Within the framework of the Desert Exhibition of Art, a site-specific project where contemporary artists build large-scale installations in the desert, the Mexican artist Pía Camil (Mexico City 1980) presents Lover's Rainbow: a mega structure in the shape of a rainbow in the middle of the desert.

The Academy of Fine Arts of Macereta awarded the Chilean artist Alfredo Jaar with the 2019 Josef Svoboda Prize of Artistic and Creative Talent. In addition, the institution recognized him as Doctor Honoris Causa of the academy.

On March 27, the Bronx Museum (NY, USA) will present a collective exhibition that will focus on the role of human beings and their growing uselessness in an increasingly automated society. Useless: Machines for Dreaming, Thinking, and Seeing focuses on the long tradition of thought that characterized philosophers and writers who praised "uselessness" as a means to achieve spirituality.

The third edition of the Marcos Amaro Art Prize opens its inscriptions. Delivered by the Marcos Amaro Foundation (San Pablo, Brazil), the prize aims to promote contemporary artistic production by promoting the career of artists of medium career whose production is characterized by technical and narrative innovation.

With the eyes set on the future and the feet in the present, the second edition of the International Women's Film Festival takes place in Madrid (Spain). Committed with the training and education on the issues that threaten women, their role and their capabilities within the film industry, from March 25 to 31^st, the Spanish capital will witness more than 40 screenings of films written, directed, interpreted and produced by women.

The Sala Alcalá 31 of the Comunidad de Madrid presents on February 25^th the Latinoamérica en las colecciones CA2M y Fundación ARCO (Latin American art in the CA2M and ARCO Foundation collections) exhibition. Under Manuel Segade’s curatorship, the exhibition includes productions of emerging and consecrated artists -some, even, never seen- that will be exhibited until April 29.

With te presentation of Hasta que te conocí (Until I met you), the Colombian artist Gabriel Mejía Abad exhibits his most recent sculptural productions. Constituted as an individual exhibition at (bis) gallery  (Cali, Colombia), space that the artist inaugurated in 2014, Hasta que te conocí inaugurates this afternoon and will take place until March 22.

The National Association of Latino Arts and Cultures (NALAC) celebrated the first scholarship awards for Puerto Rican artists. Thanks to the NALAC Fund For the Arts, ten projects presented by Puerto Rican artists will benefit from $ 25,000 to produce their works within the Caribbean country.

On February 13^th, the Americas Society presents Victoria Cabezas and Priscilla Monge: Give Me What You Ask For. Under Miguel A. López curatorship, it is the first time that the artworks of these two Costa Rican artists of different generations -Victoria Cabezas (1950) and Priscilla Monge (1968) - meet in the same space to establish a dialogue about the feminine role in contemporary art.

The first Vilcek Prize for Excellence was presented to the Chilean curator, Carmen C. Bambach. The award consists of recognizing the work of an immigrant who has developed a work with visible and positive effects on American society and the global scene. In addition, the person awarded receives a benefit of 100,000 U$D.

At Lab 3, the sound experimentation room in the Medellín Museum of Modern Art (MAMM) , the experimental installation Polifotonía by the Colombian artist Alba Fernanda Triana is exhibited. Visualizing the sound, Triana mutates the sonorous language into other, but without leaving a side the music essential qualities: time, frequency, rhythm, form, texture and density.

José Ángel Toirac was awarded with the National Prize for Plastic Arts in Havana, Cuba. This means the greatest recognition that the Caribbean country gives to Cuban artists. The celebration was held on January 26 in front of an imposing jury: Eduardo Roca Salazar (Choco), previous winner of the award, and the artists José Manuel Fors, Ever Fonseca, Ernesto Fernández, José Villa, Osneldo García, Nelson Domínguez, Pedro of Oraá and Lázaro Saavedra, among other artists. In addition, curators Hilda María Rodríguez, Maikel Rodríguez Calviño and Gabriela Hernández participated in the jury.

Since October 17^th at the National Museum of Arts Reina Sofía (Madrid), Hospicio de utopías fallidas (Hospice of Failed Utopias) retrospective of Luis Camnitzer, is exhibited. Under the curatorship of Octavio Zaya, the exhibition aims to provide an integral look over the German-Uruguayan artist, essayist, composer and pedagogue artworks.

