AMALIA PICA AT THE ANDALUCIAN CENTER OF CONTEMPORARY ART

The Argentinean artist, who calls London her home, will hold her first big exposition in Spain. With a selection of some of her most well-known works, she reflects on themes like censorship and her country’s traumatic past, celebration and protest, and listening and silence.

AMALIA PICA AT THE ANDALUCIAN CENTER OF CONTEMPORARY ART

THE TIME WE HAVE LEFT: AN EXHIBITION BY HERNÁN SORIANO AT LANZALLAMAS

With Fiorella Di Biase's curatorship, the exhibition The time we have left, by Hernán Soriano, takes place at the Lanzallamas gallery. Santiago López shares his thoughts.

By Santiago López

THE TIME WE HAVE LEFT: AN EXHIBITION BY HERNÁN SORIANO AT LANZALLAMAS

SERGIO HERNÁNDEZ PRESENTS PARÁBOLAS IN MIAMI

The exhibition Parábolas, by Mexican artist Sergio Hernández (Huajuapan de León, Oaxaca, 1957) inaugurates on November 22nd at the Durban Segnini Gallery in Miami. For the first time in 20 years, the renowned plastic artist will display in the United States a rich collection of recent works.

SERGIO HERNÁNDEZ PRESENTS PARÁBOLAS IN MIAMI

De la serie "Sinapsis", Cotty Oxenford.

Argentine artist Cotty Oxenford presents the Sinapsis series at Argentina's embassy in Washington.

"SINAPSIS" IN WASHINGTON

Ph: MoMA PS1

Twelve years after the Emergency Room exhibition, the MoMA PS1 summons writers, specialists and donants to create a catalog that analyzes the ways in which some of the most critical issues today  -the climate crisis, armed conflicts and xenophobia, among others- were addressed then.

"EMERGENCY ROOM" TWELVE YEARS LATER

"Los movimientos alrededor del sol", Francisco Vazquez Murillo. Ph: @botonrojo.

En el espacio de Fudnación El Mirador (San Telmo, Buenos Aires), el artista rosarino Francisco Vazquez Murillo exhibe Los movimientos alrededor del sol, una exposición que propone revitalizar la relación con la Tierra y habitar el mundo desde la contemplación y la conciencia.

By Matías Helbig

UN MODELO PARA HABITAR DESDE LA CONCIENCIA

Installation view of Sur moderno: Journeys of Abstraction―The Patricia Phelps de Cisneros Gift, The Museum of Modern Art, New York, October 21, 2019 – March 14, 2020. © 2019 The Museum of Modern Art. Photo: Heidi Bohnenkamp

The Museum of Modern Art in New York celebrates its reopening and dedicates a room to Latin American art. Conceived by the Curator of Latin American Art of the museum, Inés Katzenstein, Sur moderno brings together more than one hundred artworks of abstract and concrete art from the region.

MoMA IS RENEWED AND WITH LATIN AMERICAN ART AS ONE OF ITS PROTAGONISTS

Espacio Entre. Ph: Cortesía Centro Cultural Recoleta.

Within the framework of the Young Art Biennial, the collective exhibition Espacio Entre is exhibited at the Recoleta Cultural Center (CCR). Under Tainá Azeredo's (Brazil, 1984) curatorship, twenty-five visual and plastic artists were selected to show their artworks in rooms 3, 4 and 5 of the CCR constituting a small sketch of the Argentine sub-32 art production.

By Matías Helbig

SPACE BETWEEN: A SKETCH OF THE NEW ARGENTINE GENERATION

"Sediments", 2018, Iván Navarro. Ph: Frank Janowsky.

Galerie Templón French art gallery announced that it will represent the Chilean artist Iván Navarro (Santiago, Chile, 1972) in America and Europe.

IVÁN NAVARRO WILL GET TOTAL REPRESENTATION BY THE TEMPLON GALLERY

Ph: MUAC.

The UNAM University Museum of Contemporary Art (MUAC, México) presents an exhibition of the famous Mexican contemporary artist Rubén Ortiz Torres. Conceived as a retrospective, Customatismo highlights the fundamental role of Ortiz Torres within the Latin American scene during the 80s and 90s.

CUSTOMATISMO: RUBÉN TORRES ORTIZ AT THE MUAC

"Hálito Divino", vista de sala.

The artist Rubie Rumié (Cartagena, 1958) reproduces her Divine Breath project, originally developed with Colombian women, and takes it to New York City. A dialogue that highlights the universality of domestic violence and the need to stand against it.

By Julia P. Herzberg, Ph.D.

RUBIE RUMIÉ: DIVINE BREATH NYC

Teresita Fernández, Drawn Waters (Borrowdale) 1, 2009. Natural and machined graphite on steel armature. Installation view: Lehmann Maupin, New York, NY, 2009.

The Pérez Art Museum Miami (PAMM) and the Phoenix Art Museum present Teresita Fernández: Elemental, a large-scale retrospective exhibition of one of the contemporary North American artists with the greatest international projection: Teresita Fernández (1968).

