Recognized for her career as a performance artist, the Colombian artist will make a new large-scale work for the hall of this renowned museum in Cali, at the end of 2020.

The Royal Academy of Arts in London announced that Spanish artist Cristina Iglesias (San Sebastian, 1956) has been awarded this year’s prize, honoring her inspiring contribution to the culture of architecture.

On January 31^st, the exhibition of the architect, designer, curator and writer Lina Bo Bardi opens at Jumex (Mexico City). It will be a review of the work of this renowned Italo-Brazilian, icon of modernism.

The new independent press, specialized in Brazilian contemporary art, continues to grow and presents itself at Pinta Miami.

From December 2019, Gertrude Goldschmidt (1912-1994), known as Gego, receives her first solo show in Brazil. The exhibition titled Gego: The Emancipated Lines will be on display until March 1^st, 2020. Along with leonor antunes: joints, voids and gaps, they both close the curatorial cycle titled Women’s Histories, Feminist Histories. 

The 39th edition of this traditional contemporary art fair will be held at the end of the coming February, with the presence of 203 galleries.

With Fiorella Di Biase's curatorship, the exhibition The time we have left, by Hernán Soriano, takes place at the Lanzallamas gallery. Santiago López shares his thoughts.

The Argentinean artist, who calls London her home, will hold her first big exposition in Spain. With a selection of some of her most well-known works, she reflects on themes like censorship and her country’s traumatic past, celebration and protest, and listening and silence.

The exhibition Parábolas, by Mexican artist Sergio Hernández (Huajuapan de León, Oaxaca, 1957) inaugurates on November 22^nd at the Durban Segnini Gallery in Miami. For the first time in 20 years, the renowned plastic artist will display in the United States a rich collection of recent works.

Argentine artist Cotty Oxenford presents the Sinapsis series at Argentina's embassy in Washington.

Twelve years after the Emergency Room exhibition, the MoMA PS1 summons writers, specialists and donants to create a catalog that analyzes the ways in which some of the most critical issues today  -the climate crisis, armed conflicts and xenophobia, among others- were addressed then.

En el espacio de Fudnación El Mirador (San Telmo, Buenos Aires), el artista rosarino Francisco Vazquez Murillo exhibe Los movimientos alrededor del sol, una exposición que propone revitalizar la relación con la Tierra y habitar el mundo desde la contemplación y la conciencia.

The Museum of Modern Art in New York celebrates its reopening and dedicates a room to Latin American art. Conceived by the Curator of Latin American Art of the museum, Inés Katzenstein, Sur moderno brings together more than one hundred artworks of abstract and concrete art from the region.

Within the framework of the Young Art Biennial, the collective exhibition Espacio Entre is exhibited at the Recoleta Cultural Center (CCR). Under Tainá Azeredo's (Brazil, 1984) curatorship, twenty-five visual and plastic artists were selected to show their artworks in rooms 3, 4 and 5 of the CCR constituting a small sketch of the Argentine sub-32 art production.

Galerie Templón French art gallery announced that it will represent the Chilean artist Iván Navarro (Santiago, Chile, 1972) in America and Europe.

The UNAM University Museum of Contemporary Art (MUAC, México) presents an exhibition of the famous Mexican contemporary artist Rubén Ortiz Torres. Conceived as a retrospective, Customatismo highlights the fundamental role of Ortiz Torres within the Latin American scene during the 80s and 90s.

The artist Rubie Rumié (Cartagena, 1958) reproduces her Divine Breath project, originally developed with Colombian women, and takes it to New York City. A dialogue that highlights the universality of domestic violence and the need to stand against it.

The Pérez Art Museum Miami (PAMM) and the Phoenix Art Museum present Teresita Fernández: Elemental, a large-scale retrospective exhibition of one of the contemporary North American artists with the greatest international projection: Teresita Fernández (1968).

Alice Miceli (Brazil, 1980) presents Projeto Chernobyl at the Americas Society gallery in New York. Made up of thirty photographs and radiographs, the Brazilian artist makes visible the invisible violence and neglect of state and private powers over the regions that operate.

