Cantor Fitzgerald Gallery, Haverford College - March 20–May 1, 2015
In a 1976 interview with New Yorker writer Calvin Tomkins, composer John Cage proclaimed, "I am going toward violence rather than tenderness, hell rather than heaven, ugly rather than beautiful, impure rather than pure—because by doing these things they become transformed, and we become transformed."
Moderno: Design for Living in Brazil, Mexico, and Venezuela, 1940-1978 - On View at Americas Society February 11 through May 16, 2015
“1400 artists exhibited, 150 in France and 82 abroad, 1300 works in the permanent collection. That is what 30 years of the Fondation Cartier represent”, Alain Dominique Perrin, president of the Fondation, points out in his speech on the opening day of the exhibition Vivid Memories.
Casa de la Hacienda La Trinidad (HLTPC), Caracas
In 1980, the exhibition Didáctica y dialéctica del color, by master of color Carlos Cruz-Diez (Venezuela, 1923), was held at the Universidad Simón Bolívar (USB), Caracas.
At the core of Ricardo Rendón's artistic process is the notion that there are endless possibilities of creation starting from an already given set of elements.
Beyond the vernacular-artistic manifestations that strive to understand what is produced in and from the Caribbean as an eclectic amalgamation of ancestral and cultural links, the work of artist Zilia Sánchez (1926) has developed amidst notions of rupture, which have a long tradition in the modern and contemporary art production of Latin America.