TERESITA FERNÁNDEZ: ELEMENTAL AT THE PÉREZ ART MUSEUM MIAMI

"PROJETO CHERNOBYL": A SPEECH ON INVISIBLE VIOLENCE

Alice Miceli (Brazil, 1980) presents Projeto Chernobyl at the Americas Society gallery in New York. Made up of thirty photographs and radiographs, the Brazilian artist makes visible the invisible violence and neglect of state and private powers over the regions that operate.

By Matías Helbig

"PROJETO CHERNOBYL": A SPEECH ON INVISIBLE VIOLENCE

Juan Manuel Echavarria. La guerra que no hemos visto, 2007 -2009 Vynil Painting on MDF. Panoramic view. Ríos y Silencios, MAMBO / Pintura vinílica sobre MDF. Panorámica de instalación.

The art historian and former curator of the National Museum of Colombia, Natalia Vega, reflects on Juan Manuel Echevarría's (Meddellín, 1947) artwork through Ríos y Silencios (Rivers and Silences) exhibition held at the Museum of Modern Art in Bogotá (MAMBO) between 2017 and 2018.

By Natalia Vega (Bogotá, Colombia)

JUAN MANUEL ECHAVARRÍA: RIVERS AND SILENCES

Recommended videos

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BAphoto 2016, La Rural

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"Coreografía de artefactos pictóricos frente a dos personajes observando un frenesí", 2019, Albert Pinya. Cortesía del artista.

The exhibition On raul la realitat? (Where does reality reside?) in the Es Baluard Museu d'Art Modern i Contemporani de Palma (Spain), makes a rereading of artists born during the 70s, 80s and 90s, and who have oriented their production towards figurative realism.

WHERE DOES REALITY RESIDE ?: A DIALOGUE FOUNDED IN FIGURATIVE REALISM

Jacopo Crivelli Visconti. Ph. Pedro Ivo Trasferetti.

In the framework of the 34th São Paulo Biennial to be held in 2020, the Iberê Foundation invited the Italian critic and curator Jacopo Crivelli Visconti to present the biennial program in Porto Alegre on March 10. The conference will be open to the public and free access.

JACOPO CRIVELLI VISCONTI WILL ANNOUNCE THE PROGRAMMING OF THE 34th BIENNIAL OF SAN PABLO

"Esta finca no será demolida (Charleroi)", 2019, Teresa Margolles.

Teresa Margolles presents her first solo exhibition in Belgium. Under the curatorship of Nancy Casielles, You fall in line or they put you in line illustrates economic violence in the marginalized sectors of the cities.

TERESA MARGOLLES AND THE ART OF RESISTING VIOLENCE

"Yakuruna", 2018, Francsico Casas y Julio Urbina.

In October 5 at Foundation PROA 21 (Buenos Aires, Argentina) Yeguas del Apocalipsis is exhibited. A controversial exhibition that revolves around two of the most important figures of the contemporary Chilean cultural scene: Francisco Casas (Chile, 1959) and Pedro Lemebel (Chile, 1952-2015). Conceived by the MUTANTE Project ―a program curated by Daniel Link for the dialogue between artists and writers who have run the systems of legitimization of art― as an inquiry into the new grammar created by these artists, the exhibition exhibits artwork both of them alone and in duet and within the collective they formed.

FRANCISCO CASAS AND PEDRO LEMEBEL’S ARTWOR ARRIVES TO PROA 21

Sonia Falcone, "Royal Love", 2017.

Anchoring the observation at Sonia Falcone: Fields of life exhibition held during 2017 at the Royal Palace in Lisbon, the editorial staff of Arte Al Día Internacional makes an approach to the artwork of the Bolivian artist Sonia Falcone (Santa Cruz de la Sierra, 1965).

By ADD, Miami (Florida).

SONIA FALCONE: LIFE FIELDS

"Black mirror: And Other Third World Reflections", exhibition view.

YES Contemporary, the program dedicated to contemporary artists of El Salvador, celebrates its fifth anniversary. Created by The Robert S. Wennet and Mario Cader-Frech Foundation, the platform has been making exhibitions, loans and publications for half a decade with the aim of expanding and making visible the contemporary Salvadoran scene; In addition to the recognized travel program aimed at bringing international curators closer to the region.

YES CONTEMPORARY CELEBRATES 5 YEARS OF EVOLUTION

Vanessa Davidson. Ph: courtsey of the Blanton Museum of Art.

Vanessa Davidson, former curator of Latin American art at the Phoenix Art Museum for eight years, has been selected by the Blanton Museum of Art to hold the same position.

VANESSA DAVIDSON: THE NEW LATINAMERCAN ART CURATOR AT THE BLANTON MUSEUM OF ART

"Aquí no pasa nada", exhibition view. Ph: Juan Pablo Murrugarra.

After fifteen years living abroad, Miguel Aguirre presents a historical review of the features that have characterized the Peruvian political class since the founding of the republic.