Less than a week away, Mexico City prepares for the most relevant art fair in Latin America. The 16th edition of ZONAMACO México Contemporary Art will be held from February 6 to 10 and will bring together more than 180 galleries from around the world. The works exhibited at the fair range from historical archives and works by modern artists to contemporary productions.

May You Live in Interesting Times, the motto that Ralph Rugoff selected to use as theoretical-creative frame of the 58^th Venice Biennale fits extraordinary in the Brazilian Pavilion. Represented by the curator Gabriel Pérez-Barreiro and the duo of artists Bárbara Wanger & Benjamin de Burca (working partners since 2011), the Latin-American country will assume a very important political and social role in Venice reflecting the deepest traits of post-colonial and contemporary Brazilian culture, in its jewels as well in its decadences.

The Institute of Contemporary Art (ICA) of the University of Pennsylvania will hold three presentations with the purpose of addressing political and social problems from new narratives. One of these exhibitions will feature the work of artist Cecilia Vicuña. Organized by Assistant Curator Meg Onli, the Chilean artist will exhibit Cecilia Vicuña: About to Happen from February 1^st to March 31^st.

With the collaboration of the Univerity of Southern California, the Cuban artist Enrique Martínez Celaya will develop, from February 6, The Lecture Project. With previous accomplishments in his studio in Miami during the years 2010, 2011 and 2012, the renowned thinkers, philosophers, historians and writers that are part of the program will give their lectures at Martinez Celaya’s studio in Culver City, California. Although there was a change of location, the program has not changed its thematic axis: reflect over the link between art and ethics.

On February 2^nd  at Estancia FEMSA- Casa Luis Barragán, the curator Inti Guerrero inaugurates FRACCIONAR (FRACTIONATE), a multidisciplinar and collective exhibition. In order to build a universe that generates a reinterpretation of the modernist house -sanctuary of global architecture- built in 1948 in Mexico City, the exhibition brings together artworks of living artists and others that have transcended; design furniture and historical documentation.

Regarding the participation of Peru as the guest country at ARCOmadrid 2019, the Jan Mulder Collection presents the Estratos de un paisaje (Layers of a landscape) exhibition at Casa de las Américas in Madrid. Positioned as one of the most outstanding collectors of Peruvian and Latin American photography in the world, Jan Mulder brings to Spain 108 essential artworks for the evolution of the photographic medium in the Peruvian contemporary scene.

On January 30^th at Es Baluard Museu d'Art Modern i Contemporani de Palma (Palma de Mallorca), the most developed artistic productions in the contemporary scene will share a room with traditional artworks by world and historically recognized artists.

On February 1^st, the University Galleries at Florida Atlantic University’s (FAU) Dorothy F. Schmidt College of Arts and Letters presents Black Mirror, and other Third World reflections-selections from the Mario Cader-Frech Collection. The exhibition will take place from February 1^st to March 16^th at the Ritter Art Gallery, and from February 15^th to April 6^th at the Boca Raton Campus.

In its 23^rd edition, the Arco Foundation "A" Awards for Collecting announced the winners. From individual private collectors to museums, the winners were six: Cleusa Garfinkel; CAAC MALI, Museum of Art of Lima; The Meadows Foundation; Bank of Spain Collection; H.E.F. Collection, Juan Entrecanales Azcárate, and Kells Collection (Juan Manuel Elizalde and Choli Fuentes). 

Since January 19^th, in the space recently inaugurated by the Murilo Castro Gallery (Belo Horizonte, Brazil) in Miami, artist Marcos Coelho Benjamin presents Aimless Geometry. Constituted by a series of sculptures, the exhibition will remain in the gallery until February 23^rd.

From January 30 to April 21^st, Galeria do Torreão Nascente de la Cordoaria, in Lisbon, presents Criteria. Under the curatorship of the curator and Portuguese art teacher Miguel von Hafe Pérez, the exhibition will be made thanks to the collection of works from the ARCO / IFEMA Foundation Collection.