The art historian and former curator of the National Museum of Colombia, Natalia Vega, reflects on Juan Manuel Echevarría's (Meddellín, 1947) artwork through Ríos y Silencios (Rivers and Silences) exhibition held at the Museum of Modern Art in Bogotá (MAMBO) between 2017 and 2018.

The exhibition On raul la realitat? (Where does reality reside?) in the Es Baluard Museu d'Art Modern i Contemporani de Palma (Spain), makes a rereading of artists born during the 70s, 80s and 90s, and who have oriented their production towards figurative realism.

In the framework of the 34^th São Paulo Biennial to be held in 2020, the Iberê Foundation invited the Italian critic and curator Jacopo Crivelli Visconti to present the biennial program in Porto Alegre on March 10. The conference will be open to the public and free access.

Teresa Margolles presents her first solo exhibition in Belgium. Under the curatorship of Nancy Casielles, You fall in line or they put you in line illustrates economic violence in the marginalized sectors of the cities.

In October 5 at Foundation PROA 21 (Buenos Aires, Argentina) Yeguas del Apocalipsis is exhibited. A controversial exhibition that revolves around two of the most important figures of the contemporary Chilean cultural scene: Francisco Casas (Chile, 1959) and Pedro Lemebel (Chile, 1952-2015). Conceived by the MUTANTE Project ―a program curated by Daniel Link for the dialogue between artists and writers who have run the systems of legitimization of art― as an inquiry into the new grammar created by these artists, the exhibition exhibits artwork both of them alone and in duet and within the collective they formed.

Anchoring the observation at Sonia Falcone: Fields of life exhibition held during 2017 at the Royal Palace in Lisbon, the editorial staff of Arte Al Día Internacional makes an approach to the artwork of the Bolivian artist Sonia Falcone (Santa Cruz de la Sierra, 1965).

YES Contemporary, the program dedicated to contemporary artists of El Salvador, celebrates its fifth anniversary. Created by The Robert S. Wennet and Mario Cader-Frech Foundation, the platform has been making exhibitions, loans and publications for half a decade with the aim of expanding and making visible the contemporary Salvadoran scene; In addition to the recognized travel program aimed at bringing international curators closer to the region.

Vanessa Davidson, former curator of Latin American art at the Phoenix Art Museum for eight years, has been selected by the Blanton Museum of Art to hold the same position.

After fifteen years living abroad, Miguel Aguirre presents a historical review of the features that have characterized the Peruvian political class since the founding of the republic.

The artwork of American artist Gordon Matta-Clark, pioneer in urban intervention as an expressive form, is exhibited in the Rose Art Museum (Massachusetts, USA).

Colombian artist and writer Darío Ortiz presents the Counterpoint painting series at the Coral Spirngs Museum of Art in Florida.

A retrospective with more than sixty artworks by the artist and promoter of abstraction in Cuba Dolores "Lolo" Soldevilla is exhibited at the Sean Kelly Gallery in New York.

Through the exhibition that the Cisneros Fontanals Foundation  held in 2017 for its fifteenth anniversary, Yunekis Villalonga makes a revaluation of the foundation scholarship and commission program.

In the Museum of Contemporary Art of Lima, thirty-one Peruvian and Venezuelan artists reflect on the Venezuelan exodus.

Aimed at the MFA program, the Carnagie Mellon University presents a 10000 square feet new space dedicated to artistic production.

Monument of the heroes, Bogotá.

In the emblematic city of Venice, the Uruguayan artist Pablo Atchugarry presents more than twenty sculptures in the Contini Art Gallery located in the San Marco neighborhood and a mega piece over the Grand Canal in fron of the Peggy Guggenheim.

On Monday, September 9, the Museum of Modern Art of Buenos Aires presented, for the first time in history, the creation of a Acquisition Committee aimed to expand the museum's collection that today has more than seven thousand artworks.

Within the framework of the exhibition Dan Flavin. Espacio y luz (Dan Falvin. Space and light) in the Museum of Modern Art of Medellín, a seminar dedicated to minimalism in America will be held.

En su proyecto curatorial desarrollado para Fuera de Foco -sección experimental de BAphoto-, Alfredo Aracil propone una reflexión respecto a lo ornamental, entendido como síntoma.