NOTHING HAPPENS HERE: AN ILLUSTRATION OF THE PERUVIAN POLITICAL CLASS

Gordon Matta-Clark, Conical Intersect, 1975 © The Estate of Gordon Matta-Clark / Artists Rights Society (ARS), New York Courtesy The Estate of Gordon Matta-Clark and David Zwirner

The artwork of American artist Gordon Matta-Clark, pioneer in urban intervention as an expressive form, is exhibited in the Rose Art Museum (Massachusetts, USA).

GORDON MATTA-CLARK IN THE ROSE ART MUSEUM

DARÍO ORTIZ, A CLASSICAL OBSERVATION OF CONTEMPORANEITY

Colombian artist and writer Darío Ortiz presents the Counterpoint painting series at the Coral Spirngs Museum of Art in Florida.

DARÍO ORTIZ, A CLASSICAL OBSERVATION OF CONTEMPORANEITY

"Constructing Her Universe: Loló Soldevilla" exhibition view. Ph: Jason Wyche.

A retrospective with more than sixty artworks by the artist and promoter of abstraction in Cuba Dolores "Lolo" Soldevilla is exhibited at the Sean Kelly Gallery in New York.

LOLÓ SOLDEVILLA'S ARTWORK IN NEW YORK

"Vacuus", 2017, Fredy Alzate. Ph: Oriol Tarridas.

Through the exhibition that the Cisneros Fontanals Foundation  held in 2017 for its fifteenth anniversary, Yunekis Villalonga makes a revaluation of the foundation scholarship and commission program.

By Yuneikys Villalonga (Miami, Florida)

RETHINKING LATIN AMERICA: CIFO'S GRANTS AND COMMISSIONS PROGRAM

"Adiós Pueblo", CJ Chueca. Ph: MAC Lima.

In the Museum of Contemporary Art of Lima, thirty-one Peruvian and Venezuelan artists reflect on the Venezuelan exodus.

THINKING THE MIGRATORY CRISIS THROUGH CONTEMPORARY ART

Ph: Tom Little.

Aimed at the MFA program, the Carnagie Mellon University presents a 10000 square feet new space dedicated to artistic production.

THE CARNEGIE MELLON UNIVERSITY SCHOOL OF ARTS PRESENTS ITS NEW EXTENSION

ENERG(ETHICS)

Monument of the heroes, Bogotá.

 

By Nicolás Bonilla Maldonado (Bogotá, Colombia)

ENERG(ETHICS)

PABLO ATCHUGARRY, THE MOVEMENT OF LIGHT

In the emblematic city of Venice, the Uruguayan artist Pablo Atchugarry presents more than twenty sculptures in the Contini Art Gallery located in the San Marco neighborhood and a mega piece over the Grand Canal in fron of the Peggy Guggenheim.

PABLO ATCHUGARRY, THE MOVEMENT OF LIGHT

Colección del Moderno. Ph: Guido Limardo.

On Monday, September 9, the Museum of Modern Art of Buenos Aires presented, for the first time in history, the creation of a Acquisition Committee aimed to expand the museum's collection that today has more than seven thousand artworks.

THE MUSEUM OF MODERN ART OF BUENOS AIRES PRESENTED THE CREATION OF AN ACQUISITION COMMITTEE

Teatro MAMM.

Within the framework of the exhibition Dan Flavin. Espacio y luz (Dan Falvin. Space and light) in the Museum of Modern Art of Medellín, a seminar dedicated to minimalism in America will be held.

MINIMALISM IN AMERICA IN THE MUSEUM OF MODERN ART OF MEDELLÍN

Ph: Francisca Etchegaray y Matías Bognnani.

En su proyecto curatorial desarrollado para Fuera de Foco -sección experimental de BAphoto-, Alfredo Aracil propone una reflexión respecto a lo ornamental, entendido como síntoma.

By Matías Helbig

FUERA DE FOCO: UNA REINTERPRETACIÓN DE LO ORNAMENTAL

"Padres danzantes de tijeras", 2019, Roberto Huarcaya. Ph: Matías Bognnani y Francisca Etchegaray.

BAphoto 2019 began its last day and proved to be up to the most important photography fairs within the international scene, becoming a place of exchange both commercial and knowledge.

BAPHOTO: THE FAIR IS CONSTITUTED AS A KEY SPACE AROUND THE PHOTOGRAPHIC DEVICE

Ph: Matías Bognnani y Francisca Etchegaray.

Follow the hole program of BAphoto 2019 day by day to not miss anything.

THE THIRD DAY OF BAPHOTO 2019 BEGAN WITH ACTIVATIONS AND CONVERSATIONS MODERATED BY EXPERTS OF THE PHOTOGRAPHIC DEVICE

Montaje BAphoto 2019. Ph: Matías Bognanni y Francisca Etchegaray.

With a diverse and rich content proposal, BAphoto, the specialized photography fair that opens this afternoon and will take place until September 8, celebrates its 15th anniversary. From Arte Al Día, a guide so you don't miss seeing the most relevant stands of the fair.