Within the 12^th Shanghai Biennial, the Colombian artist Miguel Ángel Rojas (Bogotá 1946) presented New El Dorado (A Wild Economy), two satellite photographs intervened and transformed into a mural. Under María Belén Sáez curatorship the artwork is inscribed in the PRO-REGRESS curatorial concept proposed by the Mexican curator Cuauhtémoc Medina in charge of the biennial curatorship.

As a part of the De gira por España (Touring Spain) cycle that the National Museum of the Prado celebrates for its bicentennial - during a month a painting of special relevance of the collection of the Prado Museum leaves its usual space to visit different museums of the country-, the Spanish Museum of Abstract Art of Cuenca receives in its rooms Francisco de Zurbarán’s San Francisco en oración (Saint Francis in prayer, 1659). Between the 22^nd of January and the 17^th of February Zurbarán’s artwork will give place to Un maestro antiguo entre artistas contemporáneos: Zurbarán en el Museo de Arte Abstracto Español (An ancient master among contemporary artists: Zurbarán in the Spanish Museum of Abstract Art) exhibition.

With an inauguration on January 9^th at Punta del Este space of Galería del Paseo, the Argentine painter Juan José Cambre exhibited a series of works made in recent times. Cambre's geometric paintings occupied Galería del Paseo until yesterday afternoon, forming part of a series of short-term exhibitions.

Until February 11^th, the Instituto Cultural Peruano Norteamericano (ICPNA) opens the call for the ICPNA Contemporary Art Award 2019. Destined for Peruvian and foreign artists residing in Peru, the winner of the 2019 edition will be awarded with S / 30,000 (thirty thousand soles) and an individual exhibition.

At El Museo del Barrio (New York, USA) February brings an unprecedented exhibition of the Chilean visual artist Alejandro Jodorowsky (Tocopilla, 1929). Best known for his filmography, under the curatorship of María Inés Rodríguez Jodorowsky will present at El Museo a series of literary works and visual archives that were never published. In addition, records of his theatrical works and performances made in Paris throughout the 50s within the Panic movement will be exhibited.

On January 22^nd at the New Museum of Contemporary Art in New York, the Mexican artist Mariana Castillo Deball (Mexico City, 1975) presents Finding Oneself Outside. Under Natalie Bell’s curatorship, the exhibition aims to describe the consequent sensations of study and experience in foreign cultures.

With only months lasting for the most important event of the international art scene, Venice is preparing to celebrate the 58^th Venice Biennial. Founded at the end of the 19th century, the Italian city biennial reinvents itself every two years to summon the most outstanding figures of the contemporary scene. Under Ralph Ruggof general curator of the biennial proposal, May You Live in Interesting Times will is the leitmotiv which will transform Venice from May to November inti an art factory.

Since January 2^nd at Galería del Paseo (Punta del Este, Uruguay), Cynthia Cohen presents Un jardín sobre una playa, una playa sobre una ciudad, una ciudad sobre un cerro (A garden on a beach, a beach on a city, a city on a hill) exhibition.

Until February the 3^rd, at La Virreina Center de la Imatge (Barcelona, Spain), a retrospective dedicated to Chilean artist Lorenza Böttner (Punta Arenas, Chile, 1959 - Munich, Germany, 1994) is exhibited. Consequence of a co-production between La Virreina Center de la Imatge and the Württembergischer Kunstverein Stuttgart (Stuttgart, Germany), the exhibition inaugurated in early November and was conceived under Paul B. Preciado’s curatorship with Viktor Neumann, Pere Pedrals and Andrea Linnenkohl collaboration.

Since January 23^rd at El Museo del Barrio (New York, USA) the year begins with Italian-Argentinean artist Lucio Fontana’s Ambiente Spaziale (Spacial Environment) exhibition.

Looking forward for the 34^th São Paulo Biennial that will take place in 2020, the Fundação Bienal de São Paulo appointed Italian Jacopo Crivelli Visconti as the general curator of the biennial. Independent critic and curator, Crivelli Visconti lives in the Brazilian city where he completed a PhD in architecture at the Universidade de São Paulo.

