturaleza, la bailarina María José Arjona reflexionará sobre las relaciones entre el cuerpo, el archivo y la memoria: procesos donde el cuerpo actúa tanto como traductor como contenedor.

On Wednesday, September 26, the National Museum of Fine Arts of Buenos Aires (Argentina) inaugurates a J. M. W. Turner solo show. With an unprecedented exhibition in the country, 85 watercolors of the English painter will be exhibited until February 17^th.

Direct from the Cinematheque of Berlin to the Recoleta Cultural Center (Buenos Aires, Argentina) TESA Foundation presents  Películas en la mente: psicología y cine desde Sigmund Freud (Films in the mind: psychology and cinema since Sigmund Freud)  will be exhibited at Cronopios Room from September 27^th  to December 13^th.

Until October 27^th, at Lina Bo Bardi’s Institute, Claudia Jaguaribe exhibition In Lina’s garden, moves from one pole to another, configuring in that multiplicity of dichotomies (public-private, universal-intimate, etc.) a conspiracy of what is found in the artistic medium.

On October 11, with a preview, The Ringling State Art Museum of Florida presents an individual exhibition of the Cuban-American artist and writer Coco Fusco. Twilight, compiles a series of works made by the artist in relation to the Cuban political and social situation during the process of progressive disintegration of the revolution.

From September 25^th at the New Museum in New York, Sarah Lucas: Au Naturel, great retrospective of the controversial and diverse work of the British artist Sarah Lucas will take place. Recognized from her participation in the Young British Artists (YBA's), Lucas is one of the pioneers and referents of the ready-made, mainly addressing gender and cultural identity issues.

Mexican LABOR art gallery opens this afternoon Cenote, the fourth solo exhibition that Pablo Vargas Lugo (1968) will hold in this space. On this occasion, the Mexican artist immerses himself in the social imaginary of his country, appropriating esoteric and ritual elements for its later materialization.

At El Tranque Cultural Center (Chile), since August 31, an individual exhibition is held in honor of Roser Bru, the Catalan artist recognized in 2016 with the National Prize of Plastic Arts. Vínculos y complicidades (Links and complicities), carried out in the neighborhood of Lo Barnechea has the curatorship of Beatriz Huidobro Hott.

It wanders satisfied around the borders of the global mainstream fairs circuit, Mercado de Arte Contemporáneo – Córdoba, an annual event that brings together a set of galleries, collectives and collections in the second most important city in Argentina.

During yesterday afternoon at Quimera Gallery, located in Güemes 4474 (Buenos Aires), Eric Markowski appropriates the gallery space with a can of meat monument. Like a great alphabet soup, the exhibition curated by Sebastián Vidal Mackinson seeks to reconstruct history and understand citizen construction processes that materialize history.

At Es Baluard Modern and Contemporary Art Museum of Palma (Mallorca, Spain) inaugurates an unprecedented exhibition tomorrow. Ells i nosaltres (They and us), puts into dialogue works of different periods -from baroque to contemporary art- focused on the analysis of the figure and conception of the animal and the human throughout the history of humanity through art.

From damages -ecological, social, human, etc.- generated by the mass consumption system that currently prevails, Patricia Camet exhibits in PONCE + ROBLES a unique work. Composed of plastic waste, Emoticons x M2, the work of the Peruvian artist consists of more than 1300 objects grouped into small "communities" that evoke symbols.

On September 14^th at the Pulitzer Arts Foundation (Washington), two exhibitions inaugurate at the same time: Ruth Asawa's Life's Work, and Lola Álvarez Bravo's Picturing Mexico.

In the new contemporary art space The Intuitive Machine -art gallery located in Santiago, Chile-, Giróvago, by Vicente Matte. Constituted by a series of paintings, the exhibition that inaugurated the new Chilean gallery will remain until September 14.

In the Portuguese architectural space Casa da Arquitectura, Infinito Vão will open on September 28: a collective exhibition that covers ninety years of Brazilian architecture. Curated by Fernando Serapião and Guilherme Wisnik, the exhibition will be accompanied by a program of bilateral activities (Brazil and Portugal) curated by Nuno Sampaio, executive director of Casa da Arquitectura.