THE MUST VISITS OF BAPHOTO 2019

EL PEZ REY: EL POTENCIAL DEL ARCHIVO Y LA LEGITIMACIÓN DEL RELATO

En plena Ciudad de Buenos Aires hay un pedazo de litoral. El susurro denso de los grillos del campo húmedo reproduce un eco exhaustivo. En la sala se proyectan los testimonios de dos señoras mayores. Leemos lo que dicen en subtítulos porque los videos están silenciados. Los bichos del humedal monopolizan el espacio: el sonido se vuelve casi material en la sala.

By Matías Helbig

EL PEZ REY: EL POTENCIAL DEL ARCHIVO Y LA LEGITIMACIÓN DEL RELATO

"Implosión #02", Francisco Medail.

Within the framework of the fifteenth anniversary of BAphoto specialized art fair -which will take place from September 6 to 8-, the National Museum of Fine Arts will present Formas de desmesura (Forms of excess), a collective exhibition that will explore the photographic device in contemporary art.

CONTEMPORARY PHOTOGRAPHY IN THE NATIONAL MUSEUM OF FINE ARTS (ARGENTINA)

FEDERICO HERRERO IN MAC NITERÓI

The Museum of Contemporary Art of Niterói (Rio de Janeiro, Brazil) convened, together with the curators Pablo León de la Barra and Raphael Fonseca, the Costa Rican artist Federico Herrero (San José, Costa Rica, 1978) to make an exhibition in relation to the specificity and ephemeral link in space. Tempo Aberto (Open Time) –in exhibition until December 8- blurs the limits of the exhibition, where it begins and where it ends, from both its spatial and temporal characteristics.

FEDERICO HERRERO IN MAC NITERÓI

"Untitled", 1950,  Sandu Darie. Ph: Mariano Costa Peuser.

The art collection of Juan Carlos Maldonado, from Miami, is a treasure that runs through geometric abstraction and concretism with its social implications, mainly in South America and extended to the international scene.

By Adriana Herrera Téllez

THE UNBOUNDED LINE: A SELECTION FROM THE JUAN CARLOS MALDONADO ART COLLECTION

KING FISH AND THE O.A.S.Y.S SOCIETY

Today at 7 pm, MM Gallery presents El Pez Rey and the O.A.S.Y.S Society (King Fish and the O.A.S.Y.S Society), a photographic research project by the Argentine artist Jesu Antuña. After almost two years of research over Italian Giuseppe Di Silvestro figure and his stay in Cañada Rosquín, Santa Fe province (Argentina), in the mid-twentieth century, the exhibition develops and extends the story and the symbols that surround it from the archive Photographic and historical documentation.

By Matías Helbig

KING FISH AND THE O.A.S.Y.S SOCIETY

Ph: @botonrojoestudio.

In a dialogue between techniques, rituals, mythologies and stories, Argentine artists Constanza Chiappini, Gonzalo Maggi and Julia Rosetti establish a story that challenges the present in the exhibition The first sword was a gift.

By Matías Helbig

THE FIRST SWORD WAS A GIFT

Martha Araújo (Brazilian, b. 1943), Hábito/Habitante (Habit/inhabitant), 1985 Documentation of performance: four black-and-white photographs. 6 7/8 × 8 7/8 in. each. Collection of Martha Araújo; courtesy of Galeria Jaqueline Martins. ©the artist. Documentación de rendimiento: cuatro fotografías en blanco y negro. 17.46 × 22.5425 cm. cada uno. Colección de Martha Araújo; cortesía de Galeria Jaqueline Martins. © el artista.

Within the framework of what was Radical Women exhibition that was given at the Hammer Museum, L.A., California, independent critic and curator Adriana Herrera Téllez reflects on the visibility of these artists and the legacy proposed by the catalog.

By Adriana Herrera Téllez

RADICAL WOMEN

Copia original de fotograma intervenido por Carlos Alonso, de la serie "De lo que no hay", en BAphoto 2019. Ph: Francisca Etchegaray.

In BAphoto 2019, the Sasha D gallery presents thirty-five frames intervened by Carlos Alonso for an experimental film by Alejandro Mathe in 1960. The work, never before exhibited, is an exemplary piece that illustrates the avant-garde movements of the 60s and 70s in Argentina.

By Matías Helbig

CARLOS ALONSO AND AN UNUSUAL APPEARANCE IN THE EXPERIMENTAL CINEMA OF THE 60

SEX STORIES

Elvis Fuentes reflects on Stories of Sexuality exhiition in the MASP and the importance of controversial art.

By Elvis Fuentes

SEX STORIES

Still frame de entrevista CRUDO con Juan Becú.

Diego Trulls, founder and producer of the CRUDO countercultural project, explains his relationship with art, the objectives for his interview channel and the desire to generate an audiovisual record of the international contemporary scene.

By Matías Helbig

BEHIND CRUDO

Julio Le Parc, París, 1960, exposición Antagonisme, Palais du Louvre. Ph: Cortesía Atelier Le Parc.