Saturday, January 5^th is the last day to visit the Cuban artist Gustavo Pérez Monzón exhibition at the Richard Saltoun Gallery, located in London. This exhibition does not only mean the artist's debut in the United Kingdom, but it is also his return after a recess of artistic production of more than thirty years.

The renowned Spanish sculptor, Aurora Cañero, returns to Chile after 13 years, with a stunning exhibition of her sculptures. The exhibition will take place at Aninat Galería de Arte main room with its inauguration on January 16^th and a closing on March 12^th.

With the aim of promoting the visualization of outstanding artists, the works of those who were awarded with the National Prize for Artistic Trajectory -recognition granted by the Argentine State through the Buenos Aires Fine Arts National Museum (MNBA) - are exhibited at the National Hall of the MNBA. After five decades, the museum takes up this experience.

The reasoned catalog of the Coloritmos by Alejandro Otero is published in Caracas, a volume with more than three hundred pages that delves for the first time into a chapter little studied and of great value for the Venezuelan and Latin American art of the XX century.

This afternoon at Galería del Paseo in Punta del Este (Uruguay), the gallery located in Manantiales neighborhood will screen THEM documentary record, a co-directed play by Liliana Porter and Ana Tiscornia. The play premiere had place a few weeks ago at The Kitchen (New York) theater, a stage that has seen some of the most important figures of the artistic avant-garde.

Narciso plebeyo is the title chosen for the Pablo Suárez (1937-2006) exhibition curated by Jimena Ferreiro and Rafael Cippolini at the Museum of Latin American Art of Buenos Aires (MALBA). From the part towards the whole, the sculptural installation Narciso de Mataderos (1984-1985) projects as a key to look at the whole of the portrait of a subjectivity, which in each work is imbricated with the folds of a social history. In these folds the plebeian appears as a program of intervention in the art system and as a torsion of the artistic canon. The biographical effect of the exhibition reflects a work of collective memory carried out by those who knew it and contributed to the historical thickness of the exhibition.

After a meeting of the Venice Biennale Board, the 17^th International Architecture Exhibition to be held in 2020 has a new curator: Hashim Sarkis. Recommended by Paolo Baratta, director of the Venice Biennale Board, Sarkis was appointed director of the Architecture Sector of the Biennial.

During Miami Art Week some of the most important fairs of the modern and contemporary art international scene were celebrated. This is the case of PINTA Miami, the fair committed to the support and visibility of Latin American art within the international focus. With a phenomenal growth during its fifth edition at the Mana Wynwood Convention Center, the results of PINTA Miami 2018 are the projection of its increasingly reputation in the international circuit.

Since May 17^th at the Jumex Museum (Mexico City, Mexico) they present an unprecedented exhibition. Apariencia desnuda: el deseo y el objeto en la obra de Marcel Duchamp y Jeff Koons, aun (Nude appearance: desire and object in the work of Marcel Duchamp and Jeff Koons, still) curated by Massimiliano Gioni, is an exhibition that explores the parallels between two of the most influential artists of the 20th century.

Entering Delia Cancela. Reina de corazones (Delia Cancela. Queen of hearts), exhibition curated by Carla Barbero at Buenos Aires Museum of Modern Art, we are greeted by a painting with curved contours. Inward, large planes of primary colors oppress a face with absorbed eyes; outward, those planes push against the edges like a cloud in the instant before losing its contour. In Mujer y nubes (Woman and Clouds), of 1965, the formal synthesis of a pin-up figure and the effects of reverie annotated, with stereotypical signs, by a camp consciousness converge. The piece realized in co-authorship with Pablo Mesejean was, perhaps, chosen for the position it occupies by knotting three tenacious lines in Cancela’s production: visual mass culture, representations of femininity and visualized fantasy as an expanding force.

During yesterday and today afternoon, with the purpose of celebrating the UTDT 2018 Film Program held at the Torcuato Ditella University (Buenos Aires, Argentina), Con la vista nublada no se ve nada (With a cloudy sight nothing is seen) is a collective exhibition where the program participants project and exhibit the work during the year. Also, works of artists invited to the 2018 edition and previous years are exhibited.