With a complete program BAphoto auditorium was one of the main attractions of the fair. Figures such as Matías Feldman, Mercedes Funes, Marina Font and Andrés Ditella made of the the auditorium a center for debate and reflection.

The fourteenth edition of the specialized fair in Latin American photography Baphoto has an international and diverse selection emphasized on the different ways of approaching artistic exploration through the medium. At the Buenos Aires Fairground La Rural, Dr. Emilio Solanet’s pavilion is divided into eight sections, each one curated by a specific curator: Ana Luiza Fonseca for Photobook Tijuana, Alfredo Aracil for Fuera de Foco, Francisco Medail for Artista Homenaje, Florencia Portocarrero for Special Rooms, Mercedes Claus for Links Projects and Rodrigo Alonso for Videoprojects.

The fourteenth edition of the specialized fair in Latin American photography Baphoto has an international and diverse selection emphasized on the different ways of approaching artistic exploration through the medium. At the Buenos Aires Fairground La Rural, Dr. Emilio Solanet’s pavilion is divided into eight sections, each one curated by a specific curator: Ana Luiza Fonseca for Photobook Tijuana, Alfredo Aracil for Fuera de Foco, Francisco Medail for Artista Homenaje, Florencia Portocarrero for Special Rooms, Mercedes Claus for Links Projects and Rodrigo Alonso for Videoprojects. 

Officially inaugurates BAphoto 2018, the most important photography fair in Latin America. After a lunch between gallerists, collectors and artists, Diego Costa Peuser, director and founder of the fair, Enrique Avogadro, minister of culture of the city of Buenos Aires, and Pablo Avelluto, secretary of culture of the Nation, made the traditional cut of tape.

Brazilian galleries Galeria Athena Contemporânea and Athena Galeria recently announced the creation of the new headquarters at Botafogo neighborhood, in the city of Rio de Janeiro: both spaces will be now united under the name of Galeria Athena.

September 2 marked a tragic day for the Brazilian and world cultural heritage: the National Museum of Brazil, located in the center of  Rio de Janeiro was devoured by flames. According to the statement of officials and members of the museum, this was a foreseeable tragedy given the budget cuts that the museum had been suffering for years.

The Van Eyck Residence 2018 opened its call. Until October 1st, all those artists, photographers, designers, curators, writers and critics who wish to participate are invited to apply for the residency at the Van Eyck Academy.

Within the framework of BAphoto fourteenth edition that inaugurates on Thursday, Larivière Foundation will hold an award for photobook projects for Latin American artists.

The Art Sonje Center of Korea presents Francis Alÿs work The Logbook of Gibraltar, the first individual exhibition of the artist in this country. The Belgian artist who lives in Mexico since the 80s inaugurates the exhibition this afternoon.

In the year 2000, a photograph of Cesar Herrera illustrated the sad news of three men deceased by the armed conflict in Colombia. That day, the artist Beatriz González cut out that image and deposited it with many others previously published in the newspapers. It is from these photographs that in 2009, the Colombian artist would intervene the popular columbarium of the Bogotá cemetery to carry out her work Auras Anónimas (Anonymous Auras).

In the middle of Museo del Barrio’s (MB) renovation and professionalization of Las Galerías (Galleries) and El Teatro (Heckscher Theater) carried out since November of the past year, this institution delegated the general direction to Patrick Charpenel. Figure with trajectory, Charpenel assumed the direction of the museum located in New York focused on Latin American art, so to transmit from his management his extensive curatorial career in relation to Latin American contemporary art.

The University of South Florida Contemporary Art Museum (USFCAM) announced the incorporation of Christian Viveros-Fauné as Curator-at-Large. According to the USFCAM statement, Viveros-Fauné took office on August 7^th. In addition, he will be in charge of the Kennedy Family Visiting Scholar of the USF School of Art and Art History during the 2018-2019 periods.