BAphoto 2019 began its last day and proved to be up to the most important photography fairs within the international scene, becoming a place of exchange both commercial and knowledge.

Follow the hole program of BAphoto 2019 day by day to not miss anything.

With a diverse and rich content proposal, BAphoto, the specialized photography fair that opens this afternoon and will take place until September 8, celebrates its 15th anniversary. From Arte Al Día, a guide so you don't miss seeing the most relevant stands of the fair.

En plena Ciudad de Buenos Aires hay un pedazo de litoral. El susurro denso de los grillos del campo húmedo reproduce un eco exhaustivo. En la sala se proyectan los testimonios de dos señoras mayores. Leemos lo que dicen en subtítulos porque los videos están silenciados. Los bichos del humedal monopolizan el espacio: el sonido se vuelve casi material en la sala.

Within the framework of the fifteenth anniversary of BAphoto specialized art fair -which will take place from September 6 to 8-, the National Museum of Fine Arts will present Formas de desmesura (Forms of excess), a collective exhibition that will explore the photographic device in contemporary art.

The Museum of Contemporary Art of Niterói (Rio de Janeiro, Brazil) convened, together with the curators Pablo León de la Barra and Raphael Fonseca, the Costa Rican artist Federico Herrero (San José, Costa Rica, 1978) to make an exhibition in relation to the specificity and ephemeral link in space. Tempo Aberto (Open Time) –in exhibition until December 8- blurs the limits of the exhibition, where it begins and where it ends, from both its spatial and temporal characteristics.

The art collection of Juan Carlos Maldonado, from Miami, is a treasure that runs through geometric abstraction and concretism with its social implications, mainly in South America and extended to the international scene.

Today at 7 pm, MM Gallery presents El Pez Rey and the O.A.S.Y.S Society (King Fish and the O.A.S.Y.S Society), a photographic research project by the Argentine artist Jesu Antuña. After almost two years of research over Italian Giuseppe Di Silvestro figure and his stay in Cañada Rosquín, Santa Fe province (Argentina), in the mid-twentieth century, the exhibition develops and extends the story and the symbols that surround it from the archive Photographic and historical documentation.

In a dialogue between techniques, rituals, mythologies and stories, Argentine artists Constanza Chiappini, Gonzalo Maggi and Julia Rosetti establish a story that challenges the present in the exhibition The first sword was a gift.

Within the framework of what was Radical Women exhibition that was given at the Hammer Museum, L.A., California, independent critic and curator Adriana Herrera Téllez reflects on the visibility of these artists and the legacy proposed by the catalog.

In BAphoto 2019, the Sasha D gallery presents thirty-five frames intervened by Carlos Alonso for an experimental film by Alejandro Mathe in 1960. The work, never before exhibited, is an exemplary piece that illustrates the avant-garde movements of the 60s and 70s in Argentina.

Elvis Fuentes reflects on Stories of Sexuality exhiition in the MASP and the importance of controversial art.

Diego Trulls, founder and producer of the CRUDO countercultural project, explains his relationship with art, the objectives for his interview channel and the desire to generate an audiovisual record of the international contemporary scene.

Within the framework of its ninety years and with a retrospective on display at the Kirchner Cultural Center, the Fine Arts National Museum of Buenos Aires pays tribute to the Argentine artist Julio Le Parc. Consecrated as one of the pioneers of op- art and kinetic art, the artist's first works in Buenos Aires and Paris are exhibited until November 17.

In a context of hyperinformation and image overproduction, José Antonio Navarrete reflected on the construction of meaning in contemporary visual arts from the artwork of Willy Castellanos.

The 2019 edition of the Florida Prize in Contemporary Art was held in Florida. After the selection of the ten most relevant artists of the local scene, Edison Peñafiel was awarded by the jury.

Within the 500 years of the foundation of Havana City, the Peruvian artist Sonia Cunliffe exhibits Lost Documents: Chernobyl Children in Cuba, an exhibition that reveals the transition of the victims of the most shocking nuclear tragedy in history as pacients in the humanitarian assistance program provided by the Central American country.