At Diablo Rosso think tank and art space located in the center of Panama City in Panama, the Costa Rican artist Fabrizio Arritea (Costa Rica, 1982) presents since December 1^st La Tierra era Plana (The Earth Was Flat), an individual exhibition that explores the meaning production generated by social media and their effects over people acting or thinking.

On Air is the fourth edition of the carte blanche exhibition series that offers selected artists the opportunity to appropriate all the exhibition spaces of the Palais de Tokyo, in Paris. For the occasion, Tomás Saraceno has made his greatest project to date which brings together some of his main works, installations and unpublished creations. An interactive project that links art and science and that makes the Palais de Tokyo a place of unique sensory experience. This multidisciplinary purpose continues the artist's research on the relationship between humans and non-humans. A collaborative and evolutionary project designed to imagine new ways of inhabiting the world.

Within the framework of what it was Madrid Gallery Weekend 2018, Elena Azzedin – AADK Spain curator and Residency Program Director- and gallerist Blanca Soto presented Spy holl exhibition by the Spanish artist Sergio Sotomayor. Showing that contemporary art creation centers are no longer limited to large cities, the residential program of AADK Spain has been developed for four years in the rural area of ​​Blanca, Murcia (Spain). "At the present time it is necessary to think from the local to the global", explains Azzedin.

In addition to Clorindo Testa’s individual exhibition the Fine Arts National Museum (MNBA) of Buenos Aires (Argentina) inaugurates En Tránsito. Fotografías de la colección del Museo Nacional de Bellas Artes (In Transit. Photographs from the Fine Arts National Museum collection). After passing through Córdoba and Mendoza provinces, the photographs of Henri Cartier Bresson, Graciela Iturbide and Sara Facio, among other renowned artists who make up the MNBA collection, will be exhibited since tomorrow on the second floor of the museum.

Tomorrow at the Jumex Museum, the North American artist Michael Smith presents ¡Imagina la vista desde aquí! (¡Imagine the view from here!), an exhibition that represents aging, failure and enthusiasm based on the aspirational construction of corporate and institutional culture.

In order to celebrate the opening of its second space in Miami, Florida, Pablo Atchugarry Foundation (Uruguay) presents a retrospective exhibition of the Uruguayan artist José Pedro Costigliolo (1902-1985). Forerunner of non-figurative art, Costigliolo's contribution to geometric abstraction development -movement emerged mainly in Latin America- has been recognized internationally. Raised as a retrospective that explores the changes and evolutions of the Uruguayan artist, La Vida de las Formas (The Life of The Forms) opens the foundation new headquarters at Miami on December 29.

On December 11^th, at the Fine Arts National Museum (MNBA) of Beuenos Aires (Argentina), inaugurates an exhaustive exhibition of Italian-Argentinean plastic artist and architect, Clorindo Testa. Bringing together artworks from 1968 onwards the aim of the exhibition is to pay tribute to one of the most important figures of the Argentinean 20th century, his work and legacy in the South American country.

In the framework of Art Basel Miami, Doral government inaugurated yesterday the Urban Art Project for pedestrians Pedestriart conceived by Cuban artist Leonel Matheu. Stimulating the awareness of pedestrians through iconographies, the project aims to represent traffic signals from their shapes and color coding. With the inauguration at Downtown Doral Park yesterday afternoon the installation proposes a creative and interactive experience for the community.

Inaugurated on November 13^th, the New York gallery Kurimanzutto presents Signals: If You Like I Shall Grow (Part II), a collective exhibition that brings together the work of artists such as David Medal, Mira Schendel, Alejandro Otero, Jesus Rafael Soto, Sergio de Camargo , Lygia Clark and Liliane Lijn, among others. On exhibition until January 21^st, the show commemorates the innovative spirit of the consecrated Signals London gallery (1964-1966).

The Artbook Editions, Unlimited-Limited  # 6, print by Antoni Miralda, New World Foods lighting the Old World pays homage to the creative community that frequented El Internacional Tapas Bar & Restaurant, the now legendary postmodern restaurant which the artist launched in Tribeca with Chef Montse Guillén in 1984. El Internacional combined avant-garde artistry and food, becoming an iconic symbol of New York in the 1980s through its nightly explorations of cross-cultural, trans-disciplinary aesthetics.