Within the framework of its ninety years and with a retrospective on display at the Kirchner Cultural Center, the Fine Arts National Museum of Buenos Aires pays tribute to the Argentine artist Julio Le Parc. Consecrated as one of the pioneers of op- art and kinetic art, the artist's first works in Buenos Aires and Paris are exhibited until November 17.

JULIO LE PARC IN THE FINE ARTS NATIONAL MUSEUM OF BUENOS AIRES

"Return tu Koyaanisqatsi", gallery view.

In a context of hyperinformation and image overproduction, José Antonio Navarrete reflected on the construction of meaning in contemporary visual arts from the artwork of Willy Castellanos.

By José Antonio Navarrete

RETURN TO KOYAANISQUAATSI: WILLY CASTELLANOS AT THE KENDALL ARTE CENTER IN MIAMI

EDISON PEÑAFIEL WINNER OF THE FLORIDA PRIZE IN CONTEMPORARY ART

The 2019 edition of the Florida Prize in Contemporary Art was held in Florida. After the selection of the ten most relevant artists of the local scene, Edison Peñafiel was awarded by the jury.

By Jonathan Clark

EDISON PEÑAFIEL WINNER OF THE FLORIDA PRIZE IN CONTEMPORARY ART

CHERNOBYL IN CUBA

Within the 500 years of the foundation of Havana City, the Peruvian artist Sonia Cunliffe exhibits Lost Documents: Chernobyl Children in Cuba, an exhibition that reveals the transition of the victims of the most shocking nuclear tragedy in history as pacients in the humanitarian assistance program provided by the Central American country.

CHERNOBYL IN CUBA

Serie Pantone Agua. Ph: OdA, Galería de Arte.

Argentine artist Constanza Oxenford presents Dimensions of the same, her second solo show at OdA, Art Gallery

DIMENSIONS OF THE SAME

Image © Morgan Art Foundation Ltd. / Artists Rights Society (ARS), New York, DACS, London 2019

Christie’s Education I New York opens the call for its Modern and Contemporary Art Certificate. Located at 1230 Avenue of the Americas, Christies’s Education offers the part-time certificate program on modern and contemporary art through academic and research study, and insertion into the New York agenda.

CHRISTIE'S EDUCATION CALL FOR APPLICATION!

"Homage to Goya", 1961, Nela Arias-Misson.

“I don’t paint to live, I live to paint.” — Nela Arias-Misson when asked about her refusal to sell her work.

 

By Jorge Luis Gutiérrez

THE UNEARTHLY ENCHANTMENTS OF NELA ARIAS-MISSON

Brasilia: life after design.

Within the framework of City of The People program, the MDC Museum of Art and Design (MOAD) projects a series of feature films that reflect on the condition of urban communities and the implications of living in cities. Under the title of Real Utopias, every month a film will be screened until December.

REAL UTOPIAS, THINK CITIES THROUGH MYTH

"Telón de Boca", Pia Camil. Ph: Museo Universitario del Chopo, Ciudad de México.

Within the fourth edition of the Aichi Triennale, Mexican artist Pia Camil exhibits her curtain-installation Telón de Boca.

PIA CAMIL AT THE AICHI TRIENNALE

HILARIO EXPERIENCE: TWO EXTRAORDINARY NUMBERS OF BORGES "PRISMA" MAGAZINE

The auction house Hilario. Arts, Letters & Crafts presents the catalog of its winter auction: two issues of Borges Prisma magazine, a copy of The language of the Argentines, written by Borges and illustrated by Xul Solar, photographs by Martín Chambi and Marcos Zimmermmann and much more.

HILARIO EXPERIENCE: TWO EXTRAORDINARY NUMBERS OF BORGES "PRISMA" MAGAZINE

"La Ausencia", 2001-2002, Santiago Porter.

The Rolf Art gallery exhibits Falta compartida (Shared Absence). Conceived as a collective exhibition in collaboration with Mon Charpentier, eleven Latin American artists approach memory from diverse languages.

By Matías Helbig

SHARED ABSENCE, A DIALOGUE ON MEMORY

Julio Le Parc, Ondas 110 Nº8, 1974. Ph: Cortesía Atelier Julio Le Parc.

At his 90, the Kirchner Cultural Center presents the most important retrospective of Julio Le Parc. Main figure of optical art and international avant-garde, Julio Le Parc. A visionary will accompany the exhibition that is being set up by the National Museum of Fine Arts of Buenos Aires.

By Laura Casanovas

JULIO LE PARC, A VISIONARY

TRain, Jorge Macchi.

In the gallery Ruth Benzacar, Jorge Macchi's Cámara Traslúcida (Translucent Chamber) inaugurates the 3 of August. 

JORGE MACCHI IN RUTH BENZACAR

Ph: Atelier Cruz-Diez.

On Saturday, July 27, Carlos Cruz-Diez died in Paris. Recognized as one of the referents of Latin American kinetic art, the Venezuelan artist has made an invaluable contribution to theories of color and op art.

