Creating a dialogue between heritage/historical collections and contemporary productions is a lucid strategy not only to make these collections visible, many times relegated to art deposits, but also to review certain genealogies of art history and to update and refresh their narratives that not infrequently have been built around disciplines and dogmatic categorizations.

El Museo del Barrio is the first and leading museum in the country dedicated to preserving and presenting Latino art and culture. ESTAMOS BIEN - LA TRIENAL 20/21 is the Museum’s first large-scale national survey of Latinx art. Curated by El Museo del Barrio’s Chief Curator, Rodrigo Moura, Curator Susanna V. Temkin, and Guest Curator and Artist Elia Alba, the exhibition is on view to the public from March 13 to September 26.

El peso de la forma. El diseño gráfico de Carlos Cruz-Diez is the result of a collaboration between the Archivo Fotografía Urbana (Caracas, Venezuela) and the Cruz-Diez Art Foundation (Paris, France).

After a visit to Infinito Vão, one of the predominant sensations is that the best of Brazilian architecture always comes in duo with an expressive presence of the visual arts, both in modern times and in these conflicting current days. The exhibition, subtitled 90 years of Brazilian architecture and curated by Fernando Serapião and Guilherme Wisnik, is based at Sesc 24 de Maio, already emblematic of Paulo Mendes da Rocha, one of the two Pritzkers born in the country.

Curated by Thyago Nogueira, coordinator of Contemporary Photography at the Moreira Salles Institute in Brazil, the exhibition covers the entire photographic production of one of the key figures in understanding the genocide of the aboriginal communities of the Amazon, mainly the Yanomami people.

The exhibition was conceived and realised during the pandemic, which is why María Fernanda Carlos relates this state of time to one of suspension. The artist describes this pandemic state "between what was and what will be," calling it that "grey space." Making a common thread, María Fernanda Carlos reveals to the audience a relationship of ideas of what it means to be in that space between worlds in which we can find ourselves.

The Museu d'Art Contemporani de Barcelona (MACBA) presented its complete programme for 2021. Among the activities and exhibitions, two stand out: a retrospective of the Cuban visual artist Félix Gonzalez-Torres (Guaiamaro, 1957 - Miami, 1996) and the rescheduling of the exhibition of the Rafael Tous collection, originally scheduled for November 2020.

On February 20^th, the Dos de Mayo Art Cantre (CA2M), in collaboration with the Kunstinstituut Melly in Rotterdam, opened the solo exhibition Cecilia Vicuña. Veroir el fracaso iluminado (Cecilia Vicuña. Veroir the illuminated failure). Conceived as a retrospective exhibition of the Chilean artist Cecilia Vicuña (Santiago de Chile, 1948), the project is curated by Miguel A. López (Lima, 1983) and has been supported by the Chilean Ministry of Culture, Arts and Heritage. This is the first exhibition of this size to showcase the artist in Spain.

Twelve artists living and working in Argentina, Brazil, Georgia, Germany, Mexico, Spain, Turkey, and the United States respond to the notion of home in this exhibition curated by Sabrina Mandanici. On view through April 19.

Highlighting contemporary art from the port, the show seeks to decentralize the art of Santiago, presenting a selection of contemporary artists from the Valparaíso region.

Opinion article and review of the exhibitions PDF and #OPENCALL presented by Abrir Galería, online project founded in Peru.

Under the curatorship of Cristina Carrillo de Albornoz  —art critic and curator with an international career that includes institutions such as the Hermitage Museum and the National Gallery of Berlin— in collaboration with the actress Lina Botero, the artist's daughter, the exhibition was scheduled to close its doors on February 7^th. However, the public reception has been so good (more than 60,000 people have passed through CentroCentro to see Botero's work) that the date has been extended until Sunday 28^th.

As part of the celebration of the activities to commemorate the 40^th Anniversary of ARCOmadrid, the exhibition ARCO. Recorridos Fotográficos (ARCO. Photographic Tours) is presented at the Centro Cultural Conde Duque. Curated by Rafael Doctor Roncero, the project brings together images produced by over eighty artists throughout the successive editions of the ARCOmadrid Art Fair, founded and inaugurated in 1982.

In El Pran Projecten —Aruba-based platform dedicated to exhibiting the production of artworks that question the present of the former European excolonies in Central America—, the Cuban artist Ricardo Miguel Hernández (Havana, 1984) exhibits a series of photographic collages. Curated by Nelson González, When The Memory Turns To Dust II will be on view until the 31^st of March.

Titled “Selections of Daily Practice: 2018-2021”, this solo exhibition by the Peruvian artist based in Miami features a selection of 18 paintings from the Yupo Series, where the artist explores and uses drawing as a medium, addressing concepts such as the everyday life of existence, experiences and the success/failure binomial.

The exhibition, conceived by the Argentinean artist María Marta Fasoli (Mar del Plata, 1964), consists of a series of watercolours that explore the symbolism of the sea from the perspective of personal identity and its capacity to represent the dynamic character of the creative process.

The young Mexican artist is exhibiting for the first time in Spain with a project conceived especially for the Madrid gallery.

The Colombian artist is showing her work “Mural para fábrica socialista” at the OCA (Office for Contemporary Art) in Oslo, Norway. The exhibition aims to catalyze solidarity against global conflicts and injusticies.

The choice of Aballí as the artist to benefit from the programme was made by a jury made up of two collectors and two directors of institutions related to artistic production in Spain —convened by the ARCO Foundation— who chose four Spanish artists and, subsequently, by the Meadow Museum's Selection Committee, constituted by the curatorial team and three collectors from the Meadows Museum's Advisory Council. Ignasi Aballí thus becomes the first participant in the MAS Programme.

The artwork by the emblematic artist Lucio Fontana (Rosario, Argentina, 1899 - Varese, Italy, 1968) was conceived by the artist in 1951 as a piece whose composition defies the limits of disciplines as diverse as drawing, sculpture, design and lighting.

In the exhibition presented by the Alliance Française Lima, the multiple worlds or netes that make up the Shipibo universe are united into one: The world of beauty and art.

The Chilean artist Patrick Hamilton exhibits an interactive sculpture in the Patio Sur of the Centro Cultural Conde Duque (Madrid, Spain) that questions the critical state of the current economic and climate crisis.