Reviews
Karina Peisajovich’s recent exhibition, entitled “The eyes, sometimes”, features in the manner of an exploration of the intimate process of creation, the three possible scenarios: the studio, the encounter with nature, and the experience itself as a space for reflection.
Emilia Azcárate’s (Caracas, Venezuela, 1964) most recent work offers us a new vision of the passage from the bidimensionality of the canvas to the three-dimensional object, which goes beyond the studies of depth that may be performed on the plane and that affords the latter a new form of life.
With Biblioteca Mallarmé, Jorge Méndez Blake (Guadalajara, Mexico, 1974) embarks once again on an exploration of the boundaries and conjunctions between literature, art and architecture, which are recurring elements in his production and the subject of a fruitful study.
At the temporary headquarters of Spinello Projects, a currently abandoned kindergarten building, Agustina Woodgate, (Buenos Aires, 1981) intervened in the space with an installation, If these walls could talk.
Looking into the work of Rodrigo Echeverri implies a risk. The strength that his compositions radiate arouses mixed feelings.
Five Miami-based Cuban artists aligned with the Neo-Expressionist tradition – Yovani Bauta, Frank Chinea Inguanzo, Carlos A. Díaz Barrios, Vicente Dopico-Lerner, and Ramón Lago − gathered together in a gallery that is deliberately marginal and warmly human: Barrio Workshop Artspace.