MODEL OF ART AND LIFE CARLOS CRUZ-DIEZ PASSED AWAY

MUTILATION: THE PICTORIC GESTURE

In Espacio Ftalo, Diego Cirulli reflects over the pictorial gesture and the "true" painting.

MUTILATION: THE PICTORIC GESTURE

WHO'S THAT GIRL?: FLAVIA DA RIN IN THE MODERN ART MUSEUM OF BUENOS AIRES

On exhibition at the Modern Art Museum of Buenos Aires until September 29, ¿Quién es esa chica? (Who's that girl ?), by Flavia Da Rin, is the first retrospective in a museum of one of the most relevant figures of the Argentine contemporary scene.

By Laura Casanovas

WHO'S THAT GIRL?: FLAVIA DA RIN IN THE MODERN ART MUSEUM OF BUENOS AIRES

"Proyecto Plaza Vieja",1986, Felicia Chanteloin y Patricia Rodríguez.

Since the beginning of the 80s, with the de-freezing of left wing projects, Cuban youth imagined a citizen urbanization. Between the traditional left and the imminent liberal capitalism, the so-called "sons of utopia" traced an absolutely original alternative. La utopía paralela (Parallel Utopia), in La Virreina Centro de la Imagen, brings together the heritage of a critical and partially forgotten generation.

CUBAN UTOPISM, THE PICKINGS OF ANOTHER IMAGINED HORIZON

MAGDALENA FERNÁNDEZ INTERVENES THE AMPARO MUSEUM

Consecrated as one of the most relevant contemporary artists of the Latin American scene, Magdalena Fernández exhibits more than twenty artworks from her last decade and two site-specific installations at the Museo Amparo.

MAGDALENA FERNÁNDEZ INTERVENES THE AMPARO MUSEUM

Gold- The Serra Pelada Gold Mine, Sebastián Salgado.

A series of photographs by Brazilian photojournalist Sebastião Salgado will be shown at the Sesc exhibition space in São Paulo.

SEBASTIÂO SALGADO EXHIBITS PHOTOGRAPHS OF SERRA PELADA IN SAN PABLO

Próximamente (Coming Soon), Ruth Benzacar 2019, registro de sala. Ph: Nacho Iasparra.

"The Scottish artist Andy Goldsworthy said that his art school was not the academy but the beach. Mine was the VCR," wrote Leandro Erlich in the framework of his exhibition Coming Soon, in Ruth Benzacar.

By Laura Casanovas

LEANDRO ERLICH AT RUTH BENZACAR

Pedro Figari, "Fantasía" (Fantasy).

In the National Museum of Fine Arts, in Buenos Aires, a retrospective exhibition honors one of the greatest exponents of Latin American painting. Pedro Figari: myth and creation.

FIGARI: MYTH AND CREATION

"El color haciéndose", exhibition view at MAC Panamá

The Museum of Contemporary Art of Panama presents El Color haciéndose, a retrospective exhibition by the Venezuelan artist Carlos Cruz-Diez, one of the greatest referents of kinetic art.

THE MAC OF PANAMA HOSTS THE ARTWORK OF ONE OF KINETIC ART MASTERS

"Nube", 2018. Impresión digital de tinta cerámica sobre vidrio extra claro, vitrina de madera, luces led .

At the Museum of Latin American Art of Buenos Aires (MALBA), Leandro Erlich presents an exhibition that brings together his most important artworks since the mid-90s to the present.

LIMINAL, LEANDRO ERLICH'S ANTHOLOGY AT THE MUSEUM OF LATIN AMERICAN ART OF BUENOS AIRES

Ph: UW Art Museum.

Pavel Acosta presents at the UW Art Musemo of the University of Wyoming a series of artworks that dialogue with art history.  

THE UW ART MUSEUM EXHIBITS AN ARTIST THAT STEALS

"Huaca", 1999-2019, Germán Botero.

Germán Botero's sculpture in the Memory Park of the City of Buenos Aires inaugurated. The Colombian artist artwork, Huaca, is the ninth sculpture placed since the creation of public space.

"HUACA", THE NINTH SCULPTURE EMPLACED IN THE MEMORY PARK OF BUENOS AIRES

"CONTINUOUS PAST": THE CATALYST LANDSCAPE OF THE MEDITERRANEAN

The Es Baluard Collection presents an exhibition at the EACC Espai d'Art Contemporani in Castelló that explores the connotations around the Mediterranean Sea.

"CONTINUOUS PAST": THE CATALYST LANDSCAPE OF THE MEDITERRANEAN

Exhibition view, "Ver la diferencia", Gachi Rosati. Ph: Espacio Lanzallamas.

Problems between the genius artist myth and the woman sign. Review of Gachi Rosati's Ver la diferencia (See the difference) exhibition at Lanzallamas Art Space.