Argentine artist Constanza Oxenford presents Dimensions of the same, her second solo show at OdA, Art Gallery

Christie’s Education I New York opens the call for its Modern and Contemporary Art Certificate. Located at 1230 Avenue of the Americas, Christies’s Education offers the part-time certificate program on modern and contemporary art through academic and research study, and insertion into the New York agenda.

“I don’t paint to live, I live to paint.” — Nela Arias-Misson when asked about her refusal to sell her work.

Within the framework of City of The People program, the MDC Museum of Art and Design (MOAD) projects a series of feature films that reflect on the condition of urban communities and the implications of living in cities. Under the title of Real Utopias, every month a film will be screened until December.

Within the fourth edition of the Aichi Triennale, Mexican artist Pia Camil exhibits her curtain-installation Telón de Boca.

The auction house Hilario. Arts, Letters & Crafts presents the catalog of its winter auction: two issues of Borges Prisma magazine, a copy of The language of the Argentines, written by Borges and illustrated by Xul Solar, photographs by Martín Chambi and Marcos Zimmermmann and much more.

The Rolf Art gallery exhibits Falta compartida (Shared Absence). Conceived as a collective exhibition in collaboration with Mon Charpentier, eleven Latin American artists approach memory from diverse languages.

At his 90, the Kirchner Cultural Center presents the most important retrospective of Julio Le Parc. Main figure of optical art and international avant-garde, Julio Le Parc. A visionary will accompany the exhibition that is being set up by the National Museum of Fine Arts of Buenos Aires.

In the gallery Ruth Benzacar, Jorge Macchi's Cámara Traslúcida (Translucent Chamber) inaugurates the 3 of August. 

On Saturday, July 27, Carlos Cruz-Diez died in Paris. Recognized as one of the referents of Latin American kinetic art, the Venezuelan artist has made an invaluable contribution to theories of color and op art.

In Espacio Ftalo, Diego Cirulli reflects over the pictorial gesture and the "true" painting.

On exhibition at the Modern Art Museum of Buenos Aires until September 29, ¿Quién es esa chica? (Who's that girl ?), by Flavia Da Rin, is the first retrospective in a museum of one of the most relevant figures of the Argentine contemporary scene.

Since the beginning of the 80s, with the de-freezing of left wing projects, Cuban youth imagined a citizen urbanization. Between the traditional left and the imminent liberal capitalism, the so-called "sons of utopia" traced an absolutely original alternative. La utopía paralela (Parallel Utopia), in La Virreina Centro de la Imagen, brings together the heritage of a critical and partially forgotten generation.

Consecrated as one of the most relevant contemporary artists of the Latin American scene, Magdalena Fernández exhibits more than twenty artworks from her last decade and two site-specific installations at the Museo Amparo.

A series of photographs by Brazilian photojournalist Sebastião Salgado will be shown at the Sesc exhibition space in São Paulo.

"The Scottish artist Andy Goldsworthy said that his art school was not the academy but the beach. Mine was the VCR," wrote Leandro Erlich in the framework of his exhibition Coming Soon, in Ruth Benzacar.

In the National Museum of Fine Arts, in Buenos Aires, a retrospective exhibition honors one of the greatest exponents of Latin American painting. Pedro Figari: myth and creation.

The Museum of Contemporary Art of Panama presents El Color haciéndose, a retrospective exhibition by the Venezuelan artist Carlos Cruz-Diez, one of the greatest referents of kinetic art.

At the Museum of Latin American Art of Buenos Aires (MALBA), Leandro Erlich presents an exhibition that brings together his most important artworks since the mid-90s to the present.

Pavel Acosta presents at the UW Art Musemo of the University of Wyoming a series of artworks that dialogue with art history.  

Germán Botero's sculpture in the Memory Park of the City of Buenos Aires inaugurated. The Colombian artist artwork, Huaca, is the ninth sculpture placed since the creation of public space.

The Es Baluard Collection presents an exhibition at the EACC Espai d'Art Contemporani in Castelló that explores the connotations around the Mediterranean Sea.

Problems between the genius artist myth and the woman sign. Review of Gachi Rosati's Ver la diferencia (See the difference) exhibition at Lanzallamas Art Space.

