THE GLACIER AND ITS ANDEAN GUARDIANS: ÁNGELA PONCE IN NEW YORK

The photographic work of the Peruvian artist reveals the lived realities of Andean communities in the face of climate change.

News

THE GLACIER AND ITS ANDEAN GUARDIANS: ÁNGELA PONCE IN NEW YORK

The photographic work of the Peruvian artist reveals the lived realities of Andean communities in the face of climate change.

OPEN CALL FOR THE 2026 INTERNATIONAL SUMMER PROGRAM

A four-week intensive residency at The Watermill Center brings together artists from diverse disciplines in an experimental and collaborative environment. Application deadline: Wednesday, February 18, 2026.

Open
Open Calls

OPEN CALL FOR THE 2026 INTERNATIONAL SUMMER PROGRAM

A four-week intensive residency at The Watermill Center brings together artists from diverse disciplines in an experimental and collaborative environment. Application deadline: Wednesday, February 18, 2026.

THE CENSORSHIP OF MOURNING: SOUTH AFRICA AND THE 2026 VENICE BIENNALE

The exclusion of Gabrielle Goliath’s work due to its reference to Gaza exposes the tensions between memory, mourning, and political power in contemporary art.

By Méndez, Violeta
News

THE CENSORSHIP OF MOURNING: SOUTH AFRICA AND THE 2026 VENICE BIENNALE

By Méndez, Violeta

The exclusion of Gabrielle Goliath’s work due to its reference to Gaza exposes the tensions between memory, mourning, and political power in contemporary art.

ANTONIO PAUCAR'S ANDEAN POETICS RECOGNIZED BY ARTES MUNDI

The AM11 international prize brings visibility to a practice rooted in collective experience and a sensitive engagement with the landscape.

News

ANTONIO PAUCAR'S ANDEAN POETICS RECOGNIZED BY ARTES MUNDI

The AM11 international prize brings visibility to a practice rooted in collective experience and a sensitive engagement with the landscape.

MALBA ANNOUNCES RODRIGO MOURA’S DEPARTURE AS ARTISTIC DIRECTOR

The museum prepares for a new institutional phase ahead of its 25th anniversary.

News

MALBA ANNOUNCES RODRIGO MOURA’S DEPARTURE AS ARTISTIC DIRECTOR

The museum prepares for a new institutional phase ahead of its 25th anniversary.

WILD TONGUES: THE ART OF RESISTANCE
By Gaissert, Anna
Reviews

WILD TONGUES: THE ART OF RESISTANCE

By Gaissert, Anna
January 28, 2026
EIGHT KEY LATIN AMERICAN ART EXHIBITIONS TO SEE ACROSS EUROPE IN 2026

From historical retrospectives to immersive installations and new commissions, museums across the continent will host the work of seminal artists.

News

EIGHT KEY LATIN AMERICAN ART EXHIBITIONS TO SEE ACROSS EUROPE IN 2026

From historical retrospectives to immersive installations and new commissions, museums across the continent will host the work of seminal artists.

NOTES ON GABRIEL VALANSI AT DOT FIFTYONE GALLERY, MIAMI
By Sánchez Prieto, Margarita
Reviews

NOTES ON GABRIEL VALANSI AT DOT FIFTYONE GALLERY, MIAMI

By Sánchez Prieto, Margarita
January 26, 2026
ÁUREA. Castro Prieto. El viejo saber, 2018

By Álvaro de Benito

The group exhibition features the participation of Cecilia Paredes and Luis González Palma, offering a necessary perspective from Latin America on the golden as a sign of wealth and temporal transcendence.

Galleries

VISIONS OF GOLD AS A SYMBOL OF POWER AT BLANCA BERLÍN

Until 03/07/2026
Madrid, Spain
LINETT, ZEVALLOS VILLEGAS AND SARAVIA: LATIN AMERICAN PRESENCE IN VISIÓN Y PRESENCIA 2026

The three artists will bring their unique Latin American perspectives to reflect on the global themes addressed by the cycle: feminism, historical memory and power relations.

By De Benito, Álvaro
News

LINETT, ZEVALLOS VILLEGAS AND SARAVIA: LATIN AMERICAN PRESENCE IN VISIÓN Y PRESENCIA 2026

By De Benito, Álvaro

The three artists will bring their unique Latin American perspectives to reflect on the global themes addressed by the cycle: feminism, historical memory and power relations.

WHEN A RENAISSANCE PAINTER OUTDRAWS CONTEMPORARY ART

The current exhibition devoted to Beato Angelico at Palazzo Strozzi is not only an art-historical event but also a revealing case study in how audiences engage with art today. It is the first major exhibition dedicated to the artist in more than seventy years (last time was in 1955) , and its success goes well beyond scholarly importance.

By Sancho-Arroyo, María
MARKET

WHEN A RENAISSANCE PAINTER OUTDRAWS CONTEMPORARY ART

By Sancho-Arroyo, María

The current exhibition devoted to Beato Angelico at Palazzo Strozzi is not only an art-historical event but also a revealing case study in how audiences engage with art today. It is the first major exhibition dedicated to the artist in more than seventy years (last time was in 1955) , and its success goes well beyond scholarly importance.

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