By Silvina Amighini

RESONANCES OF PRESENT DAY RE-ELABORATED SELFPORTRAITS

COMING SOON: LEANDRO ERLICH BETWEEN PAINTINGS AND VIDEOTAPES

Ruth Benzacar Gallery presents Próximamente (Coming Soon), an individual exhibition by the Argentine artist Leandro Erlich. Doing a retrospective in his own creative process, the renowned contemporary artist turns to painting and the world of cinema, the two fields he went through in his adolescence.

COMING SOON: LEANDRO ERLICH BETWEEN PAINTINGS AND VIDEOTAPES

PARIS: ANTONIO SEGUÍ AT FRANCE NATIONAL LIBRARY

At France National Library in Paris, a tribute is paid to the renowned Argentine artist, Antonio Seguí. From the pictorial to the narrative, the game of the exhibition reflects Seguí's search for a redefinition of mankind.

By Patricia Avena

PARIS: ANTONIO SEGUÍ AT FRANCE NATIONAL LIBRARY

Marcela Marcuzzi Court Memoir, mixed media on rare antique books, installation. 2019.

To celebrate the 100th anniversary of the creation of the Bauhaus, the Coral Gables Museum (Miami, Florida) presents America Weaves, a collective exhibition that brings together textile artists from all over the Americas.

AMERICA WEAVES IN HONOR TO THE 100th BAUHAUS ANNIVERSARY

La entrega (The Surrender), 1976, oil on canvas/óleo sobre lienzo.  Rafael Soriano Family Collection/Colección de la Familia Rafael Soriano.

More than twenty artworks of Rafael Soriano's figurative period are exhibited in the Art Museum of the Americas. Putting  focus on the mystical and spiritual conception of the Cuban painter, Rafael Soriano: Cabezas (Heads) highlight the metaphysical language of one of the greatest artists of the 20th century.

RAFAEL SORIANO AT THE ART MUSEUM OF THE AMERICAS

Installation view of Rafael Domenech.

An exhibition at the Patricia & Phillip Frost Art Museum of the Florida International University (FIU) brings together a series of books made by artists from diverse disciplines.

THE ARTIST BOOK AS AN OBJECT, AS A SPHERE OF MEANINGS

La superación de la guerra, registro de exposición en waldengallery, Buenos Aires, 2019.

Magdalena Jitrik presents in waldengallery a dialogue between paintings made in the 90s and her most recent works.

By Matías Helbig

THE OVERCOMING OF WAR

Trabajadora sexual transgénero de pie sobre la pista de baile de un club demolido en Ciudad Juárez, México C print en papel de algodón. Ph: Teresa Margolles.

Conceptual artist Teresa Margolles (Mexico, 1963) and the Patricia Phelps of Cisneros Research Institute presents On Human Displacement, at MoMA. A lecture on artistic and cultural production related to urban centers with armed border conflicts.

"ON HUMAN DISPLACEMTENT": TERESA MARGOLLES CONFERENCE AT MoMA

Maison Fond, 2015. Ph: Maffini.

Leandro Erlich, the artist who questions the look. A profile made by Victoria Verlichak.

By Victoria Verlichak (Buenos Aires)

WHAT DO WE SEE WHEN WE LOOK?

Exhibition view. Ph: Felipe Berndt.

At Leme gallery, the artworks of Luciano Figueiredo and Raymundo Collares trace a parallel journey through the Brazilian art of the 70s.

FIGUEIREDO AND COLLARES AT LEME GALLERY

Ph: Museo Nacional de Bellas Artes

The Buenos Aires National Museum of Fine Arts exhibits a retrospective exhibition of the renowned painter Carlos Alonso (Mendoza Province, 1929).

CARLOS ALONSO AT THE NATIONAL MUSEUM OF FINE ARTS OF BUENOS AIRES

Presentación de BAphoto 2019. Ph: Francisca Etchegaray.

With two weeks left before the inauguration of BAphoto 2019, artists, gallery owners and journalists gathered at the Duhau-Park Hyatt Palace in Buenos Aires to learn about the programming and news of the fifteenth edition of the most important photography fair in Latin America.

BAPHOTO2019 PRESENTATION

Dolores Cáceres, Hecho en America Latina [Made in Latin America], 2013 10 mm. red neon, 65 cm. x 55 cm. x 5 cm. Private collection. / Neón rojo de 10 mm. 65 cm x 55 x 5 cm.

Margarita Sánchez Prieto illustrates the work and thought of the renowned Argentine artist, Dolores Cáceres.

By Margarita Sánchez Prieto (La Habana, Cuba)

THE PRODUCTIVITY OF EMPTINESS

THE MODERN ART MUSEUM OF MEDELLÍN EXHIBITS THE LAST DECADE OF ITS COLLECTION

The Modern Art Museum of Medellin dedicates an exhibition to its collection. Initiated thirty years ago with the founding gesture of artists and entrepreneurs, the last decade of the Museum in its current location in Cuidad del Río, was based on giving continuity and expansion to its collection.

