News

Ph: Bienal SIART 2018

Within the framework of the tenth SIART International Art Biennial, in Bolivia, which ends tomorrow, the artist Sonia Cunliffe represented Peru with the El Guerrillero Heroíco project. Through the archival photography and the appropriation of objects, the Peruvian artist reconstructs the revolutionary political scene in Latin America after the Cuban revolution.

BOLIVIA: SONIA CUNLIFFE AT THE TENTH SIART INTERNATIONAL ART BIENNIAL

Ph: Texas A&M College of Engineering

Supported by Christopher Grimes Projects, large-scale artistic and architectural projects promoter organization, the artist Iñigo Manglano-Ovalle (Madrid, 1961) completed a site-specific installation at the Texas A&M College of Engineering at to inaugurate the new program of art in said institution.

CHRISTOPHER GRIMES PROJECTS PRESENTS IÑIGO MANGLANO-OVALLE'S INSTALLATION AT A NORTH AMERICAN INSTITUTION

MERCEDES AZPILICUETA EXPLORES PHYSICAL AND ORAL LANGUAGE BORDERS

At the Modern Art Museum of Buenos Aires (MAMBA), an individual exhibition of Argentine artist Mercedes Azpilicueta is exhibited until 3rd of March. Through video installations and sound pieces, Cuerpos Pájaros (Birds Bodies) explores the hidden resources of expression: gestures, breathing and tone.

MERCEDES AZPILICUETA EXPLORES PHYSICAL AND ORAL LANGUAGE BORDERS

Luz Broto, Tensar una línea entre dos interiores paralelos, Instalación site-specific, FLORA ars+natura 2018.

As a closing of what was Escuela Flora 2018 program, FLORA ars + natura opens its doors with The Cat is Killing the Birds, but I Love her Anyway collective exhibition. After a collective exchange carried out in the Bogota (Colombia) headquarters, more than twenty Latin American artists exhibit their work.

ESCUELA FLORA CLOSES IT'S 2018 EXCHANGE PROGRAM WITH A COLLECTIVE EXHIBITION IN BOGOTÁ

THE JCMAC COLLECTION PRESENTS A DIALOGUE BETWEEN INDIGENOUS CULTURES AND MODERN ART

Under Ariel Jimenez curatorship, the Juan Carlos Maldonado Art Collection (JCMAC) presents Convergences / Divergences, Primitve Source of The Modern. The exhibition opens on Friday, November 30 - within the framework of  Miami’s art week - in the Miami Design District Center of the organization and will take place until May 4th, 2019.

THE JCMAC COLLECTION PRESENTS A DIALOGUE BETWEEN INDIGENOUS CULTURES AND MODERN ART

GALERIA MURILO CASTRO INAUGURATES NEW SPACE IN MIAMI

With a collective exhibition titled This is Brazil, the prestigious Galeria Murilo Castro Gallery inaugurated its new space based in Miami. The expansion not only means an opening to the international market, but also as the positioning as a one of the most important galleries in Brazil.

 

GALERIA MURILO CASTRO INAUGURATES NEW SPACE IN MIAMI

Ph: Pablo Jantus.

This afternoon at the Museum of Latin American Art of Buenos Aires (MALBA) auditorium, under the exhibition curator Jimena Ferreiro’s and Rafael Cippolini’s tutelage inaugurates Pablo Suárez. Narciso Plebeyo. Constituted as a huge retrospective of the South American artist Pablo Suárez (Buenos Aires, 1937-2006), the exhibition will be exhibited in the museum until February 18th.

PABLO SUÁREZ. NARCISO PLEBEYO: HUGE RETROSPECTIVE AT THE MUSEUM OF LATIN AMERICAN ART OF BUENOS AIRES

TANIA BRUGUERA AND HANS ULRICH OBRIST AT ASCOA

Within the framework of the collective exhibition Lydia Cabrera and Édouard Glissant: Trembling Thinking opened in October at the America Society / Council of the Americas (ASCOA) gallery, the artists Tania Bruguera and Hans Ulrich Obrist will carry out a discussion that will revolve around it.

TANIA BRUGUERA AND HANS ULRICH OBRIST AT ASCOA

CHEPU, videostill. Nicolás Rupcich.

In the framework of the 2018 Ciudad Pantalla Festival, Die Ecke Arte Contemporáni Chilean gallery announces its participation with Nicolás Rupcich video art CHEPU. On exhibition until January 25th, the festival inaugurates tomorrow as part of the LOOP Barcelona Fair.

NICOLÁS RUPCICH AT 2018 CIUDAD PANTALLA FESTIVAL

Pulso, Nicolás Mascchiaro.

Until March 10th, at Buenos Aires Museum Modern Art,Nicolás Mastracchio’ssolo show Pulso is presented. With artworks hanging from the ceiling, the Argentine artist creates an ecosystem where the viewer turns his entire body to space.