At Henrique Faria Gallery of Buenos Aires, the artist and curator Osvaldo Romberg (Buenos Aires, 1938) presents Estudios de color: Del análisis a la metáfora (Color Studies: From analysis to metaphor). Product of a formal search during a specific period of the Argentine artist, the exhibition exhibited at the gallery located in Retiro neighborhood joins together more than fifteen exceptional artworks of Romberg's career.

At the HACHE gallery in Buenos Aires, an individual exhibition by Diego Figueroa inaugurated. Mi Reina (My Queen) is the first exhibition of the Argentine artist exhibited in the gallery. From intertextualities with canonical works of art history, Figueroa wanders between the "legitimate" concept –introduced by the French thinker Pierre Bourdieu- and the popular.

From December 14^th to February 21^st at Sala Gasco Contemporary Art, in Santiago de Chile, the artists Jorge Brantmayer, Víctor Castillo, Catalina González, Angie Saiz and Joaquín Segura present Postrauma. Under Saiz curatorship the exhibition aims to illustrate the multiple expressions after traumatic experiences.

The Chilean AMA Foundation, better known as FAMA, donated to New York’s Museum of Modern Art (MoMA) Ocean, 33 ° 02'47 "S / 51 ° 04'00" N, the Chilean artist Enrique Ramírez artwork. The reason for the donation is the celebration of the tenth anniversary of the foundation.

Supported by Christopher Grimes Projects, large-scale artistic and architectural projects promoter organization, the artist Iñigo Manglano-Ovalle (Madrid, 1961) completed a site-specific installation at the Texas A&M College of Engineering at to inaugurate the new program of art in said institution.

At the Modern Art Museum of Buenos Aires (MAMBA), an individual exhibition of Argentine artist Mercedes Azpilicueta is exhibited until 3^rd of March. Through video installations and sound pieces, Cuerpos Pájaros (Birds Bodies) explores the hidden resources of expression: gestures, breathing and tone.

Within the framework of the tenth SIART International Art Biennial, in Bolivia, which ends tomorrow, the artist Sonia Cunliffe represented Peru with the El Guerrillero Heroíco project. Through the archival photography and the appropriation of objects, the Peruvian artist reconstructs the revolutionary political scene in Latin America after the Cuban revolution.

Under Ariel Jimenez curatorship, the Juan Carlos Maldonado Art Collection (JCMAC) presents Convergences / Divergences, Primitve Source of The Modern. The exhibition opens on Friday, November 30 - within the framework of  Miami’s art week - in the Miami Design District Center of the organization and will take place until May 4th, 2019.

As a closing of what was Escuela Flora 2018 program, FLORA ars + natura opens its doors with The Cat is Killing the Birds, but I Love her Anyway collective exhibition. After a collective exchange carried out in the Bogota (Colombia) headquarters, more than twenty Latin American artists exhibit their work.

Filled with artworks and prototypes for his next individual exhibition in La Boca neighborhood, Gonzalo Maggi’s studio-house in Villa General Miter remains hidden like a small museum. Behind two monitors, in front of the library, the young Argentinean artist takes a review over the works he has been doing throughout his career. Graduated from the Universidad del Cine almost a decade ago, Maggi changed cinema for the photography, but his production processes have more cinematographic filming than anything else.

This afternoon at the Museum of Latin American Art of Buenos Aires (MALBA) auditorium, under the exhibition curator Jimena Ferreiro’s and Rafael Cippolini’s tutelage inaugurates Pablo Suárez. Narciso Plebeyo. Constituted as a huge retrospective of the South American artist Pablo Suárez (Buenos Aires, 1937-2006), the exhibition will be exhibited in the museum until February 18^th.

With a collective exhibition titled This is Brazil, the prestigious Galeria Murilo Castro Gallery inaugurated its new space based in Miami. The expansion not only means an opening to the international market, but also as the positioning as a one of the most important galleries in Brazil.

Within the framework of the collective exhibition Lydia Cabrera and Édouard Glissant: Trembling Thinking opened in October at the America Society / Council of the Americas (ASCOA) gallery, the artists Tania Bruguera and Hans Ulrich Obrist will carry out a discussion that will revolve around it.