Occupying booth 20 of the Pavilhão das Culturas Brasileiras at Ibirapuera Park in São Paulo, the New York gallery Alexander and Bonin will be part of the Brazilian Art Week that takes place from August 31^st to September 3^rd.

From September 6 to September 12, in BAphoto and the Gallery Weekend BA framework, Buenos Aires City participates in one of the most important weeks through the international art scene. That's what the Art Basel Cities Week is about: a window into the world for the local art market.

Dedicated to photography origins, the Wunderkrammer space aims to highlight the different materialities, technological processes and social uses of the medium assuming the challenge of stimulating a new type of collection in emergency.

On the eve of BAphoto - the Argentine photography fair that will take place on September 6, 7, 8 and 9 at La Rural space- the Argentinean art scene, specially photography scene, is tied by hands: according to the International Works of Art Circulation Law (Nº 24633) photography is not considered as such. What does this imply? The medium, unlike other artistic expressions such as painting, sculpture, or installations, among others –all of them benefited by the Need and Urgency Decree (DNU) established in January- has the obligation to hire an expensive customs broker to send a work abroad (without mentioning the annoying and bureaucratic process that artists, collectors and gallerists must go through). Otherwise, they should translate the work outside the country informally.

In May 2019, the capital city of Norway, Oslo, will hold the first edition of the Oslo Biennial. Curated by Eva González-Sancho and Per Gunnar Eeg-Tverbakk, sui generis biennial is the product of a research project carried out by the curators themselves: OSLO PILOT.

The New York art gallery Alexander Gray Associates announced that starting tomorrow at the Contemporary Arts Museaum Houston, in Texas, Luis Camnitzer and Coco Fusco will participate at Walls Turned Sideways, a collective exhibition that critices criminal justice system, mass incarceration and the industrial penitentiary complex.

In two weeks, BAphoto, the most important photography art fair in Latin America, open La Rural (Ferial Space of Buenos Aires) doors. From September 7^th to September 9^{th, the}, the fair celebrates its fourteenth edition. Within a few days, the BAphoto team describes the Main Sector attractions.

Creative Time Summit eleventh edition  -a Creative Time program for thinkers and producers related to art and politics-is on the horizon and this time with a novelty: it will take place from November 1^st to November 3^rd, for the first time in Miami, Florida.

From September 7^th to October 27^th at Alexander and Bonin, Emily Jacir presents La mia mappa (My Map) -name derived from a photograph she took in Rome-, an exhibition that covers the most recent works of the Palestinian artist.

On August 25^th , at Bergamin & Gomide Gallery (São Paulo, Brazil), Estratégias Coceituais (Conceptual Strategies) inaugurates: a collective exhibition that covers all the work carried out during the 60s, 70s and 80s, period in which military dictatorships were established over most Latin American countries. Curated by Ricardo Sardenberg, the exhibition can be visited until October 20.

From September 13^th to January 27^th, El Museo del Barrio presents Other Situations, an individual exhibition by Liliana Porter curated by Humberto Moro, curator of the Savannah College of Art and Design (SCAD) exhibitions.

In the spaces of Cerquone Projects, Caracas, more than twenty works in medium and large format made by the Venezuelan artist Yoshi during the last seven years make up the exhibition Superficies Alteradas (Altered Surfaces), under the curatorship of Lorena González Inneco and the museography of Jean Nouel.

At the first room of the Museum of Latin American Art of Buenos Aires (MALBA), the Argentine artist Pablo Accinelli (Buenos Aires, 1983) exhibits Nubes de paso (Clouds on the way), a staging that represents the tools for cleaning, construction and storage. Florencia Cherñajovsky, who wrote the curatorial text of Accinelli’s show, curates the exhibition.

Starting Monday, August 20^th, at Galería del Paseo, in Lima, Peru, Billy Hare presents his solo exhibition ARBÓREAS. Composed through the diversities of the Peruvian landscape, Hare's photographs constitute an important part of the contemporary photography of his country.

