Arte Al Día / International

Current Issue

  • ARTBO, the International Art Fair of Bogotá (Nov. 23–27), celebrated its tenth anniversary with a big bang! An estimated 7,000 people attended opening night; at the end of five-days, some 30,000 visitors had been counted.

  • “How to (…) things that don’t exist”

    As of September 6, the latest Bienal de São Paulo, one of the doyennes of the world biennial circuit, will be open to the general public. And emphasis should be laid on the expression “general public” because, even though since 2004 admission has been free of charge and the educational program of the Bienal has broadened its scope year after year, on this occasion several gestures indicate an opening to a new conception of the collective...

  • With 30 galleries from Europe, USA and Latin America, 12 Pop_Up Spaces representing the tendency of Chilean pop art, 19 publishers and three collections on display, the Ch.ACO Art Fair will hold its sixth version with an attractive cultural agenda of artistic proposals.

  • Ciudad de La Laguna, Tenerife.

    The exhibition El Dibujo Fuera de Sí: Tríptico de Venezuela (1970-2014) will be held from July 11 through September 21 at the Sala de Arte of Instituto de Canarias Cabrera Pinto, La Laguna, Tenerife (Spain).

Museum Exhibitions

The Blanton Museum of Art at the University of Texas at Austin has been gifted approximately 120 modern and contemporary Latin American artworks from UT alumni Judy and Charles Tate of Houston.


A Gaze Turned Towards Latin America

The Museum of Modern and Contemporary Art of Palma, Majorca, Es Baluard, is beginning a promising stage under the direction of Nekane Aramburu.

Featured video

Video: Turn Me On: European and Latin American Kinetic Art 1948-1979


  • Galería Paralelo, Sao Paulo

    For some time, we had been hoping to see in Sao Paulo one of its great artists, who has been living in Berlin for over 20 years.

  • Marine Veilleux, Paris

    At first glance, the pencil drawings by Daniel Otero Torres (Bogotá, 1985) elicit joy and fill the viewer with wonder.


Beyond the vernacular-artistic manifestations that strive to understand what is produced in and from the Caribbean as an eclectic amalgamation of ancestral and cultural links, the work of artist Zilia Sánchez (1926) has developed amidst notions of rupture, which have a long tradition in the modern and contemporary art production of Latin America.

Enrique Martínez Celaya’s summer 2013 exhibition at SITE Santa Fe follows a 2011-12 installation of Schneebett (2004) at the Miami Art Museum, and provides an opportunity to survey his career.

Between Drawing as Action and Drawing as Interaction

For many of the people who are part of the field of art, the first artistic project that Nicolás Paris publicly inscribed in the world was the book Doblefaz, published in 2008.

Copyright©2003-2014 Arte al Día. Todos los derechos reservados