Ruth Benzacar Gallery presents Próximamente (Coming Soon), an individual exhibition by the Argentine artist Leandro Erlich. Doing a retrospective in his own creative process, the renowned contemporary artist turns to painting and the world of cinema, the two fields he went through in his adolescence.

At France National Library in Paris, a tribute is paid to the renowned Argentine artist, Antonio Seguí. From the pictorial to the narrative, the game of the exhibition reflects Seguí's search for a redefinition of mankind.

To celebrate the 100th anniversary of the creation of the Bauhaus, the Coral Gables Museum (Miami, Florida) presents America Weaves, a collective exhibition that brings together textile artists from all over the Americas.

More than twenty artworks of Rafael Soriano's figurative period are exhibited in the Art Museum of the Americas. Putting  focus on the mystical and spiritual conception of the Cuban painter, Rafael Soriano: Cabezas (Heads) highlight the metaphysical language of one of the greatest artists of the 20th century.

An exhibition at the Patricia & Phillip Frost Art Museum of the Florida International University (FIU) brings together a series of books made by artists from diverse disciplines.

Magdalena Jitrik presents in waldengallery a dialogue between paintings made in the 90s and her most recent works.

Conceptual artist Teresa Margolles (Mexico, 1963) and the Patricia Phelps of Cisneros Research Institute presents On Human Displacement, at MoMA. A lecture on artistic and cultural production related to urban centers with armed border conflicts.

Leandro Erlich, the artist who questions the look. A profile made by Victoria Verlichak.

At Leme gallery, the artworks of Luciano Figueiredo and Raymundo Collares trace a parallel journey through the Brazilian art of the 70s.

The Buenos Aires National Museum of Fine Arts exhibits a retrospective exhibition of the renowned painter Carlos Alonso (Mendoza Province, 1929).

With two weeks left before the inauguration of BAphoto 2019, artists, gallery owners and journalists gathered at the Duhau-Park Hyatt Palace in Buenos Aires to learn about the programming and news of the fifteenth edition of the most important photography fair in Latin America.

Margarita Sánchez Prieto illustrates the work and thought of the renowned Argentine artist, Dolores Cáceres.

The Modern Art Museum of Medellin dedicates an exhibition to its collection. Initiated thirty years ago with the founding gesture of artists and entrepreneurs, the last decade of the Museum in its current location in Cuidad del Río, was based on giving continuity and expansion to its collection.

In the quest to understand one of the functions of art in the 21st century, the Istitute of Contemporary Art of Miami opens the inscriptions for its summer intesivo of the Art + Research Center.

At the Cornell Art Museum in Florida, seven artists from different regions of the world appropriate the museum with sitespecific installations that intervene and resignify the space.

The curator and art critic Adriana Herrera takes a tour of the prlifica career of the Brazilian artist Lydia Okumura.

Brazilian curator, art critic and  journalist Angélica de Moraes drew a portrait of the multimedia artist Túlio Pinto. Taking the substantial elements of the career of the artist born in Brasilia, de Moraes illustrates with her words the profile of one of the most interesting protagonists of the contemporary Latin American scene.

The visual artist, writer, and filmmaker spoke with Julia P. Herzberg for Arte al Día about his work process, his interest in photography and its boundaries.

At the Venice Biennale, Facundo Uribe built a plastic coral reef to rethink climatic conditions and the responsibilities of humans in relation to plastic waste.

For the first time, painters and potters from indigenous Amazonian villages had a special space at the PArC fair.

The painting "Un assis à la corbeille de pommes", from 1925, was donated to the Museum by the designer and artist Alberto Churba. It will be shown next to a painting by Pablo Picasso.

On May 14, Hilario Experience VI will take place! The gallery auctions more than 200 unique pieces of art, literature, history and photography. Find the catalog and the best of the auction here.

The 55project brings to the Pablo Atchugarry Foundation an exhibition to rethink and build Brazilian history.

At a gala with special guests, artists and collectors, David Charpenel and El Museo del Barrio team celebrated the 50 years of the museum creation.

Argentine artist Irene Kopelman presents Puntos Cardinales (Cardinal Points) at the Mexican LABOR gallery. Between art and the natural sciences, Kopelman presents an artwork that approaches the scientific field from an original perspective.