Until September 9^th, at the Jumex Foundation (Mexico), Memorias del subdesarrollo (Memories of the underdevelopment), a collective exhibition that explores the paradigmatic changes generated within the Latin American visual arts during the 70s and 80s takes place.

After almost three decades of experience and international recognition, the most important collective of the Cuban scene dissolves. Los Carpinteros (The Carpenters) integrated by Marco Antonio Castillo and Dagoberto Rodriguez announced their separation.

Since August 11^th, The Museum of Contemporary Art of Niterói (MAC) presents two exhibitions of Brazilian artists: A vida renasce, sempre (Life reborn, always), a solo show by Sonia Gomes, and Brinquedo de furar moletom (Piercing pants toy), by Jaime Lauriano. The curatorship is by Pablo León de la Barra and Raphael Fonseca.

At the Perez Art Museum of Miami (PAMM) the Brazilian artist Rivane Neuenschwander is showing her video installation Quarta-Feira de Cinzas / Epilogue (Ash Wednesday / Epilogue), a work she did with the collaboration of Cao Guimarães.

Starting on August 11^th, Diablo Rosso presents Bottom Line, an individual exhibition by the Panamanian artist Ana Elena Garuz (1971). Diablo Rosso, emerged during 2006 in the Old Town of Panama City as a think tank and also functions as a Latin-American and Panamanian contemporary art exhibition space.

The noted art historian John Berger was the first to notice, in the same year of Che's death, in 1967, when the terrible image of the Bolivian photographer Freddy Alborta was published for the first time, its overwhelming similarity with the dead Christ (1480 -90) of Mantegna and with the lesson of anatomy (1632) of Rembrandt. According to Eduardo Grüner, with "the disappearance of the living body" and with the possibility of imagining Che "beyond death," his image was installed in the collective imagination as a very powerful embodiment of the myth of the revolutionary, full of Affective resonances related to the figure of Christ.

After a stay of more than three years in Berlin, Julian Brangold (1986) is reinserting himself into the Argentine art scene through tattooing and a new drawing series that highlight the dependence of postmodern humans with technology. Film director at the Film University (FUC), the Argentine painter-far from assuming an apocalyptic stance- seeks to address the problems posed by the new techno-digital paradigm, on the one hand, and to question the speculative relationship that comes from commercialization of works of art, on the other.

In the framework of Esther Aldaz exhibition La Casa Contenida (The Contained House), the Centro Cultural el Tanque in collaboration with the Lisson Gallery, opens on Friday 10^th  The Radical Hospitality Project, a multi-year initiative (2018/2019) that brings together a distinguished group of writers, curators, architects, artists and choreographers to question the role that certain practices acquire. The aim of this project is the creation of a productive and critical space through which problems with social transformations and migratory flows of recent years are addressed and, from there, to develop new forms of adaptability and coexistence with them.

On August 11^th at the District Clay Gallery, Roberto Lugo will present US: Emerging Voices in Clay, his curatorial exhibition. Specialized in ceramics, Lugo is one of the most important references of contemporary art in relation to this technique. In addition, within the framework of the exhibition there will be a talk about ceramics.

Next Wednesday, August 8^th, the artist Tania Bruguera will be the protagonist of Wednesday SOMA, a program organized by the  Mexican organization every week. On this occasion, with the collaboration of the University Museum of Contemporary Art (MUAC).

After the last weeks of Amazonia, the experimental exhibition of photographer Roberto Huarcaya, from August 16, in Rolf ART gallery, in the neighborhood of Recoleta (Buenos, Argentina) will be able to visit the individual exhibition of Cristina Piffer Argento. Aires

After a sublime exhibition by Elena Loson at HACHE Gallery, located in the neighborhood of Villa Crespo (Buenos Aires City, Argentina), the space inagurates  Piedra, Tijera, Papel (Stone, Paper, Scissors), an individual exhibition by Leticia Oobeid curated by Federico Baeza. The exhibition opens on Thursday, August 9^th until Saturday, September 15^th.