PULSO: A FLOATING EXHIBITION AT THE BUENOS AIRES MODERN MUSEUM ROOMS

Priscilla Monge. Ph: M. López

Until December 10th, at TEORéTica space, Ejercicios de Autonomía (Autonomy Exercises) collective exhibition of Costa Rican artists Priscilla Monge and Victoria Cabezas is presented. Under the curatorship of Miguel Ángel López the works of each one are opposed in a constant symbolic confrontation.

AUTONOMY EXERCISES AT TEORÉTICA

Ph: Felipe Berndt

To close its 2018 program, Galería Leme presents an individual exhibition by Mauro Piva (Rio de Janeiro, 1977). Bringing together the most recent productions of the Brazilian artist, the space of the gallery is intervened by six paintings, eight sculptures and a large scale site-specific installation.

MAURO PIVA AT GALERIA LEME

A PUPPETS GLOBAL TRAGEDY AT THE JUMEX MUSEUM

Until December 2nd at the Jumex Museum in Mexico Los robots no lloran,(Robots don’t cry)  unprecedented exhibition produced by Mexican artist Pedro Reyes is presented. As a "puppet artwork", the play is a dialogue performed by puppets representing contemporary public figures such as Noam Chomsky, Karl Marx, Elon Mus, Ayn Ran and Donald Trump.

A PUPPETS GLOBAL TRAGEDY AT THE JUMEX MUSEUM

Ph: Repeating Islands blog.

Tony Bechara, El Museo del Barrio's esteemed Chair Emeritus of the Board of Trustees, has made a gift of one million dollars to support the museum's growing curatorial and education programs, as well as its endowment.

TONY BECHARA MAKES AN IMPORTANT DONATION TO EL MUSEO DEL BARRIO IN NEW YORK

Nunatak or II, 1971. Colección Per Amor a l'Art

At the Bombas Gens Centre d’Art in Valencia, inaugurates tomorrow a solo show by the Norwegian artist Anna-Eva Bergman (1909-1987). Under the curatorship of Nuria Enguita and Christine Lamonthe, Fom North to South, Rythmswill be open to the public until May 2019 in the Spanish cultural center.

ANNA -EVA BERGMAN THROUGH LANDSCAPE

DANH VO AT CASA LUIS BARRAGÁN IN MÉXICO

Until January 13th at Estancia FEMSA and Casa Luis Barragán an individual exhibition of the renowned Danish artist Danh Vo (Bà Rịa, Vietnam, 1975) is presented. Constructed by pieces and interventions created especially for this venue, Jardín con palomas al vuelo (Garden with pigeons) explores the architecture and the life of the objects and people who have inhabited Casa Luis Barragán a long it’s history.

DANH VO AT CASA LUIS BARRAGÁN IN MÉXICO

Claudia Lozano, Chico, 2018.

I Don’t Wanna Wait for Our Lives to Be Over marks the first solo museum exhibition in the United States for Manuel Solano. Working across mediums, Solano explores issues of identity and its formation by drawing from their personal life, memories, and popular culture. The exhibition will be open until April 14th.

MANUEL SOLANO: I DON'T WANNA WAIT FOR OUR LIVES TO BE OVER

ART AND CULTURE AT REQUÍNOA GARDENS (CHILE)

For the second year in a row, the Fundo Las Cabras gardens(Requínoa, Chile) will host the Thirteen Gardens Art Encounte. With the participation of more than forty Latin American artists, including Alejandro Quiroga, Paula de Solminihac, Álvaro Muñoz Fátima Pecci, Catalina Andonie, Ignacio Gumucio, Esperanza Rojo, Hugo Leonello, Antonia Daiber, Bastián Arce and Amanda Hansen, the meeting will begin in November 10 and will remain until the 18th of the same month.

ART AND CULTURE AT REQUÍNOA GARDENS (CHILE)

UNIDAD MÍNIMA: A COLLECTIVE EXHIBITION THAT PUTS IN QUESTION CONTEMPORARY ART FORMS OF EXHIBITION AND MANAGEMENT

Until November 13th at Espacio El Dorado (Bogotá, Colombia), international collective exhibition Unidad Mínima (Minimum Unit) is exhibited. The exposition is formed by a wide range of Latin American artists and spaces from the region -UV Estudios (Buenos Aires), Sagrada Mercancía (Santiago de Chile), KM 0.2 (San Juan de Puerto Rico) and Espacio El Dorado-.

UNIDAD MÍNIMA: A COLLECTIVE EXHIBITION THAT PUTS IN QUESTION CONTEMPORARY ART FORMS OF EXHIBITION AND MANAGEMENT

Sin título (Techo Suspendido Inclinado). Ph: Kristien Daem

Under president of the Botín Visual Arts Advisory Committee Foundation Vicente Todolí's curatorship, Cristina Iglesias: Interspaces is exhibited as a large-scale individual exhibition of one of the most recognized Spanish artists on the international scene. Including her most recent works, the sample condenses a large part of Iglesias' career.