By Matías Helbig

THE MODERN ART MUSEUM OF MEDELLÍN EXHIBITS THE LAST DECADE OF ITS COLLECTION

Carolina Caycedo, Aguas Para A Vida, 2016. Collective action, Incerteza Viva, 32 Bienal de São Paulo. Courtesy the artist.

In the quest to understand one of the functions of art in the 21st century, the Istitute of Contemporary Art of Miami opens the inscriptions for its summer intesivo of the Art + Research Center.

ICA MIAMI OPENS ITS REGISTRATIONS TO THE THIRD EDITION OF THE ART + RESEARCH CENTER PROGRAM

"818181", Jacob Fisher.

At the Cornell Art Museum in Florida, seven artists from different regions of the world appropriate the museum with sitespecific installations that intervene and resignify the space.

By Matías Helbig

"SEVEN SOLOS": SEVEN WAYS TO INTERPELLATE SPACE

LYDIA OKUMURA’S THOUSAND AND ONE EYES

The curator and art critic Adriana Herrera takes a tour of the prlifica career of the Brazilian artist Lydia Okumura.

 

By Adriana Herrera

LYDIA OKUMURA’S THOUSAND AND ONE EYES

Two glass slides, rocks and rope. Baró Gallery (São Paulo). Photo: Diego Santovito Nadir.// Dos láminas de vidrio, piedras y cuerda. Baró Galería (Sao Paulo). Foto: Diego Santovito

Brazilian curator, art critic and  journalist Angélica de Moraes drew a portrait of the multimedia artist Túlio Pinto. Taking the substantial elements of the career of the artist born in Brasilia, de Moraes illustrates with her words the profile of one of the most interesting protagonists of the contemporary Latin American scene.

By Angélica de Moraes (São Paulo)

TÚLIO PINTO: A CONJUGATION OF FORCES

“Lunar Writing 1 (1001)”, 1974, 16 blue toned black and white photographs mounted on museum board, 6.25 x 9.25 inches each. Courtesy of the artist and Henrique Faria New York & Buenos Aires. / “Lunar Writing 1 (1001)”, 1974, 16 fotografías blanco y negro viradas al azul montadas sobre cartón de museo, de 16 x 24 centímetros cada una. Cortesía del artista y de Henrique Faria, Nueva York y Buenos Aires.

The visual artist, writer, and filmmaker spoke with Julia P. Herzberg for Arte al Día about his work process, his interest in photography and its boundaries.

By Julia P. Herzberg

IN CONVERSATION: LEANDRO KATZ

A CORAL REEF IN THE MIDDLE OF VENICE

At the Venice Biennale, Facundo Uribe built a plastic coral reef to rethink climatic conditions and the responsibilities of humans in relation to plastic waste.

 

A CORAL REEF IN THE MIDDLE OF VENICE

AFTER ITS CLOSURE, PArC WAS CONSOLIDATED AS THE REFERRING ARTFAIR IN THE PERUVIAN CULTURAL SCENE

For the first time, painters and potters from indigenous Amazonian villages had a special space at the PArC fair.

 

AFTER ITS CLOSURE, PArC WAS CONSOLIDATED AS THE REFERRING ARTFAIR IN THE PERUVIAN CULTURAL SCENE

Alberto Churba, Mariana Marchesi (directora artística del MNBA) y Andrés Duprat (director del MNBA).

The painting "Un assis à la corbeille de pommes", from 1925, was donated to the Museum by the designer and artist Alberto Churba. It will be shown next to a painting by Pablo Picasso.

BUENOS AIRES: A BRAQUE TO THE NATIONAL MUSEUM OF FINE ARTS

Plaza de Maniobras de los Corazones en Puan, 1879, Antonio Pozzo.

On May 14, Hilario Experience VI will take place! The gallery auctions more than 200 unique pieces of art, literature, history and photography. Find the catalog and the best of the auction here.

HISTORY, ARTS AND CULTURE: HILARIO GALLERY OFFERS AN UNPRECEDENTED COLLECTION

Vanderlei Lopes. O passado é um belo presente! (The Past is a Lovely Present!), 2018. Photo: Edouard Fraipont

The 55project brings to the Pablo Atchugarry Foundation an exhibition to rethink and build Brazilian history.

By Matías Helbig

BRAZILIAN ARTISTS RE-THINK THE HISTORY OF THEIR COUNTRY FROM THEIR ARTISTIC PRODUCTION

EL MUSEO DEL BARRIO CELEBRATED ITS 50th ANNIVERSARY

At a gala with special guests, artists and collectors, David Charpenel and El Museo del Barrio team celebrated the 50 years of the museum creation.

EL MUSEO DEL BARRIO CELEBRATED ITS 50th ANNIVERSARY

Irene Kopelman. Ph: LABOR.

Argentine artist Irene Kopelman presents Puntos Cardinales (Cardinal Points) at the Mexican LABOR gallery. Between art and the natural sciences, Kopelman presents an artwork that approaches the scientific field from an original perspective.

IRENE KOPELMAN, BETWEEN ART AND SCIENCE