Since August 9^th, on Scalabrini Ortiz 1396 at HILO Gallery (Buenos Aires, Argentina) the Venezuelan artist Tirco Matute questions, from a material and structural sense, the narrative and formal mechanisms that respect all artistic research. In a way, the show tries to represent and think about the relationship between seeing and showing.

Curated by Rodolfo de Athayde and Ania Rodriguez, Construções Sensíveis: The Latin-American Geometric Experience in the Ella Fontanals-Cisneros Collection brings to Brazil an exploration of Latin American abstraction. In addition, the exhibition that takes place at the Banco do Brasil Cultural Center in Rio de Janeiro until September 27^th, emphasizes the important legacy of Brazilian concretism and the movements of the new concretism.

After t Memoria de autopublicación y desidencia (Memory of self-publishing and desidence) workshop held at the Jumex Museum in Mexico City, AAzufre, Fiebre ediciones y Casa del Hijo del Ahuizot -all emerging artist collectives- will dialogue with Helena Producciones, the Colombian collective founded in 1997 and based in Cali, emerged as a response of the generation that suffered the excesses and economic chaos of the 80s. The conversation will take place on Saturday 11^th at the Jumex Museum.

On August 8 at the Amano Textil Museum, Dualidades en el paisaje de la costa (Dualities in the landscape of the coast), a collective exhibition of the artists Marialejandra Lozano, Ignacio Noguerol and Lara Otiura inagurates.

During yesterday morning (July 31) The Drawing Center of New York announced that Laura Hoptman will assume as Executive Director of the museum located in Manhattan. Curator of contemporary art and reference of the international art scene, Hoptman takes over the direction of The Drawing Center after eight years as curator of the Painting Department of the Museum of Modern Art (MoMA) of New York.

On Friday, August 10, the San Marcos Art Museum, Lima (Peru), inaugurates snapshots|instantáneas LIM / MAD / MEX, a photographic project carried out by Luisa Fernanda Lindo during 2014-2016 in the cities of Lima, Madrid and Mexico City . The Peruvian artist counted for this project with the support of the SEGIB Scholarship / Casa de Velásquez, the Academy of France in Madrid (Spain) and AMEXID / SRE (Mexico). The exhibition will take place in the Juan Acha room of the San Marcos Cultural Center and can be visited until September 8.

When Revolver Gallery opened its doors, Peruvian contemporary art found its internationalization platform par excellence. Ten years after its creation, the gallery has not forgotten its commitment to artists and continues betting -now also from its second space in Buenos Aires- for live art.

After the closure of Otsuchi: Future Memories, by Alejandro Chaskielberg, Gachi Prieto Gallery inaugurates this Thursday  Tangencias y otros gestos imperfectos (Tangencies and other imperfect gestures), the show of the PAC program foto 2017 (Contemporary Artistic Practices) -training artists space organized by the gallery- curated by Ariel Athier, Bruno Dubner and Rosana Shoeijttet.

Since Saturday 4^th of August, the works of María Leguízamo -La espalda de Algo (The Back of Something)- and Julieth Morales -Kup (Spin) - will cohabitate under the roof of El Dorado Space, in Bogotá, Colombia. Leguízamo’s work counts with William Contreras Alfonso curatorship, and Morale’s by Jenny Díaz and Guillermo Marín.

Almost one month before the XXI Paiz Biennial that takes place every two years in Guatemala, general curator Gerardo Mosquera explains the concept under which this new edition of the second oldest Latin-American Biennial is developed. Focused on the way of proceeding tover a theme, Más allá (Beyond) leaves aside the classic exhausting dialogues of a particular topic.

From June 8 to July 21, the London gallery Thomas Dane Gallery, presents Signals: If You Like I Shall Grow, an exhibition that focuses on the renowned art gallery and meeting place Signals London (1964-66) . It is the first exhibition that brings together the work of artists who participated in Signals London: space founded by Guy Brett, Paul Keeler, David Medal, Gistav Metzger and Marcello Salvadori, while pointing out the global impact that results from the union of interests generated at that specific point in the history of art. As an interdisciplinary space open to critical research and social encounter.