CRISTINA IGLESIAS CREATES A MICROCOSM

CRISTIAN SEGURA AT MAR DEL PLATA'S MAR MUSEUM

From an extreme dialogue with the physical space of the Museo MAR (Mar del Plata, Argentina), Cristián Segura presents three large scale photography and a documentary short film that illustrate the site-specific performance carried out during 2017 in the museum. X-Museum has been produced by the Tandil artist for the museum’s special request so to be exhibited for a whole year (from December 15th, 2017, to December 15th, 2018).

CRISTIAN SEGURA AT MAR DEL PLATA'S MAR MUSEUM

Beatriz González, installation view at KW Institute for Contemporary Art. Ph: Frank Sperling

Until January 16, 2019, the KW Institute for Contemporary Art holds a large-scale retrospective of the world-renowned Colombian artist Beatriz González (Bucaramanga, 1938). The space located in Berlin exhibits more than sixty years of production housing 120 works of the Colombian artist during 1965-2017 period.

BEATRIZ GONZÁLEZ: FROM COLOMBIA TO BERLIN

Ante la ley, Res 2012.

Yesterday at ROLF ART Gallery (Buenos Aires, Argentina) inaugurated Una memoria Tosca (A Rough Memory), RES individual exhibition with the collaboration of Guillermo Galíndez and Osvaldo Ruiz. Referring to the Cordobazo events on May 29, 1969, RES work questions the drained intervals of memory and memory in related to insurrectionary events.

A ROUGH MEMORY: A MEMORY RECONSTRUCTION

Lament of the images, Alfredo Jaar, 2002.

The 11th Hiroshima Art Prize, awarded by the Japanese city since 1989, has selected the Chilean artist, architect and filmmaker Alfredo Jaar as the winner of 2019. Every three years, the award is given to an artist who has contributed throughout his career with peace construction.

ALFREDO JAAR, WINNER OF THE 11TH HIROSHIMA ART PRIZE

MACBA: NEW POSSIBILITIES TO BUILD THE FUTURE

At the Museu d'Art Contemporani de Barcelona (MACBA), the collective exhibition In the Open or in Stealth curated by Raqs Media Collective proposes a space for temporary exploration where the future is constituted from diverse histories and geographies. Established this dialogue, the exhibition presents a series of possibilities, relationships and interconnected paths.

MACBA: NEW POSSIBILITIES TO BUILD THE FUTURE

A BIENNIAL THAT INTENDS TO CHANGE THE METHODOLOGICAL STRUCTURES

The XIII FEMSA Biennial- We Have Never Been Contemporary held in Zacatecas, Mexico, opened on October 25th with a novelty: a model of collaborative work among all cultural institutions in the state of Zacatecas. In this way, the Biennial establishes a dialogue from local towards the global cultural context.

A BIENNIAL THAT INTENDS TO CHANGE THE METHODOLOGICAL STRUCTURES

ROBERTO HUARCAYA AT THE ART MUSEUM OF THE AMERICAS

The Art Museum of the Americas (OAS AMA) and the Permanent Mission of Peru to the OAS present Amazogramas an individual exhibition by the Peruvian photographer Roberto Huarcaya. Under the curatorship of Alejandro Castellote, large-scale works exhibition of Huarcaya opens on November 15th and will remain in the museum until January 27th.

ROBERTO HUARCAYA AT THE ART MUSEUM OF THE AMERICAS

Abismare, Juan Sebastián Carvajalino.

Until November 24, at the Museum of Visual Arts (Bogotá, Colombia) exhibits Ánima(l), a thougth on human-animal relations, a collective exhibition that emerged from the research-creation project held at the School of Arts of Utadeo Poéticas de lo cotidiano, estéticas de la vida (Everyday Poetics, Life Aesthetics) which involved teachers, students and graduates of the School, along with other guests.

IN COLOMBIA, A COLLECTIVE EXHIBITION EXPLORES RELATIONS BETWEEN HUMANS AND ANIMALS

ANDREA GIUNTA, THE NEW CURATOR IN CHIEF OF THE MERCOSUL BIENNIAL FOUNDATION

The Mercosul Biennial of Visual Arts Foundation announced the Argentine curator Andrea Giunta as the chief curator of the exhibition that will be held at the Art Museum of Rio Grande do Sul and Santander Cultural (Porto Alegre, Brazil) on April 9th to July 5th, 2020. With a critical eye, the election of Giunta involves the links between art, feminism and emancipation exploration.

ANDREA GIUNTA, THE NEW CURATOR IN CHIEF OF THE MERCOSUL BIENNIAL FOUNDATION

Esos muchachos! - Santiago Erausquin.

On November 2nd Tres (Three) colective exhibition by Julio Alan Lepez, Paz Bardi and Santiago Erausquin, is held at the new Espacio Ftalo, located in Gorriti 3864 Street (Buenos Aires, Argentina), beein this the first collective exhibition of paintings in the space. Originated as an interdisciplinary project for the visualization of contemporary works, mainly figurative, Ftal opens its doors for third times in the year.

THREE, AN EXHIBITION THAT EXPLORES COTIDANEITY THROUGH FIGURATIVE PAINTING