Arte Al Día / International



Current Issue

#145

Museum Exhibitions

Airmail Paintings in exile scattered throughout the world; a mural in the form of a big puzzle made of tourist brochures and magazines; visual cacophony generated by a terrifying urban development; violence transmuted into song.

Interview

Playfulness –in its most genuine and lighter expression, yet one that is capable of shaking our world imaginaries – is, like the shadow of Pablo León de la Barra, the new Guggenheim UBS MAP Global Art Initiative Curator of Latin American Art, inseparable from his figure. An invaluable advantage for the contemporary art of the region, which he will bring to the iconic New York museum during his two-year residency.

Featured video

Pinta

Reviews

  • Cabildo Histórico, Córdoba

    There was a time when the relatively small city of Córdoba was a great capital of American art and culture. The 1960s shook the planet, and in the central region of Argentina, this could be perceived in the streets.

  • Virginia Miller, Miami

    The Silent Shout… shows the continuity of abstraction in Cuba from the mid-twentieth century to the present, contributing to complete the map of that vast current that spanned the continent, including the Caribbean, ...

  • Flora, Bogotá

    After being exhibited at the Calouste Gulbenkian Foundation (Portugal), the Museum of Modern Art in Malmö (Sweden), the National Museum of the 21st Century Arts - MAXXI (Italy), the Pinacoteca of the State of São Paulo (Brazil) and the University Museum of Contemporary Art of the National Autonomous University of Mexico UNAM (Mexico), a part of the installation Plegaria muda arrived at the Flora Foundation in Bogotá.

Artists

Beyond the vernacular-artistic manifestations that strive to understand what is produced in and from the Caribbean as an eclectic amalgamation of ancestral and cultural links, the work of artist Zilia Sánchez (1926) has developed amidst notions of rupture, which have a long tradition in the modern and contemporary art production of Latin America.

Enrique Martínez Celaya’s summer 2013 exhibition at SITE Santa Fe follows a 2011-12 installation of Schneebett (2004) at the Miami Art Museum, and provides an opportunity to survey his career.

Between Drawing as Action and Drawing as Interaction

For many of the people who are part of the field of art, the first artistic project that Nicolás Paris publicly inscribed in the world was the book Doblefaz, published in 2008.


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