The Fondation Cartier explores the diversity of Latin America modern art through Géométries Sud, du Mexique à la Terre de Feu, enhancing the richness and variety of ornaments, colors and figures in southern continent art. Gathering about 250 works from pre-Columbian period to the most contemporary productions, including popular art, abstract art, ceramics, sculpture, architecture and basketry, the exposition investigates the multiple forms of geometric abstraction in Latin America, which are inspired in pre-Columbian art, European avant-garde’s or in indigenous cultures still alive.

In the framework of the 2018 Ciudad Pantalla Festival, Die Ecke Arte Contemporáni Chilean gallery announces its participation with Nicolás Rupcich video art CHEPU. On exhibition until January 25^th, the festival inaugurates tomorrow as part of the LOOP Barcelona Fair.

Until March 10^th, at Buenos Aires Museum Modern Art,Nicolás Mastracchio’ssolo show Pulso is presented. With artworks hanging from the ceiling, the Argentine artist creates an ecosystem where the viewer turns his entire body to space.

To close its 2018 program, Galería Leme presents an individual exhibition by Mauro Piva (Rio de Janeiro, 1977). Bringing together the most recent productions of the Brazilian artist, the space of the gallery is intervened by six paintings, eight sculptures and a large scale site-specific installation.

Until December 10^th, at TEORéTica space, Ejercicios de Autonomía (Autonomy Exercises) collective exhibition of Costa Rican artists Priscilla Monge and Victoria Cabezas is presented. Under the curatorship of Miguel Ángel López the works of each one are opposed in a constant symbolic confrontation.

At the Bombas Gens Centre d’Art in Valencia, inaugurates tomorrow a solo show by the Norwegian artist Anna-Eva Bergman (1909-1987). Under the curatorship of Nuria Enguita and Christine Lamonthe, Fom North to South, Rythmswill be open to the public until May 2019 in the Spanish cultural center.

Tony Bechara, El Museo del Barrio's esteemed Chair Emeritus of the Board of Trustees, has made a gift of one million dollars to support the museum's growing curatorial and education programs, as well as its endowment.

Until January 13^th at Estancia FEMSA and Casa Luis Barragán an individual exhibition of the renowned Danish artist Danh Vo (Bà Rịa, Vietnam, 1975) is presented. Constructed by pieces and interventions created especially for this venue, Jardín con palomas al vuelo (Garden with pigeons) explores the architecture and the life of the objects and people who have inhabited Casa Luis Barragán a long it’s history.

Until December 2^nd at the Jumex Museum in Mexico Los robots no lloran,(Robots don’t cry)  unprecedented exhibition produced by Mexican artist Pedro Reyes is presented. As a "puppet artwork", the play is a dialogue performed by puppets representing contemporary public figures such as Noam Chomsky, Karl Marx, Elon Mus, Ayn Ran and Donald Trump.

I Don’t Wanna Wait for Our Lives to Be Over marks the first solo museum exhibition in the United States for Manuel Solano. Working across mediums, Solano explores issues of identity and its formation by drawing from their personal life, memories, and popular culture. The exhibition will be open until April 14^th.

Until November 25, on the sixth floor of a business building in Buenos Aires City (928 Lenado N. Alem street), a sui generis collective exhibition within the Argentine contemporary scene opened. With the participation of ten of the most outstanding plastic artists since 2000 -Juan Becú, Florencia Bohtlingk, Laura Codega, Max Gómez Canle, Vicente Grondona, Máximo Pedraza, Tiziana Pierri, Déborah Pruden, Nahuel Vecino and Lorena Ventimiglia-, Le Le Lend inaugurated two weeks ago as a self-curated show.

For the second year in a row, the Fundo Las Cabras gardens(Requínoa, Chile) will host the Thirteen Gardens Art Encounte. With the participation of more than forty Latin American artists, including Alejandro Quiroga, Paula de Solminihac, Álvaro Muñoz Fátima Pecci, Catalina Andonie, Ignacio Gumucio, Esperanza Rojo, Hugo Leonello, Antonia Daiber, Bastián Arce and Amanda Hansen, the meeting will begin in November 10 and will remain until the 18th of the same month.

