On exhibition at the Fondation Cartier pour l'Art Contemporain is the first retrospective of Fernell Franco (1942-2006), an important, though still little-known, figure in Latin American photography.
Fernell Franco: Cali Clair Obscur. Fondation Cartier, Paris
The exhibitions by experienced artists Gerardo Goldwasser and Pablo Uribe held at Galería del Paseo evidence a shared sensibility and a similar placid atmosphere. By different means, the two shows by artists of the same generation look to ancestral traces and give rise to a multiplicity of meanings.
Goldwasser - Uribe: El sistema de los otros. Galería del Paseo, Punta del Este
Hugo Aveta lives by his work in that infinite universe of halftimes that avoid and survive finiteness.
Hugo Aveta: Sintomas, la imagen sin nombre. El Gran Vidrio. Argentina
The removal of a section of the obelisk, as well as the fiction of transporting it and the choice of the new setting, not only formulates the artist’s political and conceptual agenda but also activates the senses.
Leandro Erlich: La democracia del Símbolo. MALBA. Buenos Aires
Lampo is a pause and change in pace in the programming of NC-arte, as well as the first major show by Macchi in Bogotá.
Jorge Macchi: Lampo. NC – arte. Colombia
The design of this exhibition prioritizes his almost fifty-year search for the specificity of the Americas.
Pérez Celis: Testimonio americano. Museo Nacional de Bellas Artes. Buenos Aires
Muu Blanco’s strategy consists of selecting images by Gasparini and placing on them elements that make reference to Blanco’s daily life.
Muu Blanco: NCTx13 Sample, Photographs & Music. ArtMedia Gallery, Miami
The exhibition displays the different stages of the long journey that was Lam’s life as well as the varying courses of his production.
Wifredo Lam: O la modernidad transcontinental. Centre Georges Pompidou, París
Josefina Guilisasti's work restores the anthropological, historic, and cultural value of objects that no longer have a voice.
Josefina Guilisasti: A Matter of Perception. Cecilia Brunson Projects, Londres
The exhibition was not a happening but that happened: a project featuring the architecture of emotion rendered as a portable party thanks to the abracadabra that completed the sound decoration.
Studio R & R: Ceci n'est pas happening. Monoambiente. Buenos Aires
The space directed by Eleonora Molina presents an exhibition that has the optical illusions as starting point.
Augusto Zanella & Luis Rodríguez: Mambo. Miranda Bosch, Buenos Aires
Duville traslada al espacio tridimensional ese mapa mental de motivos que caracterizan su obra.
Matias Duville: Arena Parking. Centro Cultural Recoleta, Buenos Aires
Carle Catafago’s vistas celebrate the extraordinary landscapes south of the South, and convey, at the same time, their disturbing fleetingness.
Christian Carle Catafago: Monumentos a la deriva. Praxis Arte Internacional. Buenos Aires
We could feel that the whole exhibition becomes a poem, that as soon as it anchors us to a meaning and an experience, it immediately produces a new estrangement to make way for another meaning and another experience.
Martin Legón: Las fuerzas productivas. Barro Arte Contemporáneo, Buenos Aires
Azar and Miño’s exhibition is not a literal commentary on “the remains of triumph;” its musicality opens up other horizons.
Amadeo Azar & Jorge Miño: Los restos del Triunfo. Fundación Klemm, Buenos Aires
Arte x Arte debuts its new stage as a foundation with an exceptional exhibition that investigates the intersections between painting and photography.
In fraganti. Fotografía y pintura. ArtexArte. Buenos Aires
Medail presents an exhibition in where debate is the obsessions with perfection with roots in romantic thinking of a documentary photography that aspires to be ontology: to show the essence of things exactly as they are.
Francisco Medail: Parte. Studio 488, Buenos Aires
The exhibitionfeaturing works by the photographer Adriana Lestido at Rolf Art, displays two impressive and beautiful photographic essays, developed in Mexican territory in 2010.
Adriana Lestido: Mexico. Rolf Art, Buenos Aires
In the work of Vic Muniz, the materials have an economy, a social and political history, or a technology that begs to be included in the discourse.
Vik Muñiz: Buenos Aires. Muntref
Cotina was not a professional photographer but through the lens of his camera he captured the loneliness, the fog and the beauty of the everyday in a way that had never been seen before.
Alfredo Cortina: Photographer. Museo de Arte Contemporáneo del Zulia, Maracaibo
Durban Segnini Gallery celebrates its twenty۔third anniversary at the local level and forty۔five years of existence, with an alluring collective exhibition.
Abstraction and Constructivism: Continuity and Breakdown of Latin-American Modernity. Durban Segnini, Miami
The exhibition underscores the work developed by the artist during the 1970s, when his proposal became an unequivocal turning۔point within the tradition of modern Venezuelan art.
Eugenio Espinoza: Unruly Supports. PAMM, Miami
There are no frontal or precise ideas in this show; what prevails at all times is a tangential, oblique discourse.
Mateo Tannatt: Horse. Gallery Diet, Miami
Yoan Capote’s exhibition inhabits binary spaces. Two galleries of work explore two seemingly contradictory themes: physical and mental suppression, and human resilience.
Yoan Capote: Collective Unconscious. Jack Shainman, New York
Lucía Pizzani’s exhibition at Cecilia Brunson Projectsfeatures a series of four works revolving around the relationship between nature, gender and materiality.