Reviews
The consistency of the work produced by Juan Melé harmonizes with the exhibition space in the Galerie Argentine − Argentine Embassy. In a curatorial exercise detached from chronological organizations, the show develops organically amidst paintings, sculptures and engravings.
One of the most important images of the Colombian cultural imaginary is that of the Tequendama Falls; nineteenth-century renditions by Alexander von Humboldt or Manuel María Paz have accompanied traveler’s books and books about Colombian history to our days.
Each time one has the chance to revisit Tunga’s (Palmares, Brazil, 1952) oeuvre, one may confirm both the passion he has for his work and the magic that the discovery of this passion produces.
In an interview with Jesús Soto conducted by art critic and curator Guy Brett in 1965, the artist commented on how difficult it was for the spectator to understand abstract art as something based on life itself.
Carola Bravo is an architect, art historian and artist. These characteristics are evident in her work in the field of the visual arts. For any architect or engineer, it is customary to work with contours in topography.
Catalina Parra (Chilean, born 1940) is a conceptual artist, whose career spans from the early 1970s to the present, addressing contemporary socio-political issues through the appropriation of images and language taken from mass media.