Until November 13th at Espacio El Dorado (Bogotá, Colombia), international collective exhibition Unidad Mínima (Minimum Unit) is exhibited. The exposition is formed by a wide range of Latin American artists and spaces from the region -UV Estudios (Buenos Aires), Sagrada Mercancía (Santiago de Chile), KM 0.2 (San Juan de Puerto Rico) and Espacio El Dorado-.

Under president of the Botín Visual Arts Advisory Committee Foundation Vicente Todolí's curatorship, Cristina Iglesias: Interspaces is exhibited as a large-scale individual exhibition of one of the most recognized Spanish artists on the international scene. Including her most recent works, the sample condenses a large part of Iglesias' career.

From an extreme dialogue with the physical space of the Museo MAR (Mar del Plata, Argentina), Cristián Segura presents three large scale photography and a documentary short film that illustrate the site-specific performance carried out during 2017 in the museum. X-Museum has been produced by the Tandil artist for the museum’s special request so to be exhibited for a whole year (from December 15^th, 2017, to December 15^th, 2018).

Since immemorial times, the thread has fascinated and inspired artists and poets, and mythology has developed incessantly its mysteries: The Ariadne thread, the Moebius ribbon ...

Until January 16, 2019, the KW Institute for Contemporary Art holds a large-scale retrospective of the world-renowned Colombian artist Beatriz González (Bucaramanga, 1938). The space located in Berlin exhibits more than sixty years of production housing 120 works of the Colombian artist during 1965-2017 period.

The 11th Hiroshima Art Prize, awarded by the Japanese city since 1989, has selected the Chilean artist, architect and filmmaker Alfredo Jaar as the winner of 2019. Every three years, the award is given to an artist who has contributed throughout his career with peace construction.

Until November 24, at the Museum of Visual Arts (Bogotá, Colombia) exhibits Ánima(l), a thougth on human-animal relations, a collective exhibition that emerged from the research-creation project held at the School of Arts of Utadeo Poéticas de lo cotidiano, estéticas de la vida (Everyday Poetics, Life Aesthetics) which involved teachers, students and graduates of the School, along with other guests.

Yesterday at ROLF ART Gallery (Buenos Aires, Argentina) inaugurated Una memoria Tosca (A Rough Memory), RES individual exhibition with the collaboration of Guillermo Galíndez and Osvaldo Ruiz. Referring to the Cordobazo events on May 29, 1969, RES work questions the drained intervals of memory and memory in related to insurrectionary events.

The XIII FEMSA Biennial- We Have Never Been Contemporary held in Zacatecas, Mexico, opened on October 25^th with a novelty: a model of collaborative work among all cultural institutions in the state of Zacatecas. In this way, the Biennial establishes a dialogue from local towards the global cultural context.

The Art Museum of the Americas (OAS AMA) and the Permanent Mission of Peru to the OAS present Amazogramas an individual exhibition by the Peruvian photographer Roberto Huarcaya. Under the curatorship of Alejandro Castellote, large-scale works exhibition of Huarcaya opens on November 15^th and will remain in the museum until January 27^th.

At the Museu d'Art Contemporani de Barcelona (MACBA), the collective exhibition In the Open or in Stealth curated by Raqs Media Collective proposes a space for temporary exploration where the future is constituted from diverse histories and geographies. Established this dialogue, the exhibition presents a series of possibilities, relationships and interconnected paths.

The Mercosul Biennial of Visual Arts Foundation announced the Argentine curator Andrea Giunta as the chief curator of the exhibition that will be held at the Art Museum of Rio Grande do Sul and Santander Cultural (Porto Alegre, Brazil) on April 9^th to July 5^th, 2020. With a critical eye, the election of Giunta involves the links between art, feminism and emancipation exploration.

On November 2^nd Tres (Three) colective exhibition by Julio Alan Lepez, Paz Bardi and Santiago Erausquin, is held at the new Espacio Ftalo, located in Gorriti 3864 Street (Buenos Aires, Argentina), beein this the first collective exhibition of paintings in the space. Originated as an interdisciplinary project for the visualization of contemporary works, mainly figurative, Ftal opens its doors